Posté par Damien Bril, le 10 septembre 2013;
- Date limite : 11 novembre 2013
- Date et lieu du colloque : 10-12 avril 2014, Londres
AAH 2014 – Royal College of Art, London, April 10 – 12, 2014 Deadline-CFP: 11 nov. 2013
40th Association of Art Historians Annual Conference, Royal College of Art, London
 Session: Within a frame. Boundary, interaction and transition between art and its surroundings
Session Convenors: Daniela Roberts, Stuart Ager
The relationship between an artwork and its frame continues to be a matter for on-going academic discussion. With the introduction of detachable frames, which opened up the possibility of replacing original frames, often for the reason of taste or to suit a collection display, the continuity between painting and frames has been increasingly overlooked. Seeing art and its surroundings . . . → En lire plus
Posté par Damien Bril, le 9 septembre 2013;
- Date limite : 31 décembre 2013
[Arts] Special Issue: Sustainable Architecture http://www.mdpi.com/journal/arts – Announcement of Special Issue
Prof. Dr. Volker M. Welter is serving as Guest Editor for a special issue of the online, open access journal, Arts. We would like to announce this opportunity for you to submit an article to this new special issue entitled « Sustainable Architecture ».
 The deadline for submission is 31 December 2013, but you may send your manuscript at any time before then. All submissions are peer-reviewed and accepted papers will be published immediately. If you plan to contribute, please send a short abstract to welter@arthistory.ucsb.edu and felber@mdpi.com. Planned papers will be listed on the following Special Issue . . . → En lire plus
Posté par Katherine Baker, le 9 septembre 2013;
- Date limite : 15 octobre, 2013
 This two-year fellowship provides curatorial training and opportunities for scholarly research at the Metropolitan Museum. The fellow is fully integrated into one of the Museum’s curatorial departments and exposed to the full range of curatorial work, while devoting his or her time to a specific Metropolitan Museum project. The individual works directly with one or more curators, who serve as supervisors and mentors throughout the term of the fellowship. The fellow also has the opportunity to undertake an independent project in consultation with his or her supervising curator. One curatorial fellow will be selected for 2014–2016.
Department Areas
Applicants whose work falls in one of the following areas may apply:
Departments of . . . → En lire plus
Posté par Damien Bril, le 9 septembre 2013;
- Date limite : 30 septembre 2013
- Date et lieu du colloque : 19-21 juin 2014, Turin
Turin, June 19 – 21, 2014 Deadline-CFP: 30 sept. 2013
 Call for Papers for Sessions at the Third International Meeting of the European Architectural History Network
[1] Missing Histories: Artistic Dislocations of Architecture in Socialist Regimes [2] The Published Building In Word And Image
Please send your proposal before September 30, 2013, by using the special forms at www.eahn.org.
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[1] From: Carmen Popescu <crmv@noos.fr> Date: 2 sept. 2013 Subject: CFP: Artistic Dislocations of Architecture in Socialist Regimes
Missing Histories: Artistic Dislocations of Architecture in Socialist Regimes
Session at EAHN 2014 (European Architectural History Network Third International Meeting), Turin, Italy, June 19-21, 2014.
In both heavy and less rigid socialist regimes, architectural discourses were often the object . . . → En lire plus
Posté par Damien Bril, le 9 septembre 2013;
- Date limite : 21 octobre 2013
- Date et lieu du colloque : 8-10 avril 2014, Braunschweig
TU Braunschweig, 08. – 10.04.2014 Deadline-CFP: 21 oct. 2013
Jewish Architecture – New Sources and Approaches Internationale Tagung / International conference
 Jewish sacred and profane buildings have been part of the architecture and cityscapes since antiquity; the earliest findings of Jewish settlements and buildings in northern Europe date back to medieval times. During the course of the centuries, a broad range of structures that are essential for Jewish congregational life were constructed: synagogues, mikva’ot, cemeteries, Taharah houses, kosher slaughterhouses, bakeries, etc. The turn from the 19th to the 20th centuries marks the biggest growth of Jewish life in Europe that underwent a fundamental break during the Nazi era. The current generation, like . . . → En lire plus
Posté par Damien Bril, le 9 septembre 2013;
- Date limite : 25 novembre 2013
Afterlives of Systems
communication+1, Volume 3, 2014
Guest Editors: Christina Vagt, Florian Sprenger
 This issue of communication+1 investigates the afterlives of systems since the early 20th century, following Aby Warburgs and Walter Benjamins historiographical concept of afterlife as the transformations and iterations a concept traverses to become productive at a specific moment in time. Under the impression of todays global crisis phenomena and the rise of an ‘ecological paradigm’ (Erich Hörl), we ask for papers that explore these afterlives from a historical or systematic perspective. We are interested in the promises, plausibilities and argumentative resources of system-oriented thinking, holistic or vitalistic worldviews and mechanistic approaches on different fields of knowledge during the . . . → En lire plus
Posté par Damien Bril, le 9 septembre 2013;
- Date limite : 1 novembre 2013
- Date et lieu du colloque : 19-21 mars 2014, Copenhague
The Royal Danish Academy of Fine Arts, Copenhagen, March 19 – 21, 2014 Deadline-CFP: 1 nov. 2013
What Images Do Symposium
Confirmed keynotes: Georges Didi-Huberman – Jonathan Hay – Jacques Rancière
 The aim of this symposium is to contribute to our understanding of what the image does (its pragma). The awkward entanglement of being and non-being (Plato) calls for an examination of the image as an act or event. Through its event, the image-act instigates an image-related reflection upon the issues of being and non-being, physis and semiosis, actuality and potentiality. The concept of iconic difference as coined by art historian and philosopher Gottfried Boehm is vital to our concern. Iconic . . . → En lire plus
Posté par Damien Bril, le 8 septembre 2013;
- Date limite : 31 octobre 2013
- Date et lieu du colloque : 14 février 2014, Londres
Culture clash? Contemporary arts in historic contexts
A conference at Royal Museums Greenwich on 14 February 2014
 To coincide with the latest in a series of contemporary interventions, Yinka Shonibare MBE at Greenwich, Royal Museums Greenwich is organising a conference on 14 February 2014 to explore the role of contemporary art outside the white cube.
In recent years it has become increasingly popular for museums and historic buildings to invite living artists to respond to their buildings or collections by curating, creating or performing on site. What has been the impact of this popular collaborative trend for artists, museums and their audiences?
Themes addressed by the conference may include (but are . . . → En lire plus
Posté par Katherine Baker, le 6 septembre 2013;
- Date et lieu : 24 septembre 2013, Salle Vasari INHA
 Vous êtes intéressé par la recherche ou souhaitez travailler dans un musée américain? Votre thèse ou mémoire nécessite un séjour aux Etats-Unis? Vous avez terminé votre thèse et cherchez un post-doc? Vous souhaitez savoir comment les Américains organisent leur CVs et leurs propositions de projet?
Si la réponse est oui, le Workshop – Bourses et Stages aux États-Unis est fait pour vous! Rendez-vous le mardi 24 septembre 2013 de 15h à 17h en salle Vasari (INHA). La session couvrira une grande variété d’informations, y compris: les différentes opportunités offertes aux étudiants et chercheurs Français, la façon dont les Curriculum vitae américains sont rédigés, des informations sur l’obtention des . . . → En lire plus
Posté par Damien Bril, le 6 septembre 2013;
- Date limite : 30 septembre 2013
- Date et lieu du colloque : 13-15 mars 2014, Amsterdam
Collecting Geographies – Global Programming and Museums of Modern Art
Call for Papers
 Organized by Stedelijk Museum, Amsterdam; ASCA/ACGS University of Amsterdam, Amsterdam; Moderna Museet, Stockholm; Folkwang Museum, Essen;Tropen Museum, Amsterdam
Location: Stedelijk Museum, Amsterdam Dates: 13-15 March 2014 Deadline for papers: September 30, 2013 Admittance fee: €100,-
Key-note speakers / panel participants James Clifford, Sarat Maharaj, Annie Coombes, Kader Attia, Wendelien van Oldenborgh, Daniel Birnbaum and Tobia Bezzola.
For the latest information on key-note speakers and panel participants please keep an eye on our website: www.stedelijk.nl/en
Introduction Against the backdrop of globalization today, museums for modern and contemporary art in the West are inclined to pay serious attention . . . → En lire plus
Posté par Damien Bril, le 6 septembre 2013;
- Date limite : 30 octobre 2013
- Date et lieu du colloque : 7 février 2014, Edimbourg
Future Bourgeois: A Symposium and Workshop for New Work on Louise Bourgeois
Edinburgh, February 07, 2014
Organised by the ARTIST ROOMS RESEARCH PARTNERSHIP, The Fruitmarket Gallery and National Galleries of Scotland
 CALL FOR PAPERS
This autumn The Scottish National Gallery of Modern Art and The Fruitmarket Gallery, both in Edinburgh, Scotland, will host complementary exhibitions of the work of artist Louise Bourgeois. ‘ARTIST ROOMS: Louise Bourgeois, A Woman without Secrets’ at the Scottish National Gallery of Modern Art (26 October 2013 to 18 May 2014) will be the first showing of an outstanding collection of works by Bourgeois now on loan to the national ARTIST ROOMS collection and touring programme. Highlighting the artist’s late work, the show will include . . . → En lire plus
Posté par Thomas Bohl, le 5 septembre 2013;
- Date et lieu du colloque : 3-5 octobre 2013 ; Conseil général d'Eure-et-Loire, Amphithéâtre - 1 place Châtelet
Chartres, France (28)
 Présentation
Ce colloque international, accueilli dans l’amphithéâtre du conseil général d’Eure-et-Loir, vient clore deux années de travaux consacrés à la thématique « Faire mémoire », qui a permis l’approche du phénomène mémoriel dans sa relation avec la création artistique, au sein de l’édifice sacré. L’ambition de ces trois jours à Chartres est de confronter, dans l’espace et dans le temps, les formes diversifiées que la mémoire peut revêtir pour les artistes et les commanditaires, et leur réception par le public.
L’art sacré agit comme un prodigieux catalyseur, et les mémoires lui offrent un champ immense :
les mémoires des traditions locales, qui sont la mémoire des lieux ; . . . → En lire plus
Posté par Damien Bril, le 4 septembre 2013;
- Date limite : 14 octobre 2013
Open Call for Papers: Volume 17 (2014)
Closing Date: October 14th 2013 (Deadline extended)
The North Street Review is a peer-viewed annual publication for original and innovative postgraduate research in the field of Art History. The Review is edited by postgraduate students in the School of Art History at the University of St. Andrews and until 2013 was called the University of St. Andrews Journal of Art History and Museum Studies.
 We hereby invite submissions of essays (2,000 – 5,000 words, including endnotes) from the discourses of art and visual culture, including work that spans interdisciplinary and intermedial boundaries, and with no constraints on time period and geographical location. Potential areas . . . → En lire plus
Posté par Damien Bril, le 4 septembre 2013;
- Date limite : 15 octobre 2013
Sintra, Portugal, November 01, 2013 Application deadline: 15 oct. 2013
Research Opportunity – Fellowship
SCIENTIFIC AREA OF RESEARCH: Art History
 DESCRIPTION: Faculdade de Ciência e Tecnologia (FCT/UNL) and Parques de Sintra – Monte da Lua, SA (PSML) are looking for an individual to participate in the project « Stained Glass: A Passion of King Ferdinand II – Assembling the Puzzle » as a one-year fellow, to be financially supported by the Portuguese Fundação para a Ciência e Tecnologia. This cooperation will take place at Pena National Palace in Sintra, Portugal. This project aims at studying the collection of stained glass assembled by Ferdinand of Saxe-Coburg and Gotha (1816-1885). It . . . → En lire plus
Posté par Katherine Baker, le 3 septembre 2013;
- Date limite : 15 octobre, 2013
 The Center for Advanced Study in the Visual Arts announces a postdoctoral fellowship supported by a grant from the A. W. Mellon Foundation. One fellowship is awarded each year for two consecutive academic years. The A. W. Mellon Postdoctoral Fellow will reside in Washington. During the first year the fellow will carry out research and writing for publication. The fellow will also design and direct an intensive weeklong seminar for the seven predoctoral fellows at the Center, focusing on a topic related to the applicant’s field of interest and with a special emphasis on methodological issues. In the second academic year, while continuing research and writing in residence, the A. . . . → En lire plus
Posté par Damien Bril, le 3 septembre 2013;
- Date limite : 15 octobre 2013
- Date et lieu du colloque : 13-14 février 2014, Rome
Baldassarre Peruzzi and the Figurative Arts Rome, Bibliotheca Hertziana, Max-Planck-Institut für Kunstgeschichte February 13-14, 2014
 The multi-talented Sienese artist Baldassarre Peruzzi (1481-1536) worked productively in Renaissance Rome as architect, stage-designer, mechanical engineer, and painter. Scholarship on his accomplishments and legacy, however, is currently in a state of fragmentation, where case studies of single works in discreet media lead the research. While much new information has emerged over the last two decades concerning Peruzzi’s buildings, the pictorial activity that was the other center of his career has received far less attention in recent years. As a result, Peruzzi’s place among the artistic and cultural circles of his generation is still known . . . → En lire plus
Posté par Damien Bril, le 3 septembre 2013;
- Date limite : 20 septembre 2013
International Fellowship Programme at the Staatliche Museen zu Berlin – Preußischer Kulturbesitz Berlin, 01.01. – 31.12.2014
 The fellowship programme at the Staatliche Museen zu Berlin – Preußischer Kulturbesitz, which was launched in 2009, offers each year scholars from all over the world research residencies for one- to three-months at institutions of the Staatliche Museen zu Berlin.
Funding is available for research projects related to the multifaceted institutions and rich holdings of the Staatliche Museen zu Berlin. The programme aims to strengthen the international network of the Staatliche Museen zu Berlin and therefore addresses foreign researchers, whose place of residence is not in Germany. In addition, it promotes particularly researchers in . . . → En lire plus
Posté par Damien Bril, le 3 septembre 2013;
- Date limite : 15 septembre 2013
- Date et lieu du colloque : 14-16 février 2014, Florence
Florence, Kunsthistorisches Institut in Florenz – Max-Planck-Institut, 14. – 16.02.2014 Deadline-CFP: 15 sept. 2013 Vasari als Paradigma. Rezeption, Kritik, Perspektiven The Paradigm of Vasari. Reception, Criticism, Perspectives
Conference organized by Alessandro Nova and Fabian Jonietz
 For the past decade and a half, numerous research projects have rededicated themselves to the key sources of art history and to editing and commenting on early art historiographical writings (Vasari, Bellori, Sandrart, Malvasia). One main difference between earlier attempts which dealt with these authors is a current approach which no longer concentrates on factual and documentary evidence alone, but which aims to reveal the narrative models and literary strategies of such texts as well. This fact . . . → En lire plus
Posté par Katherine Baker, le 3 septembre 2013;
- Date limite : 15 octobre, 2013
 The Sterling and Francine Clark Art Institute combines a public art museum with a complex of research and academic programs, including a major art history library. The Clark is an international center for discussion on the nature of art and its history.
Clark Fellowships
The Clark offers between fifteen and twenty Clark Fellowships each year, ranging in duration from six weeks to ten months. National and international scholars, critics, and museum professionals are welcome to propose projects that extend and enhance the understanding of the visual arts and their role in culture.
Stipends are dependent on salary and sabbatical replacement needs. Housing in the Institute’s Scholars’ Residence, located across the street from . . . → En lire plus
Posté par Olivier Bonfait, le 1 septembre 2013;
Apprendre à peindre : les ateliers privés à Paris, 1780-1863 sous la direction de France Nerlich et d’Alain Bonnet, Tours, Presse Universitaire François Rabelais, 2013.
Où apprenait-on à peindre à Paris au XIXe siècle ? Cette question pourtant cruciale n’a jusqu’à maintenant guère été approfondie par les historiens de l’art dont l’attention était surtout tournée vers le fonctionnement de l’École des beaux-arts. Or les classes de peinture n’y furent introduites qu’en 1863. De la fin du XVIIIe siècle à 1863, c’est dans l’espace hybride des ateliers privés d’enseignement, entre ancienne cellule artisanale et structure académique, que s’inventent et se développent de nouvelles approches du métier de peintre. Au-delà des aspects . . . → En lire plus
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Équipe Rédacteur en chef : Olivier Bonfait.
Rédacteurs : Elliot Adam (Moyen Age) ; Nicolas Ballet (XX-XXIe siècles) ; Matthieu Fantoni (musées) ; Antonella Fenech Kroke (bourses) ; Vladimir Nestorov (Lettre mensuelle)
Administrateur web : Matthieu Lett.
ancien éditeur : Pascale Dubus
anciens rédacteurs : Gautier Anceau, Sébastien Bontemps, Damien Bril ; Sébastien Chauffour ; Ludovic Jouvet ; Aude Prigot
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Session: Within a frame. Boundary, interaction and transition between art and its surroundings
