Parution :
Nigel Ayers, Electronic Resistance, San Rafael, Amaya Productions, 2021.
Éditeur : Amaya Productions
Format : 9.25″ x 12.25″
Pagination : 160 pages
ISBN : 9780578978208
Présentation / Achat sur le site de l’éditeur :
https://www.amaya-productions.com/
Since the late 1970s, Nigel Ayers (b. 1957, UK) has cut a bracing, subversive path through the contemporary underground, bridging DIY industrial enthusiasms with multimedia experimentation to form a singular body of work. Co-founder of the groups The Pump and Nocturnal Emissions (along with brother Daniel Ayers and then-partner Caroline Kaye), Ayers has been a contributor to and proponent of industrial music’s high-water marks, his Sterile Records imprint disseminating not only NE sides but also defining work from Lustmord, SPK, Maurizio Bianchi, and others between 1979 and 1986. In 1987, Ayers inaugurated the Earthly Delights label with the now-canonical Caroline K recording Now Wait For Last Year, and the imprint has since served as Ayers’s primary outlet for releasing new work, whether as Magnetizdat, Spanner Thru Ma Beatbox, or Nocturnal Emissions, a going concern to this day.
Published, designed, and produced by Ross Waitman and Amaya Productions in collaboration with the artist, Electronic Resistance compiles mail-art, collages, assemblages, flyers, slides, video stills, ephemera, record and tape covers to present an arresting cross-section of the genre-sundering art Nigel Ayers created between 1980 and 1992. It features an introductory reflection from Ayers, as well as an essay entitled “Bleeding Images: Antipsychiatry, Death, and Mind Control in the Art of Nigel Ayers” by art historian and critic Nicolas Ballet (Université Paris 1 Panthéon-Sorbonne), contextualizing Ayers’s work and extensive career.
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