Posté par Damien Bril, le 11 avril 2013;
- Date limite : 24 avril 2013
- Date et lieu du colloque : 13-15 juin 2013, Hanovre
Design and Research in Architecture Reflexive Design 13-15 June 2013 3. Symposium on Design and Research in Architecture Faculty of Architecture and Landscape Sciences, Leibniz Universität Hannover
 ‘Reflexive Design’ defines a research agenda for architecture that explicitly addresses the growth of knowledge as an intrinsic part of the design process. The realized project, often predominant in both architectural discourse and practice, obscures the actual relevance of thought in the process of architectural design. This process interactively comprises the continuous growth of implicit and explicit knowledge that precedes and exceeds the single project. This process shapes the attitude that includes styles of thought and approaches to architecture as well as . . . → En lire plus
Posté par Damien Bril, le 11 avril 2013;
- Date limite : 15 mai 2013
Non-Stipendiary Research Fellowship Call  The Bard Graduate Center invites applications for up to four non-stipendiary research fellowships lasting from 3 to 9 months. Since its founding in 1993, the Bard Graduate Center has aimed to become the leading institute for study of the cultural history of the material world through its MA and PhD programs, scholarly exhibitions, and publications, seminars, and symposia. Its activities draw on methodologies and approaches from art, architecture and design history, economic and cultural history, history of technology, philosophy, anthropology, and archaeology. Fellowships are for researchers working in these and allied areas. We provide office space, and rental accommodation maybe available at Bard Hall. Visiting scholars are expected to participate in the public intellectual life of . . . → En lire plus
Posté par Damien Bril, le 9 avril 2013;
- Date limite : 29 avril 2013
Berlin, Art Laboratory Berlin / Theater Glaskasten, July 5 – 06, 2013 Deadline-CFP: 29 avr. 2013
 As a theoretical addition to our ongoing exhibition series SYNAESTHESIA (October 2012 – July 2013/ http://artlaboratory-berlin.org/home_eng.htm), Art Laboratory Berlin plans an international interdisciplinary conference to further explore and theoretically question the field of multisensory perception.
The term « synaesthesia », from the Greek « aisthesis » (« Sensation », « sensory impression ») and « syn » (« together ») means the experience of two or more sensory impressions at the same time. Currently there is a strikingly strong interest in the coupling of the senses in science, humanities and . . . → En lire plus
Posté par Damien Bril, le 8 avril 2013;
- Date limite : 10 mai 2013
- Date et lieu du colloque : 23-27 septembre 2013, Los Angeles
 The International Warburg Lectures in Hamburg and the Getty Research Institute in Los Angeles, in collaboration with the “Entartete Kunst” (”Degenerate Art”) Research Center in Hamburg, invite proposals for a two-part workshop on the art market under National Socialism. The workshop for emerging scholars aims to address fundamental questions on the confluence of the history of art, economics, and the law. Case studies from disparate sectors of the Third Reich’s art market will be considered, such as official and clandestine transactions, national and international sales, stolen and looted art, the seizure and disposal of “degenerate art” from German museums, the expropriation of art from Jewish collectors, and . . . → En lire plus
Posté par Damien Bril, le 7 avril 2013;
- Date limite : 15 avril 2013
- Date et lieu du colloque : 8 juin 2013, Varsovie
 Museum of Modern Art in Warsaw invites proposals for papers to be discussed during the Team 10 East workshop in Warsaw (June 8, 2013) and, potentially, to contribute to the book Team 10 East. Possible topics include the work of architects from socialist countries who were part of the Team 10 networks; exchanges between Team 10 and architects and planners from socialist countries; and the reception of Team 10 discussions in architectural culture in Central and Eastern Europe. Papers dealing with questions of modernization, consumption, welfare state, community, and everyday life are particularly encouraged.
Please send an abstract of up to 300 words and a resume of up to . . . → En lire plus
Posté par Damien Bril, le 5 avril 2013;
Antonio Becchi, Hélène Rousteau-Chambon et Joël Sakarovitch (dir.), Philippe de La Hire (1640-1718). Entre architecture et sciences. Paris : Picard, 2013
 Personnage fascinant et polymorphe, Philippe de La Hire (1640-1718) reste un savant relativement peu étudié. Ses travaux de géométrie le font bientôt entrer à l’Académie royale des sciences, où il devient cartographe du royaume avec l’abbé Picard, s’intéresse à l’hydraulique, à la gnomonique, à la physiologie, à la botanique et à l’astronomie. Nommé professeur à l’Académie royale d’architecture en 1687, il rédige, outre de nombreux mémoires, un Traité de coupe des pierres puis un Traité d’architecture. Par ses travaux, et en particulier ceux concernant la mécanique des . . . → En lire plus
Posté par Damien Bril, le 4 avril 2013;
- Date limite : 1er juin 2013
- Date et lieu du colloque : 9-13 avril 2014, Austin
Austin, Texas, Society of Architectural Historians 67th Annual Conference, April 9 – 13, 2014 Deadline-CFP: 1 juin 2013
 In the past couple of decades, architectural discourse has increasingly focused on issues of representation. Research has stressed that architecture is not confined to the physical object, but that it appears in a variety of different media. Consequently, various forms of visual representation have been investigated as carriers of architectural knowledge. Conversely, architecture’s capacity of evoking a strong sense of physical, spatial, and material presence as well as establishing what Michael Fried called “presentness” of the object, has shifted out of focus. This session investigates instances of architectural communication . . . → En lire plus
Posté par Damien Bril, le 2 avril 2013;
- Date et lieu du colloque : 18-19 décembre 2013, Tel Aviv
- Date limite : 31 juillet 2013
Sensationalism and the Genealogy of Modernity
A Two-Day International Workshop
Tel Aviv University, December, 18-19, 2013
Deadline-CFP: 31 juil. 2013
 A vast tradition of literary and theoretical reflections has mapped modernity in the fragmented, synaesthetic experience that characterizes urban life. From the paratactic verses of Wordswoth’s Prelude describing the city of London, to the discussion of the ‘shock’ effect and the hyper-stimultion of the urban sensorium in the works of Walter Benjamin, George Simmel, and, most recently, Ben Singer, the bombardment of ever changing stimuli targeting the perception of the urban flâneur has been set against a tradition of aesthetic and epistemological concern valuing the intuited principle . . . → En lire plus
Posté par Damien Bril, le 2 avril 2013;
- Date limite : 20 avril 2013
- Date et lieu du colloque : 30 octobre-2 novembre 2013, Greensboro (NC)
Call for Papers for the panel: Reciprocal Exchanges: Regionalisms and Modernisms in Dialogue (As part of The Southeastern College Art Conference 2013 Annual Conference, Greensboro, NC)
 Recently, art historians have zealously endeavored to decenter or re-center formulations of modernisms (or Modernisms) away from the dominant urban centers of Paris, Berlin, London, and New York and toward artistic activities in more peripheral locations. Though exploring the native milieux of various modern artists has illuminated the significance of regional academic traditions and aesthetic preferences, as well as historical contingencies of place and geography, these studies have often privileged analysis of these peripheral circumstances over creating dialogue with the narratives . . . → En lire plus
Posté par Damien Bril, le 30 mars 2013;
- Date limite : 5 juillet 2013
- Date et lieu du colloque : 7-8 novembre 2013, Oxford
Science, Imagination, and the Illustration of Knowledge 4th International Illustration Symposium. Organised by Illustration Research, in collaboration with University of Oxford Museums and Collections Oxford, UK, November 7-8, 2013
‘Every great advance in science has issued from a new audacity of the imagination.’ John Dewey
 The Science, Imagination and the Illustration of Knowledge symposium will consider the contemporary and historical role of illustration in relation to the collection, processing, understanding, and organisation of knowledge and associated questions of epistemology and pedagogy. The symposium is organised by Illustration Research in collaboration with the Oxford University Museum of Natural History, the Pitt Rivers Museum, and the Museum of the History of Science and these world famous collections will provide an important . . . → En lire plus
Posté par Damien Bril, le 30 mars 2013;
- Date limite : 30 septembre 2013
Arts de l’oubli Formes et re-présentations
 Ce numéro se propose d’analyser des images et des formes de l’oubli de l’Antiquité à nos jours.
Au fil des siècles, mémoire et oubli ont été à tour de rôle les dépositaires de valeurs sociales, culturelles, philosophiques, politiques, artistiques et, selon les époques et les contextes, ont pu prendre des significations opposées et/ou complémentaires.
Des Lotophages homériques aux Tristia d’Ovide, du mythe d’Er dans la République de Platon à la naissance des muses (oubli des maux) dans la Théogonie d’Hésiode, l’oubli a été décrit comme étant un obstacle à dépasser mais aussi comme une ressource, à savoir un passage incontournable avant le retour à . . . → En lire plus
Posté par Damien Bril, le 30 mars 2013;
L’ARTISTE EN REPRESENTATION. IMAGES DES ARTISTES DANS L’ART DU XIXE SIECLE
 Au XIXe siècle, l’artiste devint une image ; il acquit une dimension symbolique, inconnue auparavant, qui se déclina sous la forme de différents avatars. Ces identités mouvantes conduisirent à faire de l’artiste un type social nouveau. L’indétermination de la nature de l’artiste s’exprima dans la multiplicité des identifications qui servaient à éclairer sa personnalité : les artistes furent assimilés aussi bien à Prométhée qu’à Moïse ou au Christ, à un dandy qu’à un bohème, à un martyr qu’à une figure satanique, à un rebelle qu’à un homme du monde, à un solitaire reclus dans son atelier qu’à un . . . → En lire plus
Posté par Damien Bril, le 28 mars 2013;
- Date limite : 15 mai 2013
 Art. 1 La Fondation Roberto Longhi pour l’Étude de l’Histoire de l’Art ouvre un concours pour l’attribution des bourses pour l’année 2013-2014 à compter du 1er octobre 2013. Le concours s’adresse à tous ceux qui souhaitent poursuivre des études et des recherches dans les disciplines relatives à l’histoire de l’art. Ne sont pas admis à concourir les candidats qui, à la date du 15 mai 2013, auraient déjà atteint l’âge de 32 ans. Art. 2 Diplômes requis pour être admis à concourir Pour participer au concours sont requises les conditions suivantes, sous peine d’exclusion: 1) Pour les candidats de nationalité italienne, laurea avec un mémoire en histoire de . . . → En lire plus
Posté par Damien Bril, le 28 mars 2013;
Chicago, CAA Annual Conference, February 12 – 15, 2014 Deadline-CFP: 6 mai 2013
Objects, Objectives, Objections: The Goals and Limits of the New Materialisms in Art History  Our colleagues in the rest of the academy seem suddenly to be in thrall to things. Scholars in fields ranging from political theory to literature are moving away from an understanding of the world centered on people and texts, and towards a reconsideration of the interrelationships among all things, including humans. Artists and art historians, having always attended to the confluence of things and people, seem to be welcoming this shift with a mixture of delight and circumspection. It is our contention that . . . → En lire plus
Posté par Damien Bril, le 28 mars 2013;
- Date limite : 30 avril 2013
- Date et lieu du colloque : 18-20 septembre 2014, Berlin
Mars and Museum. European Museums during the First World War (working title) International Conference
organised by Bénédicte Savoy (Technische Universität Berlin), Petra Winter (Zentralarchiv der Staatlichen Museen zu Berlin – Preußischer Kulturbesitz), Christina Kott (Centre Marc Bloch Berlin, Université Panthéon-Assas Paris)
Date: September 18, 2014 – September 20, 2014
Location: Technische Universität Berlin, Strasse des 17. Juni 135, 10623 Berlin, and the Museum Hamburger Bahnhof, Invalidenstrasse 50-51, 10557 Berlin
Submission deadline: April 30, 2013
 Today it has almost been forgotten that not only the Second World War but also the First World War constituted a crucial break in the history of European museums. As a matter of fact, the . . . → En lire plus
Posté par Damien Bril, le 27 mars 2013;
- Date limite : 20 mai 2013
- Date et lieu : 8-13 septembre 2013, Bâle
eikones Summer School 2013 September 8 – 13
This year’s eikones Summer School of the NCCR Iconic Criticism will explore the following themes in three transdisciplinary courses:
 Course 1 examines the relationship and mutual reflection of film and painting. Aesthetic, theoretic, and historically significant aspects of this interplay will be analyzed, both from the point of view of the fine arts and from the point of view of film. Formal borrowings will be considered along with diegetic, technical, and ideological appropriations; the realm of the avant-garde will be discussed as well as that of the culture industry.
Course 2 investigates the status of the image at the beginning . . . → En lire plus
Posté par Damien Bril, le 27 mars 2013;
- Date limite : 26 avril 2013
- Date et lieu du colloque : 26 juin 2013, York
York, Humanities Research Centre, June 26, 2013 Deadline-CFP: 26 avr. 2013
Collaborators: The Role of Collectors, Critics, Curators in Artistic Practice c. 1780-1914
26 June 2013, Humanities Research Centre, University of York
 In May 1884 the art critic Marion Harry Spielmann wrote in defence of the often criticised profession of art criticism: ‘The critic – (I am not now referring to the mere notice writer of daily journalism) – spends his life in devotion not only to art but to artists: and, so far as public recognition is concerned, he reaps his reward in sneers and ‘chaff’: sneers from painters, thoughtless and irresponsible, like Mr Whistler; indifference . . . → En lire plus
Posté par Damien Bril, le 26 mars 2013;
- Date limite : 24 juin 2013
- Date et lieu du colloque : 22-24 novembre 2013, Auckland
Auckland, New Zealand: The University of Auckland and AUT University, November 22 – 24, 2013 Deadline-CFP: 24 juin 2013
 Moved: On Atmospheres and Affects 2013 Interstices Under Construction Symposium The University of Auckland and AUT University, Auckland November 22 to 24, 2013
Keynote Speaker: Professor emeritus Gernot Böhme (Technical University of Darmstadt, Germany)
We invite you to address in a 20 minute presentation questions of cultural and experiential atmospheres, technification and affect. For instance, what are the roles of emotion and imagination in the context of lapses in ideals of subject integrity and the immersion in affective states? What is the role, politically, culturally, creatively, of felt . . . → En lire plus
Posté par Damien Bril, le 21 mars 2013;
- Date limite : 15 avril 2013
Leiden University Application deadline: 15 avr. 2013
 The Leiden University Centre for the Arts in Society (LUCAS) invites applicants for a PhD Position.
Title of the project: The role of the sublime in legitimizing and contesting power in 17th-century Amsterdam: Architecture
Vacancy number: 13-076
The PhD student will work within a research programme funded by the European Research Council (ERC Starting Grant), entitled: ‘Elevated Minds. The Sublime in the Public Arts in Seventeenth-Century Paris and Amsterdam’ supervised by Dr. Stijn Bussels (Art and Architectural History, LUCAS).
Description of the Ph.D project: http://werkenbij.leidenuniv.nl/vacatures/phd-posities/13-076-phd-position.html
URL de référence : http://arthist.net/archive/4905
Posté par Damien Bril, le 21 mars 2013;
Universität Zürich, 01.10.2013 Application deadline: 8 mai 2013
 Subject to final approval by the Swiss National Science Foundation for the continuation of the National Centre of Competence in Research program « Mediality – Historical Perspectives » at the University of Zürich, we invite applications for the position of
2 PhD positions (100%) in art/architectural history
in the framework of the module « The Art of Display. ». The research group aims to explore display as a fundamental characteristic of art and architecture. Research will focus on architectural and spatial gestures of display, both in the built environment and in the exhibited work of art. The term « display » . . . → En lire plus
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Équipe Rédacteur en chef : Olivier Bonfait.
Rédacteurs : Elliot Adam (Moyen Age) ; Nicolas Ballet (XX-XXIe siècles) ; Matthieu Fantoni (musées) ; Antonella Fenech Kroke (bourses) ; Vladimir Nestorov (Lettre mensuelle)
Administrateur web : Matthieu Lett.
ancien éditeur : Pascale Dubus
anciens rédacteurs : Gautier Anceau, Sébastien Bontemps, Damien Bril ; Sébastien Chauffour ; Ludovic Jouvet ; Aude Prigot
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‘Reflexive Design’ defines a research agenda for architecture that explicitly addresses the growth of knowledge as an intrinsic part of the design process. The realized project, often predominant in both architectural discourse and practice, obscures the actual relevance of thought in the process of architectural design. This process interactively comprises the continuous growth of implicit and explicit knowledge that precedes and exceeds the single project. This process shapes the attitude that includes styles of thought and approaches to architecture as well as . . . → En lire plus
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