A l’occasion du centième anniversaire cette année de la création de la CAA (College Art Association), les membres actuels du comité de rédaction de The Art Bulletin (Michael Cole, Paul Duro, Natalie Boymel Kampen, Karen Lang, Linda Komaroff, Ikem Okoye, Joanne Pillsbury, Richard J. Powell, Thelma K. Thomas et Eugene Wang) ont sélectionné 32 articles et 6 comptes-rendus afin de proposer une anthologie en ligne de la revue, créée en 1913. Le résultat – naturellement arbitraire – vaut par son caractère diachronique et sa grande diversité, avec des articles concernant toutes les aires géographiques.
Lire l’introduction de Natalie Boymel Kampen
Articles :
1. Meyer Schapiro, “The Romanesque Sculpture of Moissac,” Art Bulletin 13, nos. 3-4 (September and December 1931): 249–351 and 464–531.
2. Robert C. Smith, Jr., « The Colonial Architecture of Minas Gerais in Brazil, » Art Bulletin 21, no. 2 (June 1939): 110–159.
3. Ananda K. Coomaraswamy, “Ornament,” Art Bulletin 21, no. 4 (December 1939): 375–82.
4. Rensselaer W. Lee, “Ut Pictura Poesis: The Humanistic Theory of Painting,” Art Bulletin 22, no. 4 (December 1940): 197–269.
5. Mehmet Aga-Oglu, “About a Type of Islamic Incense Burner,” Art Bulletin 27, no. 1 (March 1945): 28–45.
6. Ramsay MacMullen, “Some Pictures in Ammianus Marcellinus,” Art Bulletin 46, no. 4 (December 1964): 435–56.
7. Linda Nochlin, “Gustave Courbet’s Meeting: A Portrait of the Artist as a Wandering Jew,” Art Bulletin 49, no. 3 (September 1967): 209–22.
8. Leo Steinberg, “Michelangelo’s Florentine Pietà: The Missing Leg,” Art Bulletin 50, no. 4 (December 1968): 343–53.
9. Carol Duncan, “Happy Mothers and Other New Ideas in French Art,” Art Bulletin 55, no. 4 (December 1973): 570–83.
10. Leo Steinberg, “Pontormo’s Capponi Chapel,” Art Bulletin 56, no. 3 (September 1974): 385–99.
11. Elizabeth Cropper, “On Beautiful Women, Parmigianino, Petrarchismo, and the Vernacular Style,” Art Bulletin 58, no. 3 (September 1976): 374–94.
12. Wayne E. Begley, “The Myth of the Taj Mahal and a New Theory of Its Symbolic Meaning,” Art Bulletin 61, no. 1 (March 1979): 7–37.
13. Frederick J. Lamp, « House of Stones: Memorial Art of Fifteenth-Century Sierra Leone » Art Bulletin 65, no. 2 (June 1983): 219–37.
14. Suzanne Preston Blier, « Kings, Crowns, and Rights of Succession: Obalufon Arts at Ife and Other Yoruba Centers » Art Bulletin 67, no. 3 (September 1985): 383–401.
15. Annabel Jane Wharton, “Ritual and Reconstructed Meaning: The Neonian Baptistery in Ravenna,” Art Bulletin 69, no. 3 (September 1987): 358–75.
16. Henry Maguire, “The Art of Comparing in Byzantium,” Art Bulletin 70, no. 1 (March 1988): 88–103.
17. Margaret Olin, “Forms of Respect: Alois Riegl’s Concept of Attentiveness,” Art Bulletin 71, no. 2 (June 1989): 285–99.
18. Patricia Leighten, « The White Peril and L’Art nègre: Picasso, Primitivism and Anticolonialism, » Art Bulletin 72, no. 4 (December 1990): 609–30.
19. Suzanne Preston Blier, “Imaging Otherness in Ivory: African Portrayals of the Portuguese ca. 1492,” Art Bulletin 75, no. 3 (September 1993): 375–96.
20. Donald Posner, “Concerning the ‘Mechanical’ Parts of Painting and the Artistic Culture of Seventeenth-Century France,” Art Bulletin 75, no. 4 (December 1993): 583–98.
21. Bettina Bergmann, “The Roman House as Memory Theater: The House of the Tragic Poet in Pompeii,” Art Bulletin 76, no. 2 (June 1994): 225–56.
22. Lee Stephens Glazer, « Signifying Identity: Art and Race in Romare Bearden’s Projections, » Art Bulletin 76, no. 3 (September 1994): 411–26.
23. Ladislav Kesner, « Likeness of No One: (Re)presenting the First Emperor’s Army, » Art Bulletin 77, no. 1 (March 1995):115–32.
24. Keith Moxey, “Motivating History,” Art Bulletin 77, no. 3 (September 1995): 392–401.
25. Kathleen Pyne, “Portrait of a Collector as an Agnostic: Charles Lang Freer and Connoisseurship,” Art Bulletin 78, no. 1 (March 1996): 75–97.
26. Karen Lang, “The Dialectics of Decay: Rereading the Kantian Subject,” Art Bulletin 79, no. 3 (September 1997): 413–39.
27. Genevieve Warwick, “Gift Exchange and Art Collecting: Padre Sebastiano Resta’s Drawing Albums,” Art Bulletin 79, no. 4 (December 1997): 630–46.
28. John Davis, « Eastman Johnson’s Negro Life at the South and Urban Slavery in Washington, D.C. » Art Bulletin 80, no. 1 (March 1998): 67–92.
29. Thomas F. Hedin, “The Petite Commande of 1664: Burlesque in the Gardens of Versailles,” Art Bulletin 83, no. 4 (December 2001): 651–85.
30. Finbarr Barry Flood, “Between Cult and Culture: Bamiyan, Islamic Iconoclasm, and the Museum,” Art Bulletin 84, no. 4 (December 2002): 641–59.
31. Sheila S. Blair and Jonathan M. Bloom, “The Mirage of Islamic Art: Reflections on the Study of an Unwieldy Field,” Art Bulletin 85, no. 1 (March 2003): 152–84.
32. Stella Nair, “Localizing Sacredness, Difference, and “Yachacuscamcani” in a Colonial Andean Painting,” Art Bulletin 89, no. 2 (June 2007): 211–38.
Comptes-rendus :
33. Meyer Schapiro, “The New Viennese School,” on Otto Pächt, Kunstwissenschaftliche Forschungen, II, Art Bulletin 18, no. 2 (June 1936): 258–66.
34. James S. Ackerman on Rudolf Wittkower, Architectural Principles in the Age of Humanism,” Art Bulletin 33, no. 3 (September 1951): 195–200.
35. Mieke Bal on Svetlana Alpers, Rembrandt’s Enterprise: The Studio and the Market, Art Bulletin 72, no. 1 (March 1990): 138–43.
36. Griselda Pollock on Mary D. Garrard, Artemisia Gentileschi: The Image of the Female Hero in Italian Baroque Art, Art Bulletin 72, no. 3 (September 1990): 499–505.
37. Christopher S. Wood on Hans Belting, Bild-Anthropologie: Entwürfe für eine Bildwissenschaft, Art Bulletin 86, no. 2 (June 2004): 370–73.
38. Irene J. Winter on James Cuno, Who Owns Antiquity? Museums and the Battle over our Ancient Heritage, Art Bulletin 91, no. 4 (December 2009): 522–26.
Page web de référence : http://www.collegeart.org/artbulletin/centennial#essays
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