Posté par Sébastien Bontemps, le 18 novembre 2014;
- Date limite : 22 décembre 2014
- Date et lieu : 3-5 juillet 2015, Städtische Galerie im Lenbachhaus, Munich
 Call for Papers
Mobility and the Experience of Nature in the Nineteenth Century
Landscape Painting: An Art of Travel?
International Symposium, Christoph Heilmann Stiftung at the Städtische Galerie im Lenbachhaus, Munich (3-5 July, 2015)
Among contemporary biographies of the ever-growing number of landscape painters in the nineteenth century, scarcely one failed to refer extensively to travels undertaken, whether near or far. While landscape painters generally had a town studio, they were also highly mobile. Given the new interest in the directest possible contact with nature, and in the investigation of distant regions and their inhabitants, it was no longer possible to rely on views transmitted in the form of prints, or on some canon of ideal compositions. A glance at . . . → En lire plus
Posté par Sébastien Bontemps, le 17 novembre 2014;
- Date limite : 12 janvier 2015
- Date et lieu : 1 octobre 2015 - 31 juillet 2016
 Postdoctoral Fellowships, Art Histories and Aesthetic
Practices, Berlin
Application deadline: Jan 12, 2015
Call for Applications Berlin, 01.10.2015 – 31.07.2016
Closing Date: 12.01.2015 ART HISTORIES AND AESTHETIC PRACTICES. Kunstgeschichte und ästhetische Praktiken
The Berlin-based FORUM TRANSREGIONALE STUDIEN invites scholars to apply for up to ten postdoctoral fellowships within the framework of the research program Art Histories and Aesthetic Practices. Kunstgeschichte und ästhetische Praktiken for the academic year 2015/2016. Art Histories and Aesthetic Practices is a research and fellowship program which questions and transcends traditional disciplinary boundariesof art history in a transcultural, global horizon. By creating a space of dialogue for scholars from all continents and regions, it aims to discuss the potentials and contours of a plural history of art. . . . → En lire plus
Posté par Sébastien Bontemps, le 16 novembre 2014;
- Date limite : 10 janvier 2015
- Date et lieu : 19-20 mars 2015, Rome, Accademia d’Ungheria e Roma Tre
 Lost and Fragmentary Works of Art (Rome, 19-20 Mar 2015)
Rome, March 19 – 20, 2015 Deadline: Jan 10, 2015
Call for Papers: Between absence and presence: lost and fragmentary works of art Rome Art History Network (RAHN) Graduate Conference Rome, Accademia d’Ungheria and Roma Tre, March 19-20, 2015
The Rome Art History Network (RAHN) – in collaboration with the Università degli Studi Roma Tre and the Istituto Balassi, Accademia d’Ungheria in Roma – is pleased to announce its third Graduate Conference and call for papers. The conference is open to all current doctoral students both at Italian universities and foreign academies in Italy. Following up on our previous RAHN Graduate Conferences, this third edition also seeks to explore methodological . . . → En lire plus
Posté par Sébastien Bontemps, le 16 novembre 2014;
- Date limite : 7 décembre 2014
- Date et lieu : 21-25 juin 2015, Einsiedeln, Stiftung Bibliothek Werner Oechslin
 Baroque / Classic
XVIth International Baroque Summer Course of the Werner Oechslin Library Foundation, Einsiedeln.
The course is open to doctoral candidates as well as junior and senior scholars who wish to address the topic with short papers (20 minutes) and through mutual conversation. As usual, the course has an interdisciplinary orientation. We hope for lively participation from the disciplines of art and architectural history, but also from scholars of history, literature, theatre, sociology, and other relevant fields. Papers may be presented in German, French, Italian or English; at least a passive knowledge of German is a requirement for participation.
Conditions: The Foundation assumes the hotel costs for course participants, as well as several group dinners and . . . → En lire plus
Posté par Sébastien Bontemps, le 16 novembre 2014;
- Date limite : 7 janvier 2015
- Date et lieu : University of Cambridge, 9-11 juillet 2015
 Domestic Devotions in the Early Modern World (Cambridge, 9-11 Jul 2015)
University of Cambridge, July 9 – 11, 2015 Deadline: Jan 7, 2015
CALL FOR PAPERS Domestic Devotions in the Early Modern World, 1400-1800 An Interdisciplinary
Conference 9-11 July 2015 University of Cambridge
Across faiths and regions and throughout the world, the home was a centre for devotion in the early modern period. Holy books, prayer mats, candlesticks, inscriptions, icons, altars, figurines of saints and deities, paintings, prints and textiles all wove religion into the very fabric of the home. While research into religious practice during this period often focuses on institutions and public ceremonies, it is clear that the home played a profound role in shaping devotional experience, as . . . → En lire plus
Posté par Sébastien Bontemps, le 16 novembre 2014;
- Date limite : 20 décembre 2014
 2015 Emerging Scholars Prize HGCEA
Deadline: Dec 20, 2014
Historians of German and Central European Art (HGCEA)
2015 Emerging Scholars Prize Submissions are now being accepted for the third annual HGCEA Emerging Scholars Publication Prize, an award of $500 given to the author of a distinguished essay published the preceding year on any topic in the history of German or Central European art, architecture, design, or visual culture. Submissions, which must be in English and may be from electronic or print publications, must have a publication date of 2014; authors must be either current Ph.D. students or have earned a PhD in or after 2010 and must be members of HGCEA at the time of submission. The recipient of the . . . → En lire plus
Posté par Sébastien Bontemps, le 9 novembre 2014;
- Date limite : 15 décembre 2015
- Date et lieu : 5-7 novembre 2015, Londres, Whitechapel Gallery
 Artists’ Moving Image Practice in Britain (London, 5-7 Nov 15) Whitechapel Gallery, London, November 5 – 07, 2015 Deadline: Dec 15, 2014 Artists’ Moving Image Practice in Britain: From 1990 to today A conference organised by The Paul Mellon Centre in collaboration with the Whitechapel Gallery and Film London Artists’ Moving Image Network Artists’ moving image practice is activated by the context of the gallery, by temporary architectural environments, the cinema and the internet, and by social and political performance. Over the last few decades, this kind of artistic practice – which has its roots in film, performance and installation art – has become a phenomenon in its own right and has begun to develop a deep and rich history. . . . → En lire plus
Posté par Sébastien Bontemps, le 9 novembre 2014;
- Date limite : 15 décembre 2015
- Date et lieu : 8-10 avril 2015, Rennes, Université de Rennes 2
 Feminist, Queer & Postcolonial Subjectivities (Rennes, 8-10 Apr 15) University Rennes 2, Rennes, France, April 8, 2015 – April 10, 205 Deadline: Dec 15, 2014 INTERNATIONAL CONFERENCE April 8-9-10, 2015 FEMINIST, QUEER, AND POSTCOLONIAL SUBJECTIVITIES IN CONTEMPORARY ART: A HISTORY IN MOTION Presentation: Since their explosion at the end of the 1960s, the historical feminist struggles have irrigated both artistic practices and theories through fertile circulations. On one hand, by deconstructing discourses, images and ideologies that are shaping gender oppression in art, academic feminism has developed a new historiography. On the other hand, artists have drawn on these stimulating intellectual debates in order to raise identity politics issues. The conference will consider the artwork through the lens of the relationships . . . → En lire plus
Posté par Sébastien Bontemps, le 9 novembre 2014;
- Date et lieu : 27-29 Mai 2015, Victoria College, University of Toronto
 Scientiae 2015 (Toronto, 27-29 May 15) Toronto, Canada, May 27 – 29, 2015 Deadline: Nov 17, 2014 Scientiae Toronto 2015 27-29 May 2015, Victoria College, University of Toronto Keynotes: Anthony Grafton (Princeton) & Peter Dear (Cornell) The CFP deadline for Scientiae 2015 (Toronto, 27-29 May) is 17 November 2014. Paper, panel, and round-table proposals are invited for the fourth annual international conference on the emergent knowledge practices of the early-modern period (1450-1750). The major premise of this conference is that knowledge during the period of the Scientific Revolution was inherently interdisciplinary, involving complex mixtures of practices and objects which had yet to be separated into their modern “scientific” hierarchies. Our approach, therefore, needs to be equally wide-ranging, involving Biblical exegesis, . . . → En lire plus
Posté par Sébastien Bontemps, le 9 novembre 2014;
 Museum für Gestaltung Zürich, Vortragssaal [lecture hall] Ausstellungsstrasse 60, 8005 Zurich, Switzerland, November 21 – 22, 2014 International Conference: “Contemporary Curating & Museum Education” Ever since museum work first began to be professionalised, “curation” and “education” have been presented as distinct areas of work, based on quite different sets of knowledge and experience. I n the course of the last two decades, this structure has grown less rigid, and the boundaries between the two areas of work have become increasingly permeable. Conceived by the programme leader and three lecturers from “Curating and Museum Education”, the specialised Master in Art Education programme at Zurich University of the Arts, the conference poses a central question which is also crucial to the teaching . . . → En lire plus
Posté par Sébastien Bontemps, le 28 octobre 2014;
- Date et lieu : 7-8 novembre 2014, Paris, Centre allemand d'histoire de l'art
 Le monde au temps des surréalistes (Paris, 7-8 Nov 14)
Centre allemand d’histoire de l’art, Paris, November 7 – 08, 2014
« Le monde au temps des surréalistes » Centres, périphéries et itinéraires du marché de l’art surréaliste Paris, Centre allemand d’histoire de l’art, 7–8 novembre 2014
Atelier de recherche du Centre allemand d’histoire de l’art et de l’Institut d’histoire de l’art de l’Université de Leipzig. Cet atelier de recherche prélude un projet de recherche, en cours de préparation, consacré aux rapports entre surréalisme et marché de l’art. Intitulé « Le monde au temps des surréalistes. Centres, périphéries et itinéraires du marché de l’art surréaliste, 1925–1947 », il se donne pour objectif la réalisation d’un répertoire exhaustif des expositions surréalistes . . . → En lire plus
Posté par Sébastien Bontemps, le 26 octobre 2014;
- Date limite : 15 janvier 2015
 senzacornice.org, issue: Drawing in Contemporary Art
October 21, 2014 Deadline: Jan 15, 2015 <http://www.senzacornice.org/prossimonumero.php>
The theme of the next issue will be the “drawing”, whose definition below. Anyone interested to propose an article about this topic can send to our editors, by 1st January 2015, the working title, and, by 15th January 2015, the final version of the article according to the editorial rules indicated in the link below and together with a curriculum vitae. Even the artists are invited to participate. They can send to the editorial staff their works, inspired by the theme proposed, which will be selected as the cover of the review. For those who want to submit an article that is outside the theme . . . → En lire plus
Posté par Sébastien Bontemps, le 24 octobre 2014;
- Date limite : 11 novembre 2014
- Date et lieu : 2 février-22 mai 2015, New York University Berlin
 Part-Time Lecturer Ancient Art in Berlin (Berlin)
Berlin, February 2 – May 22, 2015 Application deadline: Nov 11, 2014
Part-Time Lecturer in Art History: « Ancient Art in Berlin: Discovering the Collections of Museum Island »
New York University (NYU) Berlin is seeking a part-time lecturer to teach an undergraduate course entitled « Ancient Art in Berlin: Discovering Museum Island » in the Spring 2015 semester.
NYU Berlin is one of New York University’s global study-away sites and provides US and other international students with the opportunity to spend a semester studying in Berlin while earning credits towards their degree. The program is fully integrated into NYU’s curriculum and designed for BA students in the social sciences, arts and humanities . . . → En lire plus
Posté par Sébastien Bontemps, le 23 octobre 2014;
- Date et lieu : 10-12 novembre 2014, Séville, Hospital de los Venerables
Enterprises & Entrepreneurs in Baroque Times (Seville, 10-12 Nov 14) Sevilla, Fundación Focus-Abengoa Hospital de los Venerables Plaza de los Venerables, 8 41004 Sevilla. España, November 10 – 12, 2014 Baroque School, Focus-Abengoa Foundation Enterprises and Entrepreneurs in the Baroque Times Objectives The Focus Abengoa Foundation Baroque School, November OMNQ, offers an innovative vision on the role of entrepreneurs and enterprises in the “first globalization” of the markets according to the latest historiography and economic literature. It will also introduce the role and the relation of these economic agents with the art market under European capitalism principles in the XVII and XVIII centuries. The Baroque School aims at assessing, from a broad and complete perspective, the interrelationship established between entrepreneurial . . . → En lire plus
Posté par Sébastien Bontemps, le 23 octobre 2014;
- Date limite : 23 novembre 2014
- Date de prise de fonction : : 1er janvier 2015
The Bibliotheca Hertziana, Max Planck Institute for Art History, announces a one-year postdoctoral fellowship, beginning 1 January 2015.
Candidates must be in possession of an upper level university degree (Ph.D.), good working knowledge of German, Italian, and English, and a research project proposal consistent with the aims and objectives of the Minerva research group. The recipients of these fellowships are also expected to participate with constancy in the activities of both the group and the Institute. Applications must include the following documentation:
– Curriculum vitae
– Photocopies of university diploma
– Description of the research project (max 2 pages)
– Summary of Doctoral dissertation (max 2 pages)
– List of publications (if any)
– Letter of recommendation from . . . → En lire plus
Posté par Sébastien Bontemps, le 21 octobre 2014;
 New art historical resources on the web [2] [1] Datenbank Literarischer Bildzitate [2] New Finding Aids and Inventories from Dumbarton Oaks Image Collections and Fieldwork Archives [1] From: Bernhard Oberreither <Bernhard.Oberreither@univie.ac.at> Date: Oct 19, 2014 Subject: WWW: Datenbank Literarischer Bildzitate http://www.univie.ac.at/bildzitat Das FWF-Forschungsprojekt „Das Bildzitat – Intermedialität und Tradition“ gibt die Veröffentlichung der „Datenbank literarischer Bildzitate“ bekannt. Die „Datenbank literarischer Bildzitate“ – frei zugänglich unter http://www.univie.ac.at/bildzitat – beinhaltet Verweise auf Bildende Kunst aus der deutschsprachigen Literatur der Moderne. Bereitgestellt werden sowohl die betreffenden Textzitate und eine Abbildung als auch ausführliche bibliographische Angaben und Angaben zum Kunstwerk. Aufgenommen wurden bisher über 1500 Textstellen aus ca. 1000 Texten von 280 Autorinnen und Autoren – mit Bezügen . . . → En lire plus
Posté par Sébastien Bontemps, le 21 octobre 2014;
- Date et lieu : 8 novembre 2014, Courtauld Institute, Londres
 The Intelligent Hand, 1500-1800 (London, 8 Nov 14) Courtauld Institute of Art, London, November 8, 2014 The Intelligent Hand,1500–1800 Sixth Early Modern Symposium PROGRAMME 09.30 – 10.00 Registration 10.00 – 10.15 Austeja Mackelaitt and Camilla Pietrabissa (The Courtauld Institute of Art): Introduction 10.15 – 11.30 SESSION I Yannis Hadjinicolaou (Freie Universität Berlin / Humboldt-Universität zu Berlin): Thinking Hand, Painting Process and the Rembrandt Tradition Carlton Hughes (University of South Carolina-Upstate): Michelangelo’s Concetto Anna Sgobbi (Ludwigs-Maximilians-Universität, Munich): The Self-Portrait of Giovanni Paolo Lomazzo (1538-1592): The Gymnosophist Artist and his Way of Painting 11.30 – 12.00 Tea / Coffee Break 12.00 – 13.15 SESSION II Nicolas Misery (Université Lumière Lyon 2 / Laboratoire de Recherche Historique en Rhône Alpes): Parmigianino’s Prometheus Animating . . . → En lire plus
Posté par Sébastien Bontemps, le 21 octobre 2014;
- Date limite : 30 novembre 2014
- Date de prise de fonction : 5 janvier 2015
 Ryerson Image Centre (Toronto)
Ryerson Image Centre, Toronto, January 05, 2015
Application deadline: Nov 30, 2014 RYERSON IMAGE CENTRE – 2015 Research Fellowships
In 2015, the Ryerson Image Centre will offer four fellowships for research related to photography:
The Nadir Mohamed Postdoctoral Fellowship This fellowship includes a $10,000 (CAD) stipend for travel, research and other expenses. Candidates must hold a Ph.D. degree. All proposals will be welcome, but special consideration will be given to projects that utilize the collections and resources of the Ryerson Image Centre and the Ryerson University Archive and Library Special Collections. Fellow will be expected to carry out her/his research at the RIC a minimum of one (1) to a maximum of three (3) months, between . . . → En lire plus
Posté par Sébastien Bontemps, le 12 octobre 2014;
- Date limite : 15 janvier 2015
 Anthology: On the Politics of Ugliness
Deadline: Jan 15, 2015
Ugliness is a pejorative marker for bodies, things, and feelings that fall beyond or outside the limits of acceptability. Ugliness has long been indirectly deployed in order to mark, collect, and exclude that which is determined to be aesthetically intolerable (Garland-Thomson; Grealy; Schweik), disgusting (Meagher), dirty (Douglas), abject (Kristeva), monstrous (Braidotti; Haraway; Rai & Puar; Schildrick; Sharpe), revolting (Lebesco), grotesque (Russo), or even simply plain and unaltered (Bartky; Bordo; Morgan; Wolf). While aesthetically ugliness has been positioned both against beauty and as a distinct category for art and art-making (Adorno; Ranciere), there has been little sustained engagement with the ways that ugliness operates alongside identities, bodies, intimacies, practices, and . . . → En lire plus
Posté par Sébastien Bontemps, le 9 octobre 2014;
- Date limite : 15 octobre 2014
 Professor/Associate Professor in Modern Design History
The Bard Graduate Center in New York City wishes to make an appointment in modern and contemporary design history with a focus on Europe of the 19th and 20th centuries. Candidates with an interest in textile and dress are particularly encouraged to apply, although it is not restricted to this field. Preference will be given to an established scholar with a substantial track record of publications and graduate training. The BGC is a graduate research institute committed to the study of the cultural history of the material world, drawing on methodologies and approaches from art and design history, economic and cultural history, history of . . . → En lire plus
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Équipe Rédacteur en chef : Olivier Bonfait.
Rédacteurs : Elliot Adam (Moyen Age) ; Nicolas Ballet (XX-XXIe siècles) ; Matthieu Fantoni (musées) ; Antonella Fenech Kroke (bourses) ; Vladimir Nestorov (Lettre mensuelle)
Administrateur web : Matthieu Lett.
ancien éditeur : Pascale Dubus
anciens rédacteurs : Gautier Anceau, Sébastien Bontemps, Damien Bril ; Sébastien Chauffour ; Ludovic Jouvet ; Aude Prigot
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Call for Papers
