Posté par Damien Bril, le 20 septembre 2013;
- Date limite : 25 septembre 2013
- Date et lieu du colloque : 8-11 mai 2014, Kalamazoo
Kalamazoo, Michigan, May 8 – 11, 2014 Deadline-CFP: 25 sept. 2013
Call for Papers
49th International Congress on Medieval Studies at Kalamazoo 2014
 Session: « Comparative Approaches to the Visual Arts of Iberia and Italy: Sites of Exchange and Affinity in the Western Mediterranean »
Regional approaches to art history have long separated Italy and Iberia, though a number of direct links and uncanny parallels generated strong affinities between the two peninsulas and their outlying islands during the Middle Ages. Medieval Italy and Iberia’s many contextual similarities resulted in large part from their direct access to the Mediterranean, as can be seen in their accommodation of diverse cultures, . . . → En lire plus
Posté par Damien Bril, le 19 septembre 2013;
- Date limite : 11 novembre 2013
- Date et lieu du colloque : 10-12 avril 2014, Londres
London, Royal College of Art, April 10 – 12, 2014 Deadline-CFP: 11 nov. 2013
Call for Papers
 The Reception of German Art, Art Theory, and Philosophy by the Americas in the 20th Century Panel at the AAH Annual Conference, London The panel considers the impact of German Art, Art Theory, Aesthetics, and Philosophy on the Americas. The goal is to focus on German cultural transfer and influence in American Art History and Philosophical discourse. In the 20th century, many German artists and art theorists had to emigrate to the Americas. This contributed to the dissemination of Germany Art and Art Theory in the Americas. We are trying to examine . . . → En lire plus
Posté par Damien Bril, le 19 septembre 2013;
- Date limite : 22 novembre 2013
APPEL A CANDIDATURE Paris, à partir du 1er janvier 2014 Date limite de candidature : 22 novembre 2013
 Projet de recherche : » A chacun son réel. La notion de réel dans les arts plastiques en France, RFA, RDA, Pologne des années 1960 à la fin des années 1980 »
Le projet » A chacun son réel. La notion de réel dans les arts plastiques en France, RFA, RDA, Pologne des années 1960 à la fin des années 1980 » dirigé par Mathilde Arnoux (financé par le programme ERC Starting Grant program) au sein du Deutsches Forum für Kunstgeschichte / Centre allemand d’histoire de l’art (Paris) appartenant la . . . → En lire plus
Posté par Damien Bril, le 19 septembre 2013;
- Date limite : 31 octobre 2013
- Date et lieu du colloque : 3-5 avril 2014, Madrid
Madrid, April 3 – 05, 2014 Deadline-CFP: 31 oct. 2013
The Scientific and Cultural Exile. Congreso Posguerras. 75º aniversario del fin de la Guerra Civil Española
Session “The scientific and cultural exile” Coordinated by José María López Sánchez and Idoia Murga Castro  Almost the entirety of the scientific and cultural elites implicated with the political and modernised Republican project was sent into exile due to the end of the Spanish Civil War and the military collapse of the Republic. The rear-guard violence and the reprisal against certain members of scientific and cultural groups showed the risk of remaining inside Spain. In 1939 the exile started for many scientists, artists . . . → En lire plus
Posté par Damien Bril, le 18 septembre 2013;
- Date limite : 1er janvier 2014
Leiden University Centre for the Arts in Society Deadline-CFP: 1 janv. 2014
CALL FOR CONTRIBUTIONS FOR A SPECIAL ISSUE OF THE JOURNAL OF HISTORIANS OF NETHERLANDISH ART
 JHNA (ISSN – 1949-9833) is the open-access electronic journal of Historians of Netherlandish Art. Founded in 2009, the journal publishes issues of peer-reviewed articles two times per year. These articles focus on art produced in the Netherlands (north and south) during the early modern period (c. 1400-c.1750), and in other countries and later periods as they relate to Netherlandish art. This includes studies of painting, sculpture, graphic arts, tapestry, architecture, and decoration, from the perspectives of art history, art conservation, technical studies, museum studies, historiography, and collecting history. http://www.jhna.org/index.php/home
. . . → En lire plus
Posté par Damien Bril, le 18 septembre 2013;
- Date limite : 11 novembre 2013
- Date et lieu du colloque : 10-12 avril 2014, Londres
London, Royal College of Art, April 10 – 12, 2014 Deadline-CFP: 11 nov. 2013
 Sea Currents: The 19th-Century Ocean World (AAH Annual Conference, London, Royal College of Art, 10-12 April 2014)
Convenors of Session: Kathleen Davidson (University of Sydney) and Molly Duggins (University of Sydney)
Vast and fluid, the oceanic spaces of empire in the 19th century inspired an imaginative and multifaceted aesthetic discourse that intersected with colonial and scientific expansion. From the seashore, which emerged as a site of leisure, liminality and transgression, to the seabed, which was perceived as a perilous but alluring frontier, marine environments captivated contemporary practitioners and audiences alike on a local . . . → En lire plus
Posté par Damien Bril, le 18 septembre 2013;
- Date limite : 3 novembre 2013
- Date et lieu du colloque : 17-18 avril 2014, Amsterdam
The Artwork Exposed: Politics and the Arts (1850-1914) Seminar in Collaboration with the Royal Netherlands Historical Society (KNHG) Amsterdam, Rijksmuseum, 17-18 April 2014
Organized by: Camelia Errouane (University of Groningen) Laura Prins (Van Gogh Museum, Amsterdam)
Confirmed key-note speaker: Michelle Facos (Indiana University Bloomington)
 Artworks do not stand on their own: they are made for specific goals and presented in certain contexts; they are viewed and consumed by different persons and eventually they are analyzed by critics and historians. Within this social dynamic, the relationship between the arts and politics has always been complex: Governments of all colors have used and abused the arts throughout history, while individual artists, too, . . . → En lire plus
Posté par Damien Bril, le 16 septembre 2013;
- Date limite : 30 septembre 2013
- Date et lieu du colloque : 19-21 juin 2014, Turin
Turin, June 19 – 21, 2014 Deadline-CFP: 30 sept. 2013
Call for Papers for Sessions at the Third International Meeting of the European Architectural History Network
 Fortified Palaces in Early Modern Europe 1400-1700
Please send your proposal before September 30, 2013, by using the special forms at www.eahn.org.
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From the fifteenth century onwards the spread of firearms profoundly affected the medieval castle. Residential and defensive elements that were once united in a single structure now evolved into separate architectural entities. The château fort gradually developed into a residential palace surrounded by a fortified perimeter. In addition, the shift from vertical to horizontal defence meant that the . . . → En lire plus
Posté par Damien Bril, le 16 septembre 2013;
- Date limite : 20 octobre 2013
- Date et lieu du colloque : 8-10 mai 2014, Louvain
Leuven, May 8 – 10, 2014 Deadline-CFP: 20 oct. 2013
Performing Protest Re-Imagining the Good Life in Times of Crisis Leuven, 8-10 May 2014
Keynote Lectures: Ingolfur Blühdorn (Bath) Boris Groys (NYU)
 In 2011, Time Magazine named the “protester” person of the year, arguing that protest has become “the defining trope of our times” and the protester “a maker of history”. More than anything, however, this making of history is a creative process. The post-democratic experience of disempowerment at the grass-roots level of many European societies coincides with the urgent need for new visions of social prosperity and wellbeing as revealed by the recent crisis of economic, environmental and . . . → En lire plus
Posté par Damien Bril, le 16 septembre 2013;
- Date limite : 18 septembre 2013
- Date et lieu du colloque : 10-12 avril 2014, Saint Louis
St Louis, MO USA, April 10 – 12, 2014 Deadline-CFP: 18 sept. 2013
Call for Papers
 « Monument/Anti-Monument » is an international conference that will bring together artists, art historians, curators, academics, architects, urban planners, designers, archaeologists and other experts to explore contemporary thinking about the intersection of sculpture and public space.
While « Anti-Monument » was a term coined by Robert Smithson to refer to « accidental: monuments such as buildings and industrial spaces, this panel would center around the concept of Counter-Monuments, generally associated with Holocaust memorials and defined by James Young as created by artists who have, “a deep distrust of monumental forms in . . . → En lire plus
Posté par Damien Bril, le 16 septembre 2013;
- Date limite : 1er novembre 2013
- Date et lieu du colloque : 30-31 janvier 2014, Liège
Université de Liège – Belgium, January 30 – 31, 2014 Deadline-CFP: 1 nov. 2013
Research on the Late Middle Ages and the Early Modern Period (14th-17th centuries). Meeting among PhD students
Call for papers
 Since the development of universities to the changes caused by Galilean science, Europe has experienced constant questionings which challenge its political balances and their legitimations, which undermine the foundations of confessional unity and move the borders of knowledge and creation. Trying to transcend the divisions inherited from a long historiographical tradition, the research department Transitions addresses the mutations which characterize the Late Middle Ages and the Early Modern Period (14th-17th centuries). Resolutely multidisciplinary, this department . . . → En lire plus
Posté par Damien Bril, le 16 septembre 2013;
- Date limite : 15 octobre 2013
- Date et lieu du colloque : 6-9 septembre 2014, Lisbonne
Session at EAUH Conference 2014 (Lisbon, 6-9 Sep 2014)
Lisbon, Portugal, September 3 – 06, 2014 Deadline-CFP: 15 oct. 2013
 PAPER CITIES: URBAN PORTRAITS in PHOTOGRAPHIC BOOKS
Specialist Session at the 12th International Conference on Urban History
Cities have always been incredibly photogenic places. Panoramic cityscapes configure an early and important photographic domain, while the so called ‘street photography’ persisted as one of the most popular genres within the documentary style. From the very initial years of the photographic medium, to the later democratic turn of photographic practices, or to the recent age of digital and immaterial pictures, cities have remained attractive subjects for the photographer’s eye.
While photography reaffirms its central role in visually conveying and proposing . . . → En lire plus
Posté par Damien Bril, le 15 septembre 2013;
- Date limite : 23 octobre 2013
« Contemporary Art and History » panel at SASS/AABS 2014 Conference at Yale
 We are seeking papers for a panel at the joint Society for the Advancement of Scandinavian Studies and Association for the Advancement of Baltic Studies conference at Yale University, March 13-15, 2014.
This panel will explore the relationships between contemporary art in the Nordic and Baltic regions produced since 1989 and different modes of temporality. Papers may deal with these or related questions: How do contemporary artists visualize, critique, or reimagine the past, particularly the recent past? How are artists exploring the legacies of communism or modernism? How do they imagine the future and . . . → En lire plus
Posté par Damien Bril, le 15 septembre 2013;
- Date limite : 30 septembre 2013
EKPHRASIS. Images, Cinema, Theatre, Media Vol. 2 (10)/2013 Recycling Images: Adaptation, Manipulation, Quotation in the Digital Age
 Having long played an essential role in the development of art, media and culture, recycling has emerged also as a field of theoretical explorations. The idea of recycling is understood here in a wider sense, as a production means and critical thinking tool, as an instrument for approaching and reclaiming—equally with deference and irreverence—the established cultural models.
Adaptation, remix, manipulation, remediation, quotation, serialism, appropriationism, simulations, mash-up, cut-and-paste, or simply copy-paste are different manifestations of the same idea of recycling and are all part of what was called the “Re- culture”. Such diversity proves that recycling—as a concept and as a means—is not . . . → En lire plus
Posté par Damien Bril, le 13 septembre 2013;
Lucien Bayrou, Languedoc-Roussillon gothique. L’architecture militaire de Carcassonne à Perpignan, Paris, Picard (Collection Les monuments de la France gothique), 2013.
 Amiens, Albi, Le Mont-Saint-Michel, le palais des Papes en Avignon, autant de noms évocateurs de l’art gothique qui est né en France et s’y est développé pendant quatre siècles. Art des cathédrales, le gothique se révèle aussi dans les églises plus modestes, dans les châteaux et demeures civiles.
La collection des Monuments de la France gothique est consacrée, région par région, à ce patrimoine unique au monde.
Cet ouvrage présente l’architecture fortifiée médiévale à travers les exemples de l’âge d’or des châteaux et forteresses de la partie méridionale de la . . . → En lire plus
Posté par Damien Bril, le 10 septembre 2013;
- Date limite : 1 novembre 2013
- Date et lieu du colloque : 7-11 mai 2014, Telč
Telč, May 7 – 11, 2014 Deadline-CFP: 1 nov. 2013
 Circulation as a factor of cultural aggregation: relics, ideas and cities in the Middle Ages
The conference will be held on May 7 – 11, 2014 in Telč, Southern Bohemia, in international cooperation of the Department of Medieval Art of the Institute of Art History at the Academy of Sciences of the Czech Republic, the Centre of Early Medieval Studies, Department of Art History of Masaryk University in Brno, Czech Republic, and the Department of Art History at University of Lausanne, Switzerland.
CALL FOR PAPERS The central topic of the international and interdisciplinary conference is . . . → En lire plus
Posté par Damien Bril, le 10 septembre 2013;
- Date limite : 11 novembre 2013
- Date et lieu du colloque : AAH, 10-12 avril 2014, Londres
London, April 10 – 12, 2014 Deadline-CFP: 11 nov. 2013
Call for Papers for Session at the 40th Association of Art Historians Annual Conference, Royal College of Art, London
[1] Sense as a Ratio: Early Modern Proportional Analogies in Visual Art
Please send your proposal before November 11, 2013.
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 [1] From: Matthew Landrus <ma*************@***********ac.uk> Date: Sep 3, 2013 Subject: CFP: Early Modern Proportional Analogies in Visual Art
Sense as a Ratio: Early Modern Proportional Analogies in Visual Art
This session addresses early modern uses of proportional analogies, theories and systems for representations of sensory information or ideas. With the rise in art treatises, along . . . → En lire plus
Posté par Damien Bril, le 10 septembre 2013;
- Date limite : 15 octobre 2013
- Date et lieu du colloque : 7-9 mars 2014, Riverside (Californie)
PCCBS, Riverside, California, March 7 – 09, 2014 Deadline-CFP: 15 oct. 2013
Monopolies of the Built Environment and Architectural Production in Ireland and the Empire, 1700-1900
Session at PCCBS – The Pacific Coast Conference on British Studies, Riverside, California, 7-9 March 2014
Proposals due by 15 October 2013
 This session seeks to bring together scholars whose work relates to monopolies – whether material, political, religious, spatial, or temporal – and how they affected the built environment and the methods by which urban spaces developed. Economic historians have long seen the centrality of monopolies to Georgian and Victorian society, especially in colonial scenarios, but those dealing with aspects of architectural . . . → En lire plus
Posté par Damien Bril, le 10 septembre 2013;
- Date limite : 11 novembre 2013
- Date et lieu du colloque : 10-12 avril 2014, Londres
AAH 2014 – Royal College of Art, London, April 10 – 12, 2014 Deadline-CFP: 11 nov. 2013
40th Association of Art Historians Annual Conference, Royal College of Art, London
 Session: Within a frame. Boundary, interaction and transition between art and its surroundings
Session Convenors: Daniela Roberts, Stuart Ager
The relationship between an artwork and its frame continues to be a matter for on-going academic discussion. With the introduction of detachable frames, which opened up the possibility of replacing original frames, often for the reason of taste or to suit a collection display, the continuity between painting and frames has been increasingly overlooked. Seeing art and . . . → En lire plus
Posté par Damien Bril, le 9 septembre 2013;
- Date limite : 31 décembre 2013
[Arts] Special Issue: Sustainable Architecture http://www.mdpi.com/journal/arts – Announcement of Special Issue
Prof. Dr. Volker M. Welter is serving as Guest Editor for a special issue of the online, open access journal, Arts. We would like to announce this opportunity for you to submit an article to this new special issue entitled « Sustainable Architecture ».
 The deadline for submission is 31 December 2013, but you may send your manuscript at any time before then. All submissions are peer-reviewed and accepted papers will be published immediately. If you plan to contribute, please send a short abstract to we****@*************sb.edu and fe****@**pi.com. Planned papers will be listed on the following . . . → En lire plus
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Équipe Rédacteur en chef : Olivier Bonfait.
Rédacteurs : Elliot Adam (Moyen Age) ; Nicolas Ballet (XX-XXIe siècles) ; Matthieu Fantoni (musées) ; Antonella Fenech Kroke (bourses) ; Vladimir Nestorov (Lettre mensuelle)
Administrateur web : Matthieu Lett.
ancien éditeur : Pascale Dubus
anciens rédacteurs : Gautier Anceau, Sébastien Bontemps, Damien Bril ; Sébastien Chauffour ; Ludovic Jouvet ; Aude Prigot
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Session: « Comparative Approaches to the Visual Arts of Iberia and Italy: Sites of Exchange and Affinity in the Western Mediterranean »
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