Posté par Sébastien Bontemps, le 15 juillet 2013;
- Date limite : 13 octobre 2013
- Date et lieu : 12-15 mars 2014, Wiels, Contemporary Art Centre, Bruxelles
 Wiels, Contemporary Art Centre, Brussels, March 12 – 15, 2014 Deadline: Oct 13, 2013
Photofilmic Images in Contemporary Art and Visual Culture
International conference organized by: Université catholique de Louvain (UCL), KU Leuven, and Lieven Gevaert Research Centre for Photography (LGC)
Over the past two decades, research on the interaction between photographic and filmic images has become increasingly popular. This new orientation is partially based on the insight that the ontological differences between film and photography, claimed by scholars in photography theory and film studies up until the 1990s, can no longer hold in the digital era. With the advent of digital technology, boundaries between the photographic and the filmic have become increasingly blurred – both technically, in drawing . . . → En lire plus
Posté par Sébastien Bontemps, le 12 juillet 2013;
- Date limite : 15 août 2013
- Date et lieu : 3-5 juillet 2014, York, University of York
 University of York, York, July 3 – 05, 2014 Deadline: Aug 15, 2013
CALL FOR PAPERS
Cathedral Libraries and Archives of Britain and Ireland
Organised by Brian Cummings, Linne Mooney, Bill Sherman and Hanna Vorholt.
Hosted by the Centre for Medieval Studies and the Centre for Renaissance and Early Modern Studies at the University of York, in association with the York Manuscripts Conference and the Cathedral Libraries and Archives Network.
The York Manuscripts Conference has been held biennially or triennially since 1986 and, with about 50 papers, is amongst the largest conferences in Europe dedicated to manuscript studies. The Thirteenth York Manuscripts Conference, to be held from 3-5 July 2014 will have as its topic the Cathedral Libraries and . . . → En lire plus
Posté par Sébastien Bontemps, le 12 juillet 2013;
- Date limite : 31 octobre 2013
- Date et lieu : Düsseldorf, 2-4 avril 2014
 “You were not expected to do this” On the Dynamics of Production (Distraction/Interference – Resistance/Accident)
International Conference Conveners: Dr. Daniel Blanga-Gubbay / Dr. Elisabeth Ruchaud.@Graduiertenkolleg Materialität und Produktion, Heinrich Heine Universität, Düsseldorf (Germany)
In ordinary terms, the word production refers to an act of creation and its result, or to a process at the end of which there is a materialisation of some kind, or to the act of making something present. By productively interfering with this common idea of production we would like to work towards establishing different ways of thinking about this concept.
Distraction and Interference as well as Resistance and Accident are exemplary categories of the unexpected moments that may or may not take place . . . → En lire plus
Posté par Sébastien Bontemps, le 12 juillet 2013;
 Museum and Curatorial Studies Review is a new peer-reviewed journal powered by the University of California, Berkeley Electronic Press, and the California Digital Library. Each issue will feature full-length academic articles, exhibition reviews, book reviews and dialogic contributions (such as interviews and open letters).
Volume 1, Number 1 will be published very soon. The editors are now seeking contributions to journal’s second issue.
All submissions should be sent electronically in MS Word format and follow The Chicago Manual of Style. The details for each submission type are below:
Article (6,000-9000 words): send a fully drafted, polished version of the paper to be blind peer reviewed.
. . . → En lire plus
Posté par Sébastien Bontemps, le 9 juillet 2013;
- Date limite : 11 novembre 2013
- Date et lieu du colloque : 10-12 avril 2014, Londres
 London, Royal College of Art, April 10 – 12, 2014 Deadline: Nov 11, 2013
CFP for the annual Association of Art Historians conference, 2014 at the Royal College of Art, London
New Approaches to Collecting (1400-1600) Session Convenor: Leah Clark
This panel seeks submissions that address new approaches to collecting in the early modern world. Scholars have long been attentive to the emergence of the studiolo in the Italian Renaissance and its relationship to humanism and the revival of classical culture, pursuing connections between art, antiquity, politics, knowledge, and power. Traditional approaches to collecting have tended to concentrate on collectors’ tastes within larger patronage studies, analysing inventories as lists of static objects, or by examining the iconographic programmes . . . → En lire plus
Posté par Sébastien Bontemps, le 7 juillet 2013;
- Date et lieu : 12-15 février 2014, College Art Association Conference, Chicago
- Date limite : 15 juillet 2013
 CAA Annual Conference, Chicago, February 12 – 15, 2014 Deadline: Jul 15, 2013
Call for Papers: Artistic Practices in the Long-Eighteenth Century
Session at the College Art Association Conference, Chicago Session sponsored by the American Council of Southern Asian Art (ACSAA)
Panel Chair: Dr. Yuthika Sharma, Postdoctoral Fellow, Max Planck Institute of Human Development, Berlin, Germany.
The eighteenth century in South Asia was an era of transition that saw the gradual decentralization of the Mughal State, the rise of autonomous regional polities as economic hubs and consolidation of the English East India Company as an administrative power. The artistic culture of this period underwent a fundamental change with increasing diversification of the patronage base, the rise of the . . . → En lire plus
Posté par Sébastien Bontemps, le 3 juillet 2013;
 Subject: CFP: New monograph series for Islamic art and architecture
Visual Histories of Islamic Cultures A new monograph series for Islamic art and architecture
We are delighted to announce the launch of Visual Histories of Islamic Cultures, a new monograph series for Islamic art and architecture. The series will be published by the well respected German publisher de Gruyter, and co-edited by Avinoam Shalem and Finbarr Barry Flood. The editors will be assisted by an advisory board comprised of international scholars in the relevant fields.
Visual Histories of Islamic Cultures is the first professional academic book series devoted to the art, architecture and material culture of the Islamic world that approaches cultural production as . . . → En lire plus
Posté par Sébastien Bontemps, le 3 juillet 2013;
- Date et lieu du colloque : La Hague, 7-9 mai 2014
- Date limite : 13 septembre 2013
 Subject: CFP: Authentication of Paintings (The Hague, 7-9 May 14)
The Hague, May 7 – 09, 2014 Deadline: Sep 13, 2013
Conference on Authentication of Paintings Call for Papers
Authentication in Art invites submissions of proposals of 500-700 words (up to 3000 characters) for oral presentations, to be given at the conference in The Hague, The Netherlands, 7-9 May, 2014 (Please see for more details: http://www.authenticationinart.org/ and http://www.authenticationinart.org/call-for-papers/). Due to the multitude of problems that have become ever more prominent around establishing authorship of paintings and authenticity, the identification of fakes, and the contextual and legal issues associated with this process, the conference Authentication in Art has been established.
Conference Language: The conference language is English.
Topics: Papers . . . → En lire plus
Posté par Sébastien Bontemps, le 1 juillet 2013;
- Date et lieu : 12-13 décembre 2013, Université Paris Diderot
- Date limite : 13 octobre 2013
 Paris, Diderot University, December 12 – 13, 2013 Deadline: Oct 13, 2013
Call for Papers:
Persistent Spaces: politics, aesthetics and topography in the eighteenth- and nineteenth-century city’
Two-day postgraduate conference, 12th-13th December 2013, Université Paris Diderot
The aim of this two-day conference is to bring together young researchers to explore the city and its ideologies from a fully interdisciplinary perspective. We would like to combine approaches from the fields of literature and the arts, sociology, philosophy, law, science and engineering in order to create a dialogue between disciplines and methodologies. This conference would also establish a dialogue between the 18th and the 19th centuries. We will seek to highlight the individual specificities of these two periods, but also . . . → En lire plus
Posté par Sébastien Bontemps, le 27 juin 2013;
- Date et lieu du colloque : 4-6 décembre 2014, Paris, Musée de l’Armée
- Date limite : 15 janvier 2014
 Les Peintres et la Première Guerre mondiale : commandes, productions, collections, vers une histoire comparative
Université Paris Ouest-Nanterre – Musée de l’Armée (4-6 décembre 2014)
Colloque international organisé par le CREA-EA 370, la BDIC et le Musée de l’Armée
Scroll down for English version
En Grande-Bretagne, en France, et en Allemagne, pendant la Première Guerre mondiale et les années de l’immédiat après-guerre, des milliers d’œuvres d’art ont vu le jour, par lesquelles les artistes ont cherché à représenter le conflit. Les unes s’attachent à la figuration des combats sur les différents fronts, à la vie dans les tranchées, aux destructions humaines et matérielles, à la dévastation du paysage, les autres se concentrent sur l’arrière, le « front domestique . . . → En lire plus
Posté par Sébastien Bontemps, le 27 juin 2013;
- Date limite : 1er septembre 2013
 RÉNOVATION :
Pour son prochain numéro, esse souhaite sonder le phénomène de la rénovation que certaines pratiques artistiques abordent, et qui est aussi vécu en marge des activités artistiques par les artistes ou par les lieux de diffusion. Il appert d’abord que nombre d’œuvres se rattachent au champ de la rénovation par leurs usages comme tel de matériaux et d’outils, mais également en recourant à des dispositifs qui mettent l’accent sur le bâti, la construction, l’élaboration de chantiers ou la mise en chantier de processus. Dans cette perspective, nous sommes intéressés par des textes qui analysent des corpus d’œuvres où, sur le plan réel ou métaphorique, des opérations de . . . → En lire plus
Posté par Sébastien Bontemps, le 26 juin 2013;
- Date et lieu du colloque : Birkbeck, University of London, 19-20 juillet 2013
- Date limite : 1er juillet 2013
 Bursaries Available for the Victorian Tactile Imagination Conference Birkbeck, University of London 19-20 July 2013
The conference committee are delighted to announce that four bursaries are now available to enable postgraduate and early career researchers (within three years of the PhD viva) to attend the conference, generously supported by the British Association of Victorian Studies (BAVS): www.bavsuk.org.
The bursaries will cover the conference registration fee as well as a contribution of £40 towards travel expenses (please note this does not include the conference dinner). In order to apply for a bursary, applicants must provide:
A brief (500 word) outline of how attending the conference will contribute to their research A short (2 page) CV A brief note stating . . . → En lire plus
Posté par Sébastien Bontemps, le 26 juin 2013;
- Date et lieu du colloque : 10-12 avril 2014, London, College of Art
- Date limite : 11 novembre 2013
 Association of Art Historians 40th Anniversary Conference, Royal College of Art, London, 10-12 April 2014
Museums & Exhibitions Group Annual Session
Challenging conventions: Exploring hierarchies within the historiography of the fine and decorative arts.
This session explores hierarchies within the discipline of art history, tracing the separation of the ‘fine’ and ‘decorative/applied’ arts and examining the impact of this division on the research, display and use of art objects within academic and museum contexts. Even before Kant subdivided the arts into ‘mechanical’ and ‘aesthetic’ groupings, the ‘decorative’ arts were somehow deemed lesser due to their inherent functionality, allied to base manual labour and divorced from the purity and higher appeal/role of the ‘fine’ arts. This approach was perpetuated . . . → En lire plus
Posté par Sébastien Bontemps, le 22 juin 2013;
- Date du colloque : 8-11 mai 2014
- Date limite : 15 septembre 2013
 International Congress on Medieval Studies, May 8 – 11, 2014 Deadline: Sep 15, 2013
Other Animals and Humans in Medieval Art Session to be held at the 2014 International Congress on Medieval Studies, Kalamazoo Michigan
Sponsored by the International Center of Medieval Art (ICMA)
Organizers: Corine Schleif (Arizona State University, Phoenix, AZ) Martha Easton (Seton Hall University, South Orange, NJ)
For some “animals are good to eat.” For others “animals are good to think with” (Levi-Strauss). Medieval art and society could not have existed without nonhuman animals. Human knowledge of animals is and was produced and exchanged largely through images (Berger) – albeit differently during the Middle Ages than today. Papers may address the ways in which humans . . . → En lire plus
Posté par Sébastien Bontemps, le 22 juin 2013;
- Date et lieu du colloque : 1-3 novembre 2013, University of Connecticut, Storrs
- Date limite : 1er septembre 2013
 November 1-3, 2013 University of Connecticut, Storrs
We are at the point of an epistemological turn. How do we gain, analyze, and disseminate knowledge? How is knowledge curated and archived? How do Western notions of creativity, imagination, and production evolve and change in a global multi-media environment? These and other questions are at the forefront of humanistic endeavors in the digital age and at this symposium, with a focus on the work of Vilém Flusser (1920-1991). Flusser addressed these questions in his wide-ranging texts, engaging a variety of fields in this debate. It is the task of the humanities to engage other fields of inquiry as well as the public and industry, and, most importantly, contribute to the . . . → En lire plus
Posté par Sébastien Bontemps, le 21 juin 2013;
- Date et lieu de la journée d'étude : 10 décembre 2013, University of Cambridge
- Date limite : 30 août 2013
 Cultural Exchange: Russia and the West II
University of Cambridge, 10th December 2013
Following the highly successful Cultural Exchange: Russia and the West conference, held at the University of Bristol in 2011, Theodora Clarke and Cinthia Willaman are pleased to announce a follow up postgraduate symposium at the University of Cambridge.
Cultural Exchange: Russia and the West II is an opportunity to re-examine the artistic links between the two regions both before and after the Revolution of 1917. Russian history is marked by key moments of contact and exchange which have shaped and transformed its cultural heritage. The conference will challenge the notion that Russia was isolated by geography and politics by considering the development of Russian art . . . → En lire plus
Posté par Sébastien Bontemps, le 12 juin 2013;
- Date limite : 15 septembre 2013
 Appel à contribution pour le 3e numéro de la revue European Drama and Performance Studies (Classiques Garnier, 2014) « Le document iconographique dans son contexte : le hors-champ des images du spectacle »
L’histoire des arts du spectacle s’appuie sur des images (représentations d’acteurs, de scènes…) et plus largement sur des documents pouvant faire place à l’image (affiches, programmes, éditions illustrées de textes dramatiques, articles de presse avec illustrations ou photographies, caricatures, pochettes de « disques de théâtre », etc.). Ces images ont été étudiées en tant qu’elles pouvaient renseigner sur la représentation disparue et la fabrique des spectacles. Certaines d’entre elles sont même devenues quasiment mythiques à force d’être reproduites, de la miniature du martyre de . . . → En lire plus
Posté par Sébastien Bontemps, le 12 juin 2013;
- Date limite : 7 juillet 2013
- Date de prise de fonction : 1er octobre 2013
 Munich, Institut d’Histoire de l’Art de l’Université Ludwig Maximilian
Groupe de recherches international junior « OBJETS PRÉMODERNES. UNE ARCHÉOLOGIE DE L’EXPÉRIENCE »
3 Collaborateurs/trices de recherche (2 doctorant/e/s, 1 post-doctorant/e)
Date d’embauche: 01/10/2013 (ou au plus tard le 01/12/2013)
Fin de la période de candidature: 07/07/2013
Échelon salarial: TV-L E13, 66% (Emploi, paiement et couverture sociale sont déterminés par la convention collective pour le secteur public: Tarifvertrag für den öffentlichen Dienst – TVöD)
Trois postes de Collaborateurs/trices de recherche (2 doctorant/e/s, 1 post-doctorant/e) sont à pourvoir à l’Université Ludwig Maximilian de Munich dans le cadre du Groupe de recherches international junior « OBJETS PRÉMODERNES. UNE ARCHÉOLOGIE DE L’EXPÉRIENCE » (Réseau d’élite de Bavière).
L’Université Ludwig Maximilian de Munich . . . → En lire plus
Posté par Sébastien Bontemps, le 7 juin 2013;
- Date limite : 31 juillet 2013
- Date et lieu de la journée d'étude : 5 octobre 2013, Florence, Biblioteca Domenicana
 Biblioteca Domenicana, Florence, October 5, 2013 Deadline: Jul 31, 2013
Nun Artists in Early Modern Italy
Co-sponsored by the Medici Archive Project’s Jane Fortune Research Program on Women Artists and the Biblioteca Domenicana in Santa Maria Novella, this conference highlights new research on artistic production in female monastic communities since the early Renaissance until the Napoleonic suppression.
Demolishing older notions of enclosure as an absolute barrier between nuns and the world outside, recent research on social and religious aspects has begun to reinsert the convent within the wider networks of patronage and economic life in the early modern state, and to reposition it within larger civic and ecclesiastical discourses. Presumably this model can also be applied to the . . . → En lire plus
Posté par Sébastien Bontemps, le 7 juin 2013;
- Date limite : 26 juin 2013
- Date de prise de fonction : 1er septembre 2013
 University of Manchester, UK, September 01, 2013 Application deadline: Jun 26, 2013
University of Manchester
Lecturer in European/Non-European Art History (Medieval to 18th Century).
Reference: HUM-02855 Faculty: Humanities School: School of Arts, Languages and Cultures Salary: £33,230-£45,941 Employment type: Permanent
Applications are invited from art historians with a specialism in European or non-European art from the Medieval period to the 18th century. The person appointed will be expected to expand upon our provision in pre-1800 art history. Preference may be given to a scholar who would make use of the university’s renowned holdings of Medieval books and manuscripts, or fine art prints, watercolors, and paintings from later periods. A non-Western specialism in Islamic, Persian, Indian, or East Asian . . . → En lire plus
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Équipe Rédacteur en chef : Olivier Bonfait.
Rédacteurs : Elliot Adam (Moyen Age) ; Nicolas Ballet (XX-XXIe siècles) ; Matthieu Fantoni (musées) ; Antonella Fenech Kroke (bourses) ; Vladimir Nestorov (Lettre mensuelle)
Administrateur web : Matthieu Lett.
ancien éditeur : Pascale Dubus
anciens rédacteurs : Gautier Anceau, Sébastien Bontemps, Damien Bril ; Sébastien Chauffour ; Ludovic Jouvet ; Aude Prigot
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Wiels, Contemporary Art Centre, Brussels, March 12 – 15, 2014 Deadline: Oct 13, 2013
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