Une sélection d’articles sur la culture visuelle en Asie et les échanges avec l’Europe disponibles en ligne

Une sélection d’articles sur la culture visuelle en Asie et les échanges avec l’Europe disponibles en ligne

Oxford Academic Journals, à la suite de la pandémie, met en ligneune sélection d’articles issues des principales revues de culture visuelle qu’il publie. Ceux-ci explorent un large éventail de formes artistiques en Asie et en provenance d’Asie, y compris à l’écran, dans les peintures, les collections de musée et la conception esthétique.

La culture visuelle a été produite et façonnée par les communautés asiatiques tout au long de l’histoire. Les recherches rassemblées dans cet ensemble publié sur Oxford academic Journals portent sur la création, la représentation et l’exposition des formes d’art asiatiques, tant au sein de cultures spécifiques qu’à l’étranger. Les articles posent une variété de questions aux chercheurs : Comment les événements sociaux et culturels ont-ils façonné les styles artistiques ? Comment le cinéma asiatique est-il adapté aux publics transculturels ? Et les expositions d’art internationales peuvent-elles agir comme une forme de diplomatie culturelle ?

Oxford Art Journal

Hermès in Asia: Haute Couture, High Art and The Marketplace

Chin-tao Wu
in Oxford Art Journal
Oxford Art Journal, Volume 39, Issue 3, December 2016, Pages 441-455, https://doi.org/10.1093/oxartj/kcw028

Terror of the Bathroom: On Kawara’s Early Figurative Drawings and Postwar Japan

Jung-Ah Woo
in Oxford Art Journal
Oxford Art Journal, Volume 33, Issue 3, October 2010, Pages 261–276, https://doi.org/10.1093/oxartj/kcq036

La maladie de porcelaine: Liu Jianhua’s Regular/Fragile (2007) at Oxburgh Hall and the History of Massed Porcelain Display in English Aristocratic Interiors

Alex Burchmore
in Oxford Art Journal
Oxford Art Journal, Volume 42, Issue 3, December 2019, Pages 253-281, https://doi.org/10.1093/oxartj/kcz016

Screen

The prerogative of confusion: pink film and the eroticization of pain, flux and disorientation

Alexander Zahlten
in Screen
Screen, Volume 60, Issue 1, Spring 2019, Pages 25–45, https://doi.org/10.1093/screen/hjy058

Walking in the city, slowly: spectacular temporal practices in Tsai Ming-liang’s ‘Slow Walk, Long March’ series

Song Hwee Lim
in Screen
Screen, Volume 58, Issue 2, Summer 2017, Pages 180–196, https://doi.org/10.1093/screen/hjx015

Working through China: scaled convergence and the contingencies of East Asian film coproduction

Stephanie DeBoer
in Screen
Screen, Volume 56, Issue 2, Summer 2015, Pages 214–233, https://doi.org/10.1093/screen/hjv019

Journal of Design History

Design Books in the Chinese Taste: Marketing the Orient in England and France, 1688-1735

Julie Bellemare
in Journal of Design History
Journal of Design History, Volume 27, Issue 1, March 2014, Pages 1-16, https://doi.org/10.1093/jdh/ept032

Inventing the ‘Foreignized’ Chinese Carpet in Treaty-port Tianjin, China

Elizabeth LaCouture
in Journal of Design History
Journal of Design History, Volume 30, Issue 3, September 2017, Pages 300-314, https://doi.org/10.1093/jdh/epw042

The Formation of the Concept of Gong-ye in the Korean Modern Age

Boyoon Her
in Journal of Design History
Journal of Design History, Volume 27, Issue 4, November 2014, Pages 335-350, https://doi.org/10.1093/jdh/epu034

Adaptation

Transcultural Adaptation of Feature Films: South Korea’s My Sassy Girl and its Remakes

John Stephens, Sung-Ae Lee
in Adaptation
Adaptation, Volume 11, Issue 1, March 2018, Pages 75–95, https://doi.org/10.1093/adaptation/apy001

Adaptation as an Open Process: Dahua Fandom and the Reception of A Chinese Odyssey

Li Zeng
in Adaptation
Adaptation, Volume 6, Issue 2, August 2013, Pages 187–201, https://doi.org/10.1093/adaptation/aps028

From Peril to Pity: The Transformations of Mr. Wu

Wendy Gan
in Adaptation
Adaptation, Volume 9, Issue 3, 1 December 2016, Pages 362–376, https://doi.org/10.1093/adaptation/apw031

Journal of the History of Collections

5,000 Years of Korean Art: Exhibitions abroad as cultural diplomacy

Nancy Lin
in Journal of the History of Collections
Journal of the History of Collections, Volume 28, Issue 3, November 2016, Pages 383-400, https://doi.org/10.1093/jhc/fhv047

Central Asia coming to the museum: The display of Kucha mural fragments in interwar Germany and the United States

Sonya S. Lee
in Journal of the History of Collections
Journal of the History of Collections, Volume 28, Issue 3, November 2016, Pages 417-436, https://doi.org/10.1093/jhc/fhv031

Introducing the art of modern China: trends in exhibiting modern Chinese painting in Britain, c.1930-1980

Michelle Ying-Ling Huang
in Journal of the History of Collections
Journal of the History of Collections, Volume 31, Issue 2, July 2019, Pages 383-401, https://doi.org/10.1093/jhc/fhy017

British Journal of Aesthetics

Feeling for Freedom: K. C. Bhattacharyya on Rasa

Dominic McIver Lopes
in The British Journal of Aesthetics
The British Journal of Aesthetics, Volume 59, Issue 4, October 2019, Pages 465–477, https://doi.org/10.1093/aesthj/ayz022

Refining the Past

Richard Bullen
in The British Journal of Aesthetics
The British Journal of Aesthetics, Volume 50, Issue 3, July 2010, Pages 243–254, https://doi.org/10.1093/aesthj/ayq019

The Japanese Appreciation Of Nature

Yuriko Saito
in The British Journal of Aesthetics
The British Journal of Aesthetics, Volume 25, Issue 3, SUMMER 1985, Pages 239–251, https://doi.org/10.1093/bjaesthetics/25.3.239
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