“Painting” in the 1960s and 1970s / Symposium
Museum für Moderne Kunst (Frankfurt am Main, Germany)
This narrative, which has been presented most prominently by critics associated with the journal October, has resulted in the fact that both scholarly and critical analyses of the role of painting for the art of the 1960s and 1970s are all but non-existent. The present research project takes its cue from Helmut Draxler, who considers the medium of painting as a “Dispositiv”–an arrangement of premises–which becomes most prominent in those areas of art where the main aim is to distinguish itself from painting. In studying the “Dispositiv” of painting within American art of the 1960s and 1970s, this two-day symposium aims to initiate a rethinking of art historical accounts of those decades.
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