Colloque international : « Carthusians and Images », Louvain (Belgique), 15-17 mai 2025

Colloque international : « Carthusians and Images », Louvain (Belgique), 15-17 mai 2025

Colloque international « Carthusians and Images. New Perspectives on Religious Art and Devotional Culture in the Late Medieval and Early Moderne Charterhouse » organisé par Ingrid Falque, Naïs Virenque et Tom Gaens (UAntwerpen)

15 -17 mai 2025
Leuven (Belgique), Karthuis (Tervuursevest 242c – site de l’ancienne chartreuse de Louvain)

Inscription : ingrid.falque (at)uclouvain.be

Infos : https://www.uclouvain.be/fr/instituts-recherche/incal/gemca/events/les-chartreux-et-les-images.-nouvelles-perspectives-sur-lart-et-la-culture-devotionnels-cartusiens-a

Programme :

Thursday May 15

9.00-9.30          Welcome

9.30 – 10.00     Introduction to the conference by Ingrid Falque

Session 1          Carthusians and Art: Discourses and Material Culture

10.00 – 10.20   Thor-Oona Pignarre-Altermatt (UCLouvain), Carthusian Discourses on Images: A Comparison between Dionysius, Blomevenna, and Lanspergius

10.20 – 10.40   Stephen Molvarec SJ (Boston College), The Charterhouse of Vauvert, Material Culture, and Eustache Le Sueur’s Images of Carthusian Life

10.40 – 11.00   Discussion

11.00 – 11.20   Coffee break

 Session 2          Images and Carthusian Identity

11.20 – 11.40   Tonino Ceravolo (Deputazione di Storia Patria per la Calabria), The Carthusian Identity in the Engravings between the 16th and 17th Centuries

11.40 – 12.00   Romeo Pio Cristofori (Civic Museums of Ferrara), with Elisabetta Lopresti & Giuliana Marcolini. The “Golden Century” of Carthusian Art in the Domus Sancti Cristophori prope Ferrariam: Priors and Painters ad maiorem Ordinis Cartusiensis gloriam in the 17th Century

12.00 – 12.20   Discussion

Lunch break

 Session 3          Carved Images for Carthusian Churches 

14.00 – 14.20   Marcello Angheben (Université de Poitiers). Entre spiritualité cartusienne et programme politique : le retable de la chartreuse de Miraflores

14.20 – 14.40   Irene Graziani (Università di Bologna). ‘Wooden Prayers’: Biagio de Marchi and the Choir Stalls of the Certosa di San Girolamo in Bologna

14.40 – 15.00   Discussion

15.00 – 15.15   Coffee break

Session 4          Carthusian Images for Communal Use 

 15.15 – 15.35   Cécile Beuzelin (Université Paul-Valéry-Montpellier 3). Le cycle de la Passion du Christ pour le grand cloître de la Chartreuse de Galluzzo (1523-1527) : une invention de Jacopo Pontormo ?

15.35 – 15.55   Nicolas Sarzeaud (Villa Médicis). Vénérer la contrefaçon : un culte à copie du saint Suaire dans la chartreuse de Cologne sous le prieurat de Pierre Blomevenna.

15.55 – 16.15   Giovanni Malpelo (Certosa di Farneta). The Frescoes by Stefano Cassiani in the Vault of the Church of the Certosa di Farneta (Lucca): The Theological Reasons for an Iconographic Choice

16.15 – 16.45   Discussion

Friday May 16

 Session 5          Carthusian Images for Meditation and Devotion 

 9.40 – 10.00     Zuzana Bolerazká (Charles University). Hortus conclusus and the Carthusian Devotion

10.00 – 10.20   Harald Goder. The Carthusians as Manufacturers and Commissioners of Art Objects: Three Examples from Jülich, Dülmen and Cologne

10.20 – 10.50   Discussion

10.50 – 11.10   Coffee break

Session 6          Didactic and Meditative Images in the Charterhouse

11.10 – 11.30   Mitchell Merback (John Hopkins University). Christ-Wisdom Among the Carthusians

11.30 – 11.50   Sarah Borges (EHESS). Des roses et du sang: le Rosaire du MS Egerton 1821 de la British Library

11.50 – 12.20   Discussion

Lunch break

Session 7          Images et moniales cartusiennes

14.00 – 14.20   Sergi Sancho Fibla (Université Clermont Auvergne). Visual Culture at the Nunnery. Medieval and Early Modern Carthusian Nuns and their Devotional Images

14.20 – 14.40   Thomas Jérôme. Etre et s’imaginer : la question de l’identité des moniales chartreuses à travers les sources scripturaires, artistiques et archéologiques

14.40 – 15.00   Discussion

15.00 – 15.20   Coffee break

 Visit to Alamire Foundation/Park Abbey

15.30               Departure by bus at KartHuis

16.00 – 17.00    Guided visit of the Alamire Foundation/Park Abbey

17.00 – 17.15   Short -break

Session 8          The Leuven Charterhouse: Short Sessions on History, Books, Liturgy and Art (these short sessions will be held at the Mariapoort of the Park Abbey)

17.15 – 17.30   Tom Gaens (UAntwerpen). The Foundation of the Charterhouse of Leuven and Its Relations with the University

17.30 – 17.45    Ingrid Falque (FNRS-UCLouvain). The Stained-Glass Windows of the Great Cloister of the Leuven Charterhouse: Memoria and Spiritual Edification

17.45 – 18.00   Pieter Mannaerts (Alamire Foundation). An Illuminated Carthusian Gradual from Leuven (1506)

18.00 – 18.15   Joseph Bernaer. A Lectern Bible Commissioned by the Carthusians

18.15 – 18.30   Tom Gaens (UAntwerpen). An Illustrated Meditation on the Lord’s Passion, Printed for the Carthusians of Leuven

18.30 – 19.00   Discussion

 

Saturday May 17

Session 9          Approches comparatives : images chez les chartreux et dans les ordres mendiants

9.30 – 9.50       Claire Bourguignon (Université Clermont Auvergne). Art, Culture and Devotion. A Comparative Approach Between the Carthusian and the Mendicant Orders (13th-16thCenturies)

9.50 – 10.10     Valentina Baradel & Davide Tramarin (Università degli Studi di Padova). Contrasting Worlds or Shared Visions? Carthusians, Dominicans, and the Use of Images in Late Medieval Devotional Practices

10.10 – 10.30   Anne-Laure Imbert (Université Paris I-Sorbonne). Les chartreux et sainte Catherine de Sienne

10.30 – 11.00   Discussion

11.00 – 11.20   Coffee break

Session 10        The Spiritual, the Curious, and the Profane in Carthusian Art

11.20 – 11.40   Clara Lieutaghi (EHESS). Trompe-l’œil en Chartreuse, un corpus à décrire ? Le cas du Chevalet du peintre (1686) à la Chartreuse de Villeneuve-lès-Avignon

11.40 – 12.00   Mija Oter Gorenčič (Slovenian Academy of Sciences and Arts). Artworks as Witnesses of Carthusian Perfection, Devotion, (Self-)Representation and Pleasure

12.00 – 12.20   Discussion

12.20 – 12.45   Conclusions

 

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