Posté par Damien Bril, le 29 octobre 2013;
Les espaces du sacré de la Renaissance à la Révolution, Collection : Art Sacré – Cahiers de Rencontre avec le Patrimoine religieux, Volume 30, 3e trimestre 2013
 Progressivement, sous la nécessité religieuse des épreuves subies lors du mouvement de la Réforme protestante et, aussi, sous l’influence des formes nouvelles de l’architecture et du décor, nées de la Renaissance, l’organisation interne de beaucoup d’édifices religieux a été amenée à de profondes mutations. La Contre-Réforme en fut un moteur puissant, qui n’aurait cependant pas abouti si, localement, les initiatives conjointes des institutions religieuses et des groupes de fidèles n’avaient pas su trouver et utiliser les capacités des hommes de l’art, architectes, sculpteurs, peintres . . . → En lire plus
Posté par Damien Bril, le 25 octobre 2013;
- Date et lieu du colloque : 14-16 novembre 2013, Paris
Charles Blanc (1813-1882). Vie, œuvre, impact Colloque international
Paris, 14–16 novembre 2013
 À l’occasion du bicentenaire de la naissance de Charles Blanc (1813-1882), le Centre allemand d’Histoire de l’art et l’Institut national d’histoire de l’art réunissent des spécialistes internationaux autour de la figure du fondateur de la Gazette des Beaux-Arts. Personnalité riche et engagée, il fut tout à la fois critique et historien de l’art, mais aussi activement impliqué dans les institutions républicaines, occupant à deux reprises le poste de Directeur de l’administration des Beaux-Arts. Les intervenants reviendront au cours du colloque sur ces multiples aspects de la personnalité intellectuelle et publique de Charles Blanc, pour débattre des résultats . . . → En lire plus
Posté par Damien Bril, le 14 octobre 2013;
- Date et lieu du colloque : 2-4 décembre 2013, Paris
PENSER LA SCULPTURE Échanges artistiques et culturels dans le Nord de lEurope (XVIe XVIIIe)
2 - 3 - 4 décembre 2013
 Colloque international organisé par Frédérique BRINKERINK (Rijksmuseum/ Galerie Perrin/ GHAMU) & Gaylord BROUHOT (Université Paris 1 Sorbonne/ HICSA/ CHAR)
Sous la direction de Colette NATIVEL avec la collaboration de Luisa CAPODIECI (Université Paris 1 Sorbonne/ HICSA/GRANIT) Avec la participation d’Alexander DENCHER (Université Paris 1 Sorbonne/ HICSA/GRANIT) Avec le soutien de la Fondation CUSTODIA
PROJET
Depuis quelques années, une réflexion de fond a été engagée sur la nature et les modalités des échanges entre les artistes du Nord de lEurope aux XVIe, XVIIe et XVIIIe siècles. Cette question de . . . → En lire plus
Posté par Damien Bril, le 8 octobre 2013;
- Date limite : 15 novembre 2013
This is an open call for submissions for an edited volume on the artist-as-curator for an academic press in the UK. The editor seeks submissions that theorize and/or historicize the breakdown of traditional boundaries separating the practices of artistic creation and curation.
 The volume will survey artist-curator activities thematically, geographically, and through in-depth treatments of key figures and events. Submissions should address curatorial interventions by individuals or collectives that make art by re-presenting historically invested artworks in new contexts. Proposals that examine the activities of artists acting as curators and/or curators acting as artists in the contemporary moment are welcome. Submissions that historicize the figure of the artist-curator by examining earlier . . . → En lire plus
Posté par Damien Bril, le 7 octobre 2013;
- Date limite : 23 novembre 2013
- Date et lieu du colloque : 28 février-1 mars 2014, Boston
Boston, Massachusetts, February 28 – March 1, 2014 Deadline-CFP: 23 nov. 2013
 « See The Light »: The 30th Annual Boston University Graduate Symposium on the History of Art & Architecture
Light is vital to artistic creation throughout history and across geographic boundaries, whether it is used as a source, treated as physical material, or conceptualized symbolically and theoretically. The 30th Annual Boston University Graduate Student Symposium on the History of Art & Architecture invites submissions that consider the employment and reception of light in art and architecture.
Possible subjects include, but are not limited to, the following: light as metaphor; light as medium; light and technological change; light as symbol; . . . → En lire plus
Posté par Damien Bril, le 7 octobre 2013;
- Date limite : 31 octobre 2013
- Date et lieu du colloque : 2-4 avril 2014, Düsseldorf
Haus der Universität, Heinrich-Heine-Universität, Düsseldorf (Germany), April 2 – 04, 2014 Deadline-CFP: 31 oct. 2013
International Conference
 You were not expected to do this. On the Dynamics of Production
Conveners: Dr. Daniel Blanga-Gubbay / Dr. Elisabeth Ruchaud. @ Graduiertenkolleg Materialität und Produktion, [GRK1678] Heinrich-Heine-Universität, Düsseldorf
In ordinary terms, the word production refers to an act of creation and its result, or to a process at the end of which there is a materialisation of some kind, or to the act of making something present. By productively interfering with this common idea of production we would like to work towards establishing different ways of thinking about this concept. Distraction and . . . → En lire plus
Posté par Damien Bril, le 30 septembre 2013;
- Date limite : 29 novembre 2013
- Date et lieu du colloque : 17 janvier 2014, New York
New York City, Museum of Biblical Art, January 17, 2014 Deadline-CFP: 29 nov. 2013
 They Who Gathered Much: Artists, Audiences, and Collectors of Biblical Imagery Symposium
Organized in conjunction with Sacred Visions: Nineteenth-Century Biblical Art from the Dahesh Museum Collection, on view at the Museum of Biblical Art (MOBIA) from October 17, 2013, to February 16, 2014, this symposium will interrogate the intersection of two dramatic shifts in nineteenth-century culture: first, the reconfiguring of biblical representation amid shifts in Bible historicism. Second, the emerging markets for buying, selling, and exhibiting biblical art amid a rise of a new middle-class art patronage and the opening of the first modern museums for the . . . → En lire plus
Posté par Damien Bril, le 30 septembre 2013;
- Date limite : 1er mars 2014
- Date et lieu du colloque : 21-23 novembre 2014, Athènes
Benaki Museum, Athens, November 21 – 23, 2014 Deadline-CFP: 1 mars 2014
Call for Papers
 El Greco From Crete, to Venice, to Rome, to Toledo An International Conference
2014 marks the 400th anniversary of El Greco’s death in Toledo, Spain. To commemorate the event, the Benaki Museum, Athens, will organize two exhibitions in 2014, as well as a three-day international conference on the artist and his works on November 21, 22 and 23, 2014. A list of subjects of particular interest follows. Other proposals are welcome. The Conference is organized in conjunction with the exhibition on « El Greco’s Friends and Patrons in Toledo » in its central building (November 2014 – February 2015). The museum will simultaneously host . . . → En lire plus
Posté par Damien Bril, le 30 septembre 2013;
- Date limite : 1er novembre 2013
- Date et lieu du colloque : 4-5 mai 2014, Los Angeles
Los Angeles, University of Southern California, May 4 – 05, 2014 Deadline-CFP: 1 nov. 2013
Call for Papers: USC Visual Studies Research Institute Getting the Picture: The Visual Culture of the News May 4-5, 2014, University of Southern California
 News pictures promise to make the world, through the faculty of vision, at once immediate and knowable. Few would dispute that the news picture, whether static or moving, photographic or autographic, is one of the most ubiquitous, powerful and controversial kinds of images today and that there is a long and complex history of the news picture still to be analyzed and explained.
This two-day conference seeks to classify and comprehend those pictures that are news with attention to their . . . → En lire plus
Posté par Damien Bril, le 27 septembre 2013;
- Date limite : 29 novembre 2013
University of Nottingham, UK, April 22 – July 18, 2014 Application deadline: 29 nov. 2013
International Visiting Fellowships: Art and the American Midwest
 Applications are sought from early career researchers for the 2014 University of Nottingham International Office Visiting Fellowship Scheme, to contribute to the project Art and the American Midwest, based in the Department of Art History. The VFS allows early career researchers from outside the European Union (EU) the opportunity to complete a three month period of research in Nottingham, carrying out identified research projects from Tuesday 22 April – Friday 18 July 2014.
The Art and the American Midwest project investigates the ways in which the American Midwest . . . → En lire plus
Posté par Damien Bril, le 27 septembre 2013;
- Date limite : 30 novembre 2013
- Date et lieu du colloque : 13-15 juin 2014, Kloster Irsee
Kloster Irsee, June 13 – 15, 2014 Deadline-CFP: 30 nov. 2013
Collecting Prints & Drawings
 Interdisciplinary conference organised by Collecting & Display in collaboration with Schwabenakademie Kloster Irsee Organisers: Andrea M. Gáldy – Sylvia Heudecker – Angela M. Opel
Cabinets of prints and drawings belong to the earliest art collections of Early Modern Europe. From the sixteenth century onwards some of them acquired considerable fame which necessitated an ordered and scientific display. This interdisciplinary conference brings together art historians, historians, curators and collectors and explores topics such as: when, how and why did cabinets of prints and drawings become a specialised part of princely and private collections? How important were collections . . . → En lire plus
Posté par Damien Bril, le 26 septembre 2013;
- Date limite : 15 octobre 2013
A Cultural History of Emotions in the Middle Ages: Contributor Sought
 We are seeking expressions of interest from art history scholars interested in participating in an important new project in the History of the Emotions, a six-volume collection entitled The Cultural History of the Emotions to be published by Bloomsbury. The collection will span antiquity to the present day and each volume will be arranged into the same thematic chapters: Medical and Scientific Understandings; Religion and Spirituality; Music and Dance; Drama; The Visual Arts; Literature; In Private: The Individual and the Domestic Community; and In Public: Collectivities and Polities. We, Juanita Feros Ruys (University of Sydney) and Clare Monagle (University of Monash), have been contracted as the editors . . . → En lire plus
Posté par Damien Bril, le 26 septembre 2013;
- Date et lieu de la conférence : 4 octobre 2013, Paris
Vendredi 4 octobre, 18h00 Institut National d’Histoire de l’Art, 2 rue Vivienne, 75002 Paris, salle Vasari
Guillaume CASSEGRAIN maître de conférences à l’Université Lyon II
Poétique de la coulure
 Il aura fallu attendre l’expressionisme abstrait des peintres américains pour revoir apparaître la coulure dans les images. Cy Twombly, Brice Marden, Morris Louis, en libérant le geste pictural des entraves dictées par les règles du passé, ont donné libre cours, sous des formes à chaque fois diverses et singulières, aux écoulements de peinture. Jackson Pollock en a même fait un motif original avec lequel sa peinture à par la suite été décrite. Le fameux « dripping . . . → En lire plus
Posté par Damien Bril, le 25 septembre 2013;
- Date limite : 15 octobre 2013
- Date et lieu du colloque : 15-16 novembre 2013, Prague
Grand Majestic Plaza, Prague, Czech Republic, November 15 – 16, 2013 Deadline-CFP: 15 oct. 2013
Call for Papers for the Panel
 Art as Cultural Diplomacy: (Re)Constructing Notions of Eastern and Western Europe
(As part of the Second Euroacademia International Conference ‘Re-Inventing Eastern Europe’ to be held at Grand Majestic Plaza, Prague, Czech Republic, 15-16 November 2013)
Panel Organizer: Cassandra Sciortino, University of California, Santa Barbara
Panel Description: The panel « Art as cultural diplomacy » seeks papers that explore the function of art (in its broadest definition) as an instrument of cultural diplomacy by the state and, especially, by nongovernmental actors. The main theme of the session is the . . . → En lire plus
Posté par Damien Bril, le 25 septembre 2013;
- Date limite : 10 novembre 2013
Leiden University Centre for the Arts in Society Application deadline: 10 nov. 2013
PhD Position in Art and Architectural History (1,0 fte) Vacancy number: 13-277
 The Faculty of Humanities hosts a wealth of expertise in fields including philosophy, history, art history, literature, linguistics, and area studies, covering practically the entire world. The Leiden University Centre for the Arts in Society (LUCAS) is one of seven research institutes within the Faculty of Humanities. LUCAS focuses on the study of art, literature and culture through various media. The PhD student will work within a research programme funded by the European Research Council (ERC Starting Grant), entitled: Elevated Minds. The Sublime in . . . → En lire plus
Posté par Damien Bril, le 25 septembre 2013;
- Date limite : 31 janvier 2014
- Date et lieu du colloque : 23-26 juin 2014, Bialystok, Pologne
Bialystok, Poland, June 23 – 26, 2014 Deadline-CFP: 31 janv. 2014
Call for Papers
 Dolls and Puppets as Artistic and Cultural Phenomenon
The presence of dolls and puppets has been a constant feature of life throughout the history of humankind. The use and perception of dolls and puppets reflects people’s attitudes towards the world and other people as well as spiritual concerns. In academic discussions this phenomenon is usually treated in relative isolation. Theatre historians have their own vision of the history of dolls and puppets, as do art historians, ethnologists, film connoisseurs and historians of literature. These various views do not, unfortunately, often enter into direct dialogue. The main aim . . . → En lire plus
Posté par Damien Bril, le 24 septembre 2013;
- Date limite : 15 janvier 2014
- Date et lieu du colloque : 15-19 avril 2015, Chicago
Chicago, IL, April 15 – 19, 2015 Deadline-CFP: 15 janv. 2014
Call for Session Proposals: SAH 68th Annual Conference April 15-19, 2015 | Chicago, IL http://www.sah.org/2015
 At its 2015 Annual Conference in Chicago, Illinois, April 15-19, the Society of Architectural Historians (SAH) will celebrate the 75th anniversary of the Society’s founding. SAH will offer six concurrent paper sessions, in six modules over two days, for a total of 36 paper sessions. The Society invites its members, including graduate students and independent scholars, representatives of SAH chapters and partner organizations, as well as future members to chair a session at the conference.
Since the principal purpose of the . . . → En lire plus
Posté par Damien Bril, le 24 septembre 2013;
- Date limite : 30 septembre 2013
Chicago, IL, March 20 – 22, 2014 Deadline-CFP: 30 sept. 2013
 CALL FOR PAPERS
Nineteenth Century Studies Association (NCSA) Urbanism and Urbanity March 20-22, 2014, Chicago IL
We seek papers and panels that investigate elements of urbanism and urbanity during’ the long nineteenth century, such as:
– urbanites (the flaneur, the prostitute,the detective, the criminal, etc.); – urbanites and the rise of consumer culture; – immigrants and urban communities: urban domesticity in literature and culture; – architecture, urban design, and city planning; – urban spaces and the gothic imagination; – mobilities and forms of urban transport; – the politics of urban space; – the city and the natural environment; – urban cartographies; . . . → En lire plus
Posté par Damien Bril, le 22 septembre 2013;
- Date limite : 11 novembre 2013
- Date et lieu du colloque : 10-12 avril 2014, Londres
London, Royal College of Art, April 10 – 12, 2014 Deadline-CFP: 11 nov. 2013
Association of Art Historians 40th Anniversary Annual Conference & Bookfair
 CALL FOR PAPERS: Expanded Photography Session Chair: Dr. Lucy Soutter, The Royal College of Art
Contemporary artists are transforming our understanding of photography by combining it with other forms and activities. Many recent works incorporating photography have material or spatial aspects, overlapping with painting, sculpture, installation or architecture. Others emphasize action or the passage of time, combining photography with elements of moving image, performance or audience participation. Digital technology provides yet further hybrid manifestations of photography within art. While many such works have roots in the . . . → En lire plus
Posté par Damien Bril, le 20 septembre 2013;
- Date limite : 5 octobre 2013
- Date et lieu du colloque : 15-16 novembre 2013, Prague
Grand Majestic Plaza, Prague, Czech Republic, November 15 – 16, 2013 Deadline-CFP: 5 oct. 2013
Call for Papers for the Panel:
 Visual Urban Transformations: Changes in Urban Image Construction in Central and Eastern Europe
As part of the Second Euroacademia International Conference ‘Re-Inventing Eastern Europe’ to be held at Grand Majestic Plaza, Prague, Czech Republic, 15-16 November 2013
Panel Description:
As the chaotic canvases of cities are being stretched over a framework of identity, its further exploration seems more than appropriate. Amidst the incredibly rapid urban growth crowding more than half of the world population in towns and cities, the questions are only going to keep multiplying. How are . . . → En lire plus
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Équipe Rédacteur en chef : Olivier Bonfait.
Rédacteurs : Elliot Adam (Moyen Age) ; Nicolas Ballet (XX-XXIe siècles) ; Matthieu Fantoni (musées) ; Antonella Fenech Kroke (bourses) ; Vladimir Nestorov (Lettre mensuelle)
Administrateur web : Matthieu Lett.
ancien éditeur : Pascale Dubus
anciens rédacteurs : Gautier Anceau, Sébastien Bontemps, Damien Bril ; Sébastien Chauffour ; Ludovic Jouvet ; Aude Prigot
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Progressivement, sous la nécessité religieuse des épreuves subies lors du mouvement de la Réforme protestante et, aussi, sous l’influence des formes nouvelles de l’architecture et du décor, nées de la Renaissance, l’organisation interne de beaucoup d’édifices religieux a été amenée à de profondes mutations. La Contre-Réforme en fut un moteur puissant, qui n’aurait cependant pas abouti si, localement, les initiatives conjointes des institutions religieuses et des groupes de fidèles n’avaient pas su trouver et utiliser les capacités des hommes de l’art, architectes, sculpteurs, peintres . . . → En lire plus
