Appel à communication : Congrès 2016 de l’Association of Art Historians — AAH (Edimbourg, 7-9 avril 2016)

Le congrès annuel de  l’Association of Art Historians (AAH) 2016 mettra l’accent sur la diversité, la portée et l’importance de la recherche en histoire de l’art et son application aujourd’hui. 

Informations complémentaires sur le 42e congrès annuel de l’AAH à l’Université d’Edimbourg, 7-9 Avril 2016: http://blog.apahau.org/appel-a-session-congres-2016-de-lassociation-of-art-historians-edimbourg-avril-2016

Si vous souhaitez proposer une communication à l’une des sessions répertoriées ci-dessous, veuillez envoyer un courriel directement au coordonnateur de la session (s), en fournissant un résumé pour une intervention de 30 minutes. Les résumés ne doivent pas excéder 250 mots, et inclure votre nom et, le cas échéant, votre institution d’affiliation.  Vous pouvez télécharger les directives pour soumettre une proposition ici .

• Air and the Visual 
  Amanda Sciampacone (Birkbeck, University of London)
• Art after Operation Spanner: Visual cultures, sex and sadomasochism since 1987
  Matt Lodder (University of Essex) and Alex Dymock (Royal Holloway)
• Art History and Physiological Aesthetics: Bodies, senses, historiographies
  Raúl Martínez (Universitat Politècnica de Catalunya) and Francesco Ventrella (University of Sussex)
• Art History Matters: Research and writing as material practice
  Jennifer Walden (University of Portsmouth) and Veronica Davies (The Open University)
• Art Magazines and Magazine Art
  Samuel Bibby (Association of Art Historians)
• Artist Networks and Networking in and with Europe, 700–1700
  Jill Harrison (The Open University) and Joanne Anderson (Birkbeck, University of London)
• Artistic Re-enactments as Vehicles of Cultural Transfer in Eastern European Performance Art, 1960–present
  Amy Bryzgel (University of Aberdeen)
• At the World’s End: Contemporary art, visual culture and extinction studies
  Andrés David Montenegro Rosero (Independent)
• Beyond Restoration: Architectural revival, survival and memory
  Robyne Calvert (Glasgow School of Art) and Ayla Lepine (University of Essex)
• Black British Art Histories
  Alice Correia (University of Salford)
• Diasporic Aesthetics: Towards a definition
  Rebecca VanDiver (Vanderbilt University, Nashville)
• From Antique Craft to Modern Ideology: Mosaics as public art
  Antonio David Fiore (The Open University)
• Having Words: Artist-writer relationships
  Rachel Smith (University of York/Tate) and James Finch (University of Kent/Tate)
• In and Out of Art History: The video games conundrum
  Bill Balaskas (University for the Creative Arts & Leonardo Electronic Almanac (MIT Press)) and Joseph Taylor McRae (University for the Creative Arts)
• Inside / Outside in Islamic Art and Architecture
  Saygin Salgirli (University of British Columbia)
• Iteration
  Robin Schuldenfrei (The Courtauld Institute of Art)
• Labours of Love, Works of Passion: The social (re)production of art workers from industrialisation to globalisation
  Kirsten Lloyd and Angela Dimitrakaki (University of Edinburgh)
  
• Localising Critical Studies. Decolonial perspectives on the return of the ‘indigenous’ in art history, textile and fashion studies
  Birgit Mersmann (Jacobs University Bremen, Germany) and Elke Gaugele (Academy of Fine Arts, Vienna, Austria)
• Looking at Written Words and the Blindspots of Art History
  Kevin Carr (University of Michigan) and Halle O’Neal (University of Edinburgh)
• Mapping Cybernetic Art: A supra-computational approach
  Kate Sloan (University of Edinburgh), Dawna L. Schuld (Indiana University and Jon Wood (Henry Moore Institute)
• Orientalism and Spain in the 19th and 20th Centuries
  Claudia Hopkins (University of Edinburgh) and Anna McSweeney (SOAS, University of London)
• Photo/Memory – Recovering memory and identity through photographs in 20th century cultural production
  Kerstina Mortensen (Trinity College Dublin)
• Roland Penrose. Curating the 20th century
  Patricia Allmer (The University of Edinburgh) and Colin Rhodes (The University of Sydney)
  
• Sculpture and the Decorative
  Claire Jones (Independent) and Imogen Hart (University of California, Berkeley)
• Seconds? – Learning the history of art in the age of mechanical reproduction
  Rachel King (National Museums Scotland) and Andrea Gáldy (Collecting and Display)
  
• Style as History: Self-reflective moments in drawing 
  Amy Concannon (Tate Britain) and Iris Wien (Institut für Kunstwissenschaften und Historische Urbanistik, Technical University Berlin)
• The (After) Lives of Things: Deconstructing and reconstructing material culture 
  Sarah Laurenson and Freya Gowrley (University of Edinburgh)
• The Artist as Historian
  James J Bloom (Centre College) and Amy Reed Frederick (Centre College)
  
• The City in the Biennale: Architecture, geography and identity
  Nicola Foster and Joel Robinson (The Open University)
• The Grand Tour in Latin America and the Caribbean, 1800–1950
  Victor Deupi and Nathan Timpano (University of Miami)
  
• The Idea of North: Myth-making and identities
  Frances Fowle (University of Edinburgh) and Marja Lahelma (University of Helsinki)
  
• The Physical Circulation of Artworks and its Consequences for Art History
  Camila Maroja (Brown University) and Adam Jasper (University of Technology Sydney)
• The Place of Fashion Studies in Academia
  Alessandro Bucci (The University of Edinburgh) and Chiara Faggella (Stockholm University)
  
• The Return of History: Reconstructing art exhibitions in the 21st century 
  Natasha Adamou (University of Essex), Michaela Giebelhausen (UAL Central Saint Martins) and Michael Tymkiw (University of Essex)