Posté par Olivier Bonfait, le 16 avril 2026;
- Date limite : 20 avril 2026
 Applications are now open for ten scholars under the age of 36 to apply for a scholarship to participate in the seminar Architectural Drawings in the Renaissance: Anonymous Artists, Copyists, Architects, organized by Guido Beltramini and Bianca de Divitiis, in collaboration with the GDSU.
This event inaugurates an annual seminar series on architectural drawing named after Howard Burns (1939–2025), a leading scholar in the field. The initiative stems from a collaboration between the Kunsthistorisches Institut in Florenz – Max-Planck-Institut (KHI) and the Centro Internazionale di Studi di Architettura Andrea Palladio (CISAAP) and will be held annually around June 10, the date of Burns’ birth.
Each year, the . . . → En lire plus
Posté par Olivier Bonfait, le 16 avril 2026;
- Date limite : 20 mai 2026
The SNSF project Modern Painting and the Lesbian Gaze: Queer Women Artists in Europe, 1900–1950, hosted at the University of Basel’s Institute of Art History and led by Prof. Dr. Charlotte Matter, offers a full-time doctoral position for the duration of 3.5 years.
In analyses of artworks from the first half of the twentieth century, feminist art history has largely overlooked non-heterosexual sexuality and desire, while queer art history has primarily focused on the works of gay men. Against this background, the project proposes the notion of the ‘lesbian gaze’ as a methodological provocation to decentre the male and heterosexual gaze as dominant frameworks for interpreting modern painting. The project brings together feminist and queer approaches to reposition the practices of women painters within queer art history. It adopts an . . . → En lire plus
Posté par Olivier Bonfait, le 16 avril 2026;
 Doctoral Studentship, V&A Museum / Courtauld Institute of Art, London
Oct 01, 2026 Application deadline: Apr 24, 2026
The Victoria and Albert Museum and the Courtauld Institute are pleased to announce the availability of a fully funded collaborative doctoral studentship from 1 October 2026 under the AHRC’s Collaborative Doctoral Partnerships (CDP) scheme. The dissertation project is expected to focus on a selection of Paduan Renaissance bronzes from the V&A’s collection, about which the successful candidate will write extended research-based catalogue entries and a critical essay that contextualises and interprets them as products of the specific artistic culture of the city of Padua.
This project will be . . . → En lire plus
Posté par Olivier Bonfait, le 7 avril 2026;
- Date limite : avant le 13 avril 2026
 LE DEPARTEMENT D’HISTOIRE DE L’ART ET DE MUSICOLOGIE
met au concours :
1 poste d’assistant-e en histoire de l’art contemporain
Conditions :
Être en possession d’un Master en Histoire de l’art contemporain ou d’un titre jugé équivalent. Avoir un projet de recherche doctorale et s’engager à inscrire une thèse dans le domaine de l’histoire de l’art contemporain au sein de l’unité d’histoire de l’art sous la direction de la professeure Giovanna Zapperi. Posséder une excellente maîtrise du français et de l’anglais.
Cahier des charges :
Il s’agit d’un poste à 70% qui passera à 100% dès la troisième année.
Le/la titulaire consacrera . . . → En lire plus
Posté par Olivier Bonfait, le 31 mars 2026;
 Call for Applications for 3 PhD students for 4 years. 100%, Start date September 1, 2026.
On the theory and history of the image in the fields of History, Art History, Ancient History, Egyptology, Digital Humanities, Media Studies, English, German and French Literature, Gender Studies, Latin Studies, Musicology, Philosophy.
The eikones Graduate School at the Center for the Theory and History of the Image at the University of Basel invites applications for three positions for doctoral study on the theory and history of the image for four years beginning September 1, 2026.
Since 2005, eikones has served as a center for research on images from systematic and historical . . . → En lire plus
Posté par Olivier Bonfait, le 14 mars 2026;
- Date limite : 27 avril 2026
 Henry Moore Institute is a world-recognised centre for the study of sculpture. We host a year-round programme of exhibitions, conferences and lectures, as well as developing research and publications, to expand the understanding and scholarship of sculpture. Each year we offer a number of fellowships to enable artists and researchers to develop their work.
The Institute’s Sculpture Research Library holds over 30,000 publications, including books, journals and ephemera and the Archive of Sculptors’ Papers documents the working lives of hundreds of British sculptors. Staff at the Institute have a depth and breadth of knowledge of sculpture and its histories and we enjoy engaging with . . . → En lire plus
Posté par Olivier Bonfait, le 14 mars 2026;
- Date limite : 31 octobre 2026
 Elisa Debenedetti (1933-2024), professor of art history at Sapienza Università di Roma, promoted the study and research of 18th-century arts for decades. Author of important contributions, essays and monographs, she founded and edited the journals “Studi sul Neoclassico” (1973-80) and “Studi sul Settecento Romano” (since 1985), essential points of reference and discussion for researchers and scholars.
The Debenedetti family, in agreement with the Department of History, Anthropology, Religions, Art and Entertainment at Sapienza Università di Roma, the Centro di Studi sulla Cultura e l’Immagine di Roma and the Fondazione Ernesta Besso, have established a biennial prize for an . . . → En lire plus
Posté par Centre Dominique-Vivant Denon, le 27 février 2026;
- Date limite : 15 avril 2026
 Professor Martin Warnke Program, Museo Nacional del Prado, Madrid
Application deadline: Apr 15, 2026
The research stays named after the distinguished art historian Martin Warnke (1937-2019), a scholar of the work of authors as present in the Prado collections as Rubens, Velázquez and Goya, have been instituted by the Museo Nacional del Prado in collaboration with the Goethe-Institut Madrid to facilitate short study stays for academics and researchers with habitual residence in a country of the European Union.
The program provides for a four-week consecutive residency for one researcher.
The residency period is set from September 1 – September 30, 2026. Exceptionally, . . . → En lire plus
Posté par Olivier Bonfait, le 14 février 2026;
- Date limite : 15 avril 2026
Tenure Track Pos., Max Planck Institutes, Lise Meitner Research Group
“Free science is as natural as free breathing.” – Lise Meitner.
 The Max Planck Society (Max-Planck-Gesellschaft zur Förderung der Wissenschaften e.V.) is a world-leading, independent, non-profit research organization with the goal to promote cutting edge basic research. Over 26,000 employees across 85 Max Planck Institutes and research facilities conduct basic research in the life and natural sciences as well as the humanities, social sciences and law and have a strong interest in innovative and interdisciplinary research.
Lise Meitner Research Group (Tenure track positions at Max Planck Institutes) The Max Planck Society invites outstanding applicants to apply . . . → En lire plus
Posté par Olivier Bonfait, le 14 février 2026;
- Date limite : 30 avril 2026
The Madrid Institute for Advanced Study (MIAS) and the Centre d’études Picasso, the research centre of the Musée national Picasso-Paris, are launching a new call for applications for a three-month research residency.
This program aims to support research related to the critical and cultural receptions of Pablo Picasso’s work in Latin America, while fostering academic mobility and scholarly exchange between Madrid and Paris. It is open to researchers and artists holding a PhD and pursuing a career of excellence in the fields of the arts, humanities, social sciences, and law.
The Madrid Institute for Advanced Study (#MIAS) is an international research institute based in Madrid, created and jointly directed by the Casa de Velázquez and the Universidad Autónoma de Madrid, dedicated to academic excellence and interdisciplinary dialogue in the arts, . . . → En lire plus
Posté par direction études et recherche INHA, le 14 février 2026;
- Date limite des candidatures : 15 mars 2026
Appel à candidatures : Bourse Paris–Rome en histoire de l’art numérique 2026-2027
English version HERE
Date limite de candidature : dimanche 15 mars 2026
L’Institut national d’histoire de l’art (INHA) et la Bibliotheca Hertziana – Institut Max Planck pour l’histoire de l’art (BHMPI) proposent une nouvelle bourse de recherche entre Paris et Rome, destinée à des candidates et candidats de niveau doctorat ou postdoctorat.
Description
D’une durée de trois à six mois, cette bourse transnationale vise à soutenir des projets de recherche interdisciplinaires, innovants et expérimentaux dans le domaine des humanités numériques. Elle invite les candidates et candidats à utiliser et mettre en lien les ressources numériques . . . → En lire plus
Posté par direction études et recherche INHA, le 14 février 2026;
- date limite des candidatures : 4 mai 2026
 Appel à candidatures : Carte blanche de l’INHA pour l’histoire de l’art en région
Date limite de candidature : lundi 04 mai 2026
Le dispositif de la Carte Blanche a pour objectif de soutenir une recherche en histoire de l’art menée en consortium par différents acteurs et institutions, au sein d’une région, entre plusieurs régions, ou entre Paris et une région, sur la durée de l’année civile concernée. Il vise à favoriser la collaboration entre les institutions (musées, universités, laboratoires de recherche, écoles supérieures de la création, centres d’art, etc.) ainsi qu’un croisement fécond des méthodes et . . . → En lire plus
Posté par Olivier Bonfait, le 12 février 2026;
- Date limite : 1er mars 2026
The UCL History of Art Department is seeking to appoint a full-time Lecturer in the History of Art, Materials and Technology, to begin on 1 September 2026.
The successful candidate will have a background in art history, conservation, heritage or material science, or associated fields. We encourage applicants whose expertise will complement existing departmental strengths. The successful candidate would be capable of teaching in and overseeing the running of the Material Studies Laboratory. They would join a thriving department with close links to London’s museums and gallery networks and a university with its own important collections. They would contribute to teaching, take on administrative responsibilities, demonstrate ongoing research excellence and generate research income by actively pursuing and applying for appropriate grants. The successful appointee will have a relevant . . . → En lire plus
Posté par Olivier Bonfait, le 12 février 2026;
- Date limite : 30 avril 2026
Two fully funded postdoctoral positions are available to begin in the 2026-27 academic year, working primarily with Professor Cammy Brothers. It is a one year, renewable position.
Candidates must have a Ph.D. or be in their final year of their doctoral program with the expectation of a degree by October 1, 2026. The field is defined broadly as the art and architecture of the early modern Mediterranean world, 1100-1700, but the specific focus is open.
Deadline: Applications should send the following in a single pdf by March 2, 2026: a letter of interest (1 page) indicating the candidate’s background and reason for pursuing a postdoctoral position; a description of the proposed research and writing project to be pursued during the fellowship year (2-4 pages, it can be distinct from the . . . → En lire plus
Posté par Olivier Bonfait, le 12 février 2026;
- Date limite : 10 mars 2026
4A_Lab: Art Histories, Archaeologies, Anthropologies, Aesthetics Fellowships 2026/2029 Predoctoral and Postdoctoral Fellows (M/F/D)
The Berlin-based research, fellowship, and mentoring program 4A_Lab invites excellent early career and mid-career scholars to apply for up to three predoctoral and three postdoctoral residential fellowships (6 to 36 months for predoctoral and 6 to 24 months for postdoctoral fellows).
4A_Lab: Art Histories, Archaeologies, Anthropologies, Aesthetics is a joint program of the Kunsthistorisches Institut in Florenz – Max-Planck-Institut (www.khi.fi.it), and the Stiftung Preußischer Kulturbesitz (www.preussischer-kulturbesitz.de), in collaboration with further partners in Berlin. The Stiftung Preußischer Kulturbesitz is an internationally outstanding cultural and scientific institution with unique museums, archives, libraries, research institutes and facilities. The Kunsthistorisches Institut in Florenz is a highly connected Max Planck Institute for art historical research, in dialogue with other disciplines, . . . → En lire plus
Posté par Olivier Bonfait, le 10 février 2026;
- Date limite : 31 mars, 13h
 Bourse Daniel Arasse
Cette bourse s’adresse à des chercheurs francophones, doctorants ou postdoctorants (pour une première bourse postdoctorale), en histoire et théories des arts, souhaitant mener une recherche dans des institutions romaines et/ou situées en Italie, portant sur les périodes moderne et contemporaine.
Le dossier de candidature pour la sélection 2026-2027 devra être déposé en ligne au plus tard le 31 mars 2026 à 13h.
L’ensemble des conditions et modalités de candidature est disponible ici : https://villamedici.it/programme_residence/residence-medicis-daniel-arasse/
Le lien direct pour candidater est le suivant : https://candidatures.efrome.it/campagne_de_selection_des_laureats_daniel_arasse_2026_2027
. . . → En lire plus
Posté par Olivier Bonfait, le 31 janvier 2026;
- Date limite : 28 février 2026
The Kunsthistorisches Institut in Florenz – Max-Planck-Institut – Department Bianca de Divitiis – is pleased to announce a call for applications for the full-time position of Academic Assistant (m/f/d).
We are looking for an excellent and research driven candidate who has successfully completed his/her/their PhD (or will have done so by the start of the contract) and is positioned to propose a research project that corresponds thematically and methodologically to the research theme of the department The Polycentric Renaissance. Local Identities and Global Connections.
The Polycentric Renaissance explores global connections within a very defined context, that of the Iberian monarchy between the 15th and the 17th centuries. It will trace connections between viceroyal kingdoms, from the Mediterranean to Central and South America, which despite their geographical distances were . . . → En lire plus
Posté par Olivier Bonfait, le 31 janvier 2026;
- Date limite : 31 mars 2026
 The Burlington Magazine are pleased to announce the ninth annual scholarship for the study of French eighteenth-century fine and decorative art. The scholarship provides 12 months of funding, enabling the recipient to develop original ideas and research that will make a meaningful contribution to this area of art-historical study.
APPLICATION GUIDELINES & TERMS AND CONDITIONS
Eligibility criteria: Applicants must be studying, or intending to study, for an MA, PhD, post-doctoral or independent research in the field of French 18th-century fine and decorative arts within the 12-month period the funding is given (i.e. September 2026 – August 2027).
The funding is open to UK and . . . → En lire plus
Posté par Olivier Bonfait, le 31 janvier 2026;
- Date limite : 28 février 2026
 Viaggio a Palermo.
Research fellowships granted by the Bibliotheca Hertziana – Max Planck Institute for Art History (Rome) in collaboration with Fondazione Palazzo Butera (Palermo).
The Department Michalsky at the Bibliotheca Hertziana – Max Planck Institute for Art History, in collaboration with the Fondazione Palazzo Butera in Palermo, is inviting applications for a four-month research fellowship for 2026.
The call is open to doctoral and postdoctoral researchers with a project related to one of the following thematic areas: – the history of art, architecture, and urban development in Palermo and Sicily from the Middle Ages to the . . . → En lire plus
Posté par Olivier Bonfait, le 30 janvier 2026;
- Date limite : 28 février 2026
The department of Prof. Dr. Tristan Weddigen (Art of the Modern Age in a Global Context) at the Bibliotheca Hertziana is pleased to offer
Predoctoral and Postdoctoral Fellowships for the 2026/27 academic year.
Under the overarching theme of Art of the Modern Age in a Global Context, the department welcomes projects addressing – but not limited to – one of its five research priorities: Rome Contemporary, Materiality and Mediality, Italy in a Global Context, Transnational History of Art History, and Digital Visual Studies. Please find further information about these research priorities and other projects on the department’s website: https://www.biblhertz.it/en/dept-weddigen.
Applicants should be at an early stage in their career and can propose a funding period of three to twelve months. Scholarship recipients may request . . . → En lire plus
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Équipe Rédacteur en chef : Olivier Bonfait.
Rédacteurs : Elliot Adam (Moyen Age) ; Nicolas Ballet (XX-XXIe siècles) ; Matthieu Fantoni (musées) ; Antonella Fenech Kroke (bourses) ; Vladimir Nestorov (Lettre mensuelle)
Administrateur web : Matthieu Lett.
ancien éditeur : Pascale Dubus
anciens rédacteurs : Gautier Anceau, Sébastien Bontemps, Damien Bril ; Sébastien Chauffour ; Ludovic Jouvet ; Aude Prigot
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Applications are now open for ten scholars under the age of 36 to apply for a scholarship to participate in the seminar Architectural Drawings in the Renaissance: Anonymous Artists, Copyists, Architects, organized by Guido Beltramini and Bianca de Divitiis, in collaboration with the GDSU.
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