Posté par Damien Bril, le 9 septembre 2013;
- Date limite : 30 septembre 2013
- Date et lieu du colloque : 19-21 juin 2014, Turin
Turin, June 19 – 21, 2014 Deadline-CFP: 30 sept. 2013
 Call for Papers for Sessions at the Third International Meeting of the European Architectural History Network
[1] Missing Histories: Artistic Dislocations of Architecture in Socialist Regimes [2] The Published Building In Word And Image
Please send your proposal before September 30, 2013, by using the special forms at www.eahn.org.
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[1] From: Carmen Popescu <cr**@**os.fr> Date: 2 sept. 2013 Subject: CFP: Artistic Dislocations of Architecture in Socialist Regimes
Missing Histories: Artistic Dislocations of Architecture in Socialist Regimes
Session at EAHN 2014 (European Architectural History Network Third International Meeting), Turin, Italy, June 19-21, 2014.
In both heavy and less rigid socialist regimes, architectural discourses were often the object . . . → En lire plus
Posté par Damien Bril, le 9 septembre 2013;
- Date limite : 21 octobre 2013
- Date et lieu du colloque : 8-10 avril 2014, Braunschweig
TU Braunschweig, 08. – 10.04.2014 Deadline-CFP: 21 oct. 2013
Jewish Architecture – New Sources and Approaches Internationale Tagung / International conference
 Jewish sacred and profane buildings have been part of the architecture and cityscapes since antiquity; the earliest findings of Jewish settlements and buildings in northern Europe date back to medieval times. During the course of the centuries, a broad range of structures that are essential for Jewish congregational life were constructed: synagogues, mikva’ot, cemeteries, Taharah houses, kosher slaughterhouses, bakeries, etc. The turn from the 19th to the 20th centuries marks the biggest growth of Jewish life in Europe that underwent a fundamental break during the Nazi era. The current generation, . . . → En lire plus
Posté par Damien Bril, le 9 septembre 2013;
- Date limite : 25 novembre 2013
Afterlives of Systems
communication+1, Volume 3, 2014
Guest Editors: Christina Vagt, Florian Sprenger
 This issue of communication+1 investigates the afterlives of systems since the early 20th century, following Aby Warburgs and Walter Benjamins historiographical concept of afterlife as the transformations and iterations a concept traverses to become productive at a specific moment in time. Under the impression of todays global crisis phenomena and the rise of an ‘ecological paradigm’ (Erich Hörl), we ask for papers that explore these afterlives from a historical or systematic perspective. We are interested in the promises, plausibilities and argumentative resources of system-oriented thinking, holistic or vitalistic worldviews and mechanistic approaches on different fields of knowledge . . . → En lire plus
Posté par Damien Bril, le 9 septembre 2013;
- Date limite : 1 novembre 2013
- Date et lieu du colloque : 19-21 mars 2014, Copenhague
The Royal Danish Academy of Fine Arts, Copenhagen, March 19 – 21, 2014 Deadline-CFP: 1 nov. 2013
What Images Do Symposium
Confirmed keynotes: Georges Didi-Huberman – Jonathan Hay – Jacques Rancière
 The aim of this symposium is to contribute to our understanding of what the image does (its pragma). The awkward entanglement of being and non-being (Plato) calls for an examination of the image as an act or event. Through its event, the image-act instigates an image-related reflection upon the issues of being and non-being, physis and semiosis, actuality and potentiality. The concept of iconic difference as coined by art historian and philosopher Gottfried Boehm is vital to our . . . → En lire plus
Posté par Damien Bril, le 8 septembre 2013;
- Date limite : 31 octobre 2013
- Date et lieu du colloque : 14 février 2014, Londres
Culture clash? Contemporary arts in historic contexts
A conference at Royal Museums Greenwich on 14 February 2014
 To coincide with the latest in a series of contemporary interventions, Yinka Shonibare MBE at Greenwich, Royal Museums Greenwich is organising a conference on 14 February 2014 to explore the role of contemporary art outside the white cube.
In recent years it has become increasingly popular for museums and historic buildings to invite living artists to respond to their buildings or collections by curating, creating or performing on site. What has been the impact of this popular collaborative trend for artists, museums and their audiences?
Themes addressed by the conference may include . . . → En lire plus
Posté par Damien Bril, le 6 septembre 2013;
- Date limite : 30 septembre 2013
- Date et lieu du colloque : 13-15 mars 2014, Amsterdam
Collecting Geographies – Global Programming and Museums of Modern Art
Call for Papers
 Organized by Stedelijk Museum, Amsterdam; ASCA/ACGS University of Amsterdam, Amsterdam; Moderna Museet, Stockholm; Folkwang Museum, Essen;Tropen Museum, Amsterdam
Location: Stedelijk Museum, Amsterdam Dates: 13-15 March 2014 Deadline for papers: September 30, 2013 Admittance fee: €100,-
Key-note speakers / panel participants James Clifford, Sarat Maharaj, Annie Coombes, Kader Attia, Wendelien van Oldenborgh, Daniel Birnbaum and Tobia Bezzola.
For the latest information on key-note speakers and panel participants please keep an eye on our website: www.stedelijk.nl/en
Introduction Against the backdrop of globalization today, museums for modern and contemporary art in the West are inclined to pay . . . → En lire plus
Posté par Damien Bril, le 6 septembre 2013;
- Date limite : 30 octobre 2013
- Date et lieu du colloque : 7 février 2014, Edimbourg
Future Bourgeois: A Symposium and Workshop for New Work on Louise Bourgeois
Edinburgh, February 07, 2014
Organised by the ARTIST ROOMS RESEARCH PARTNERSHIP, The Fruitmarket Gallery and National Galleries of Scotland
 CALL FOR PAPERS
This autumn The Scottish National Gallery of Modern Art and The Fruitmarket Gallery, both in Edinburgh, Scotland, will host complementary exhibitions of the work of artist Louise Bourgeois. ‘ARTIST ROOMS: Louise Bourgeois, A Woman without Secrets’ at the Scottish National Gallery of Modern Art (26 October 2013 to 18 May 2014) will be the first showing of an outstanding collection of works by Bourgeois now on loan to the national ARTIST ROOMS collection and touring programme. Highlighting the artist’s late work, the show will . . . → En lire plus
Posté par Damien Bril, le 4 septembre 2013;
- Date limite : 14 octobre 2013
Open Call for Papers: Volume 17 (2014)
Closing Date: October 14th 2013 (Deadline extended)
The North Street Review is a peer-viewed annual publication for original and innovative postgraduate research in the field of Art History. The Review is edited by postgraduate students in the School of Art History at the University of St. Andrews and until 2013 was called the University of St. Andrews Journal of Art History and Museum Studies.
 We hereby invite submissions of essays (2,000 – 5,000 words, including endnotes) from the discourses of art and visual culture, including work that spans interdisciplinary and intermedial boundaries, and with no constraints on time period and geographical location. . . . → En lire plus
Posté par Damien Bril, le 4 septembre 2013;
- Date limite : 15 octobre 2013
Sintra, Portugal, November 01, 2013 Application deadline: 15 oct. 2013
Research Opportunity – Fellowship
SCIENTIFIC AREA OF RESEARCH: Art History
 DESCRIPTION: Faculdade de Ciência e Tecnologia (FCT/UNL) and Parques de Sintra – Monte da Lua, SA (PSML) are looking for an individual to participate in the project « Stained Glass: A Passion of King Ferdinand II – Assembling the Puzzle » as a one-year fellow, to be financially supported by the Portuguese Fundação para a Ciência e Tecnologia. This cooperation will take place at Pena National Palace in Sintra, Portugal. This project aims at studying the collection of stained glass assembled by Ferdinand of Saxe-Coburg and Gotha . . . → En lire plus
Posté par Damien Bril, le 3 septembre 2013;
- Date limite : 15 octobre 2013
- Date et lieu du colloque : 13-14 février 2014, Rome
Baldassarre Peruzzi and the Figurative Arts Rome, Bibliotheca Hertziana, Max-Planck-Institut für Kunstgeschichte February 13-14, 2014
 The multi-talented Sienese artist Baldassarre Peruzzi (1481-1536) worked productively in Renaissance Rome as architect, stage-designer, mechanical engineer, and painter. Scholarship on his accomplishments and legacy, however, is currently in a state of fragmentation, where case studies of single works in discreet media lead the research. While much new information has emerged over the last two decades concerning Peruzzi’s buildings, the pictorial activity that was the other center of his career has received far less attention in recent years. As a result, Peruzzi’s place among the artistic and cultural circles of his generation is . . . → En lire plus
Posté par Damien Bril, le 3 septembre 2013;
- Date limite : 20 septembre 2013
International Fellowship Programme at the Staatliche Museen zu Berlin – Preußischer Kulturbesitz Berlin, 01.01. – 31.12.2014
 The fellowship programme at the Staatliche Museen zu Berlin – Preußischer Kulturbesitz, which was launched in 2009, offers each year scholars from all over the world research residencies for one- to three-months at institutions of the Staatliche Museen zu Berlin.
Funding is available for research projects related to the multifaceted institutions and rich holdings of the Staatliche Museen zu Berlin. The programme aims to strengthen the international network of the Staatliche Museen zu Berlin and therefore addresses foreign researchers, whose place of residence is not in Germany. In addition, it promotes particularly . . . → En lire plus
Posté par Damien Bril, le 3 septembre 2013;
- Date limite : 15 septembre 2013
- Date et lieu du colloque : 14-16 février 2014, Florence
Florence, Kunsthistorisches Institut in Florenz – Max-Planck-Institut, 14. – 16.02.2014 Deadline-CFP: 15 sept. 2013 Vasari als Paradigma. Rezeption, Kritik, Perspektiven The Paradigm of Vasari. Reception, Criticism, Perspectives
Conference organized by Alessandro Nova and Fabian Jonietz
 For the past decade and a half, numerous research projects have rededicated themselves to the key sources of art history and to editing and commenting on early art historiographical writings (Vasari, Bellori, Sandrart, Malvasia). One main difference between earlier attempts which dealt with these authors is a current approach which no longer concentrates on factual and documentary evidence alone, but which aims to reveal the narrative models and literary strategies of such texts as well. . . . → En lire plus
Posté par Damien Bril, le 16 juillet 2013;
- Date limite : 11 novembre 2013
- Date et lieu du colloque : 11 avril 2014, Londres
AAH, London, April 11, 2014 Deadline-CFP: 11 nov. 2013
40th Association of Art Historians Annual Conference, Royal College of Art, London
Session: Curating Latinamericanismo: Recent Engagements with Latin American Art
Session Convenors: Dr. Nathan Timpano and Dr. Heather Diack
 This session seeks to consider recent histories of curating Latin American art within museums, private collections, and biennials, in order to address the complexities of curating in collecting, contextualizing and representing Latin American Art in the 21st century. Modern and contemporary art from Latin America has gained an enormous amount of international attention in the past two decades. With this growing visibility the interpretive and critical frameworks used for dissemination, . . . → En lire plus
Posté par Damien Bril, le 16 juillet 2013;
- Date limite : 1er septembre 2013
- Date et lieu du colloque : 28 juillet - 1er août 2014, Kiel
Kiel, July 28 – Aug 1, 2014 Deadline: Sep 1, 2013
Workshop for Young Researchers : “Emblematic Strategies”
 Within the frame of the Tenth International Conference of the „Society for Emblem Studies” a workshop with two sections for young researchers will be held, taking place in Kiel, Germany, at the Christian-Albrechts-Universität zu Kiel from 28 July to 1 August, 2014.
This call is addressed to advanced Magister- and Master-students, doctoral candidates as well as scientists who have recently received their PhD of the Humanities, in particular in the History of Art, History, Philology, and Cultural Studies. The session offers the opportunity to present and discuss own projects and researches dealing with emblematic strategies among an interdisciplinary group of young . . . → En lire plus
Posté par Damien Bril, le 16 juillet 2013;
- Date limite : 11 novembre 2013
- Date et lieu du colloque : 10-12 avril 2014, Londres
AAH2014 – Royal College of Art, London, April 10 – 12, 2014 Deadline-CFP: 11 nov. 2013
40th Association of Art Historians Annual Conference, Royal College of Art, London
Session: Making Do – Materiality in the Conceptual Age
 The emergence of conceptual art in the United States and post-war Europe marked the most radical change of paradigm since Marcel Duchamp’s ready-made. Advocating the ‘dematerialization’ of the art object and a redefinition of art as a (self-) questioning language, conceptualism challenged received ideas about the production and circulation of artworks. Over recent years, a large body of research has examined the development of conceptual practices in so-called ‘peripheral’ regions, such as Eastern Europe and Latin America, and the ways in . . . → En lire plus
Posté par Damien Bril, le 12 juillet 2013;
Emmanuel Coquery, Charles Errard : la noblesse du décor. Paris : Arthena, 2013
 Désigné par Louis XIV comme le « Premier Peintre de ses Bâtiments » dans une lettre de 1659, Charles Errard (ca. 1601-1689), peintre, dessinateur, « antiquaire », graveur, illustrateur, éditeur, architecte, pédagogue, administrateur, premier directeur de l’Académie de France à Rome, fut avant tout l’un des principaux décorateurs du Grand siècle et le rival de Charles Le Brun. Du palais du Louvre au château de Fontainebleau, du parlement de Bretagne au théâtre des Tuileries et au premier Versailles, il dirigea quelques-uns des plus prestigieux chantiers de décoration de son époque.
Diplômé d’HEC, ancien . . . → En lire plus
Posté par Damien Bril, le 12 juillet 2013;
- Date limite : 9 août 2013
Wolverhampton Art Gallery, September 27, 2013 Deadline-CFP: 9 août 2013
Women and Pop Art
Friday 27 September 2013 10.30AM – 4.30PM
 Exploring themes around women and Pop Art, this interdisciplinary symposium aims to establish and reassess their role and contribution to the movement. Held in conjunction with ‘Pauline Boty: Pop Artist and Woman’, the keynote lecture will be given by the exhibition’s co-curator Dr Sue Tate. Other invited speakers include Althea Greenan from the Women’s Art Library, art historian Kalliopi Minioudaki, PhD, and artist Caroline Coon.
We invite proposals for 20 minute papers that explore the theme of women and Pop art. Please send abstracts (no longer . . . → En lire plus
Posté par Damien Bril, le 12 juillet 2013;
- Date limite : 9 septembre 2013
- Date et lieu du colloque : 14-15 novembre 2013, Nottingham
Nottingham Contemporary/ University of Nottingham, November 14 – 15, 2013 Deadline-CFP: 9 sept. 2013
“Shimmering, Shining, Vomiting, Glitter”: the politics and poetics of disgust
Convenors: Lucy Bradnock (University of Nottingham), Isobel Whitelegg (Nottingham Contemporary)
 Taking place in parallel with a new exhibition of the work of artist collective Asco – whose name in Spanish refers to disgust, nausea, revulsion – this two day symposium seeks to explore the meaning of disgust across a range of practices, including art, literature, film and popular culture, activism, spatial practice and performance, from the twentieth century to the present day. Keynotes include: Chon Noriega (UCLA); Dominic Johnson (QMUL); Katie Jones (Nottingham) and Imogen . . . → En lire plus
Posté par Damien Bril, le 8 juillet 2013;
- Date limite : 11 novembre 2013
- Date et lieu du colloque : 10-12 avril 2014, Londres
AAH Annual Conference, London, April 10 – 12, 2014 Deadline-CFP: 11 nov. 2013
Call for Papers: Parsing the Pixelated: The Histories of Digital Art
Session at the Association of Art Historians 2014 Annual Conference, London
 Although digital art precedes the creation of the world wide web in the early 1990s, it is only more recently, facilitated by affordable and widely distributed connected technology, that digital art has become firmly established as an artistic category. Yet the term remains nebulous, including many disparate forms and types of art: from manipulated photographs to interactive installations to works existing on or made by a computer. Furthermore, the History of Art has yet to substantively account for digital art, frequently deferring to . . . → En lire plus
Posté par Damien Bril, le 8 juillet 2013;
Suzanne Pourchier-Plasseraud, Les arts de la Nation. Construction nationale et arts visuels en Lettonie, 1905-1934. Rennes : PUR, 2013.
 Traitant de la construction identitaire nationale, l’auteur a choisi d’illustrer son propos par le cas d’un pays sans histoire étatique ancienne, la Lettonie. Cet ouvrage se focalise sur le rôle des arts visuels qui ont contribué à transformer ce qui n’était au départ qu’une idée nationale culturelle, prônée par une intelligentsia restreinte, en une revendication populaire d’indépendance.
Dans les provinces de la future Lettonie, entre les deux grandes puissances qui les dominaient à la fin du XIXe siècle – la Russie et l’Allemagne – les « éveilleurs » lettons ne pouvaient avoir recours à un passé historique ou à . . . → En lire plus
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Équipe Rédacteur en chef : Olivier Bonfait.
Rédacteurs : Elliot Adam (Moyen Age) ; Nicolas Ballet (XX-XXIe siècles) ; Matthieu Fantoni (musées) ; Antonella Fenech Kroke (bourses) ; Vladimir Nestorov (Lettre mensuelle)
Administrateur web : Matthieu Lett.
ancien éditeur : Pascale Dubus
anciens rédacteurs : Gautier Anceau, Sébastien Bontemps, Damien Bril ; Sébastien Chauffour ; Ludovic Jouvet ; Aude Prigot
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