Nouvelle publication : Flamboyant Architecture and Medieval Technicality

Jean-Marie Guillouët : Flamboyant Architecture and Medieval Technicality
The Rise of Artistic Consciousness at the End of Middle Ages (c. 1400 – c. 1530)

XVIII+200 p., 70 b/w ill. + 43 colour ill., 216 x 280 mm, 2019
ISBN: 978-2-503-57729-6
Languages: English
Paperback, EUR 89,00 excl. tax
Brepols
lien vers le site de l’éditeur pour se procurer l’ouvrage

This book seeks to further our understanding of the socio-genesis of artistic modernity by turning to microhistory. It explores a late-medieval decorative procedure that emerged and spread in northern and central France from the early fifteenth century to the start of the following century. Using the well-known miniature, the Building of Solomon’s Temple in Jerusalem from the fifteenth-century codex of Les Antiquités judaïques as a starting point, this study deals with architecture and technical knowledge of builders. This investigation unpacks and reveals many aspects of the technical and visual culture of late medieval craftsmen and artists. The virtuosic skills these artisans displayed are worthy of inclusion in the development of technical practices of Flamboyant Gothic architecture. They also reflect broader cultural and social configurations, which go far beyond the history of building. This micro-historical perspective on what can be called “hyper-technical” Gothic contributes to our appreciation of the role of technical mastery in establishing social hierarchies and artistic individuation processes during the Late Middle Ages and Early Modern period.

Jean-Marie Guillouët was trained at the Sorbonne (Paris-IV) where he began his teaching career. Since 2002, he is a professor at the University of Nantes and was also in charge of the Medieval Studies section of the Institut National d’Histoire de l’Art (INHA), between 2008 and 2012. His principal field is fourteenth- and fifteenth-century sculpture and architecture in France and Portugal, but he also works on artistic and cultural interchanges in Gothic Europe. He has recently published several studies relating to microarchitecture in flamboyant Gothic and late medieval construction techniques as well as several books and papers on artistic production of the Late Middle Ages with a particular focus on sculpture and architecture. He is currently working on the social and cultural history of the technical gesture in late medieval craftsmanship. Since 2016, he is the scientific secretary of the Comité International d’Histoire de l’Art (CIHA).

Table of Contents

Introduction

1. Technical Savoir-Faire as Historical Topic
   Observations on a well-known Illumination
   Nantes, Tours and the Master of the Munich Boccaccio
   Representation of a technical Gesture and Jean Fouquet’s Heritage
   A French 15th-Century sculptural savoir-faire
   Late Medieval Gothic Building Sites and Technical Innovations
   First Conclusions
2. Slate Inlay: A Technical History
   Functional Constraints
   Hollowed out blocks for Inlay
   The Practice of Preparatory Tracing
   Installation in the Archivolts
   An Operational Change at the Beginning of the 15th Century
   An Interruption in the History of Technique: Auxerre
   The Consequences of a new stereotomic System
   Choices of Stone Types
   Conclusions on Implementation
3. Social History of a Skill
   Traces and Remains of a Valued Procedure
   The Practical Geometry of a Building Site at the End of the Middle Ages and its Tools
   The Tools and their Uses
   The Prevalence of the Square
   The insignological Uses of the Compass
   The Incisions at Tours and Rouen as Illustrations of Construction Practices
   Workers with Stone: social History of a Technique
   Masons and Sculptors
   Stone-cutters and Carvers of Images
   The Socio-Professional Distinction of the Creators of the Canopies – the Case of Bourges
   Technical One-upmanship and Informal Hierarchies at a Building Site
4. Microarchitecture and Represented Space
   Architecture and Represented Space
   Towards 1400 in Central/Middle France: a Rupture
   Microarchitecture as a Locus
   Slate Inlay and the Depth of Fictive Space
   Baldachins, Canopies and Late-Medieval Sacral Regimes
   Monumental Syntax toward “Architectural Wit”
5. Virtuosity, Varietas and Captatio benevolentiae
   Slate or Glass Insertion, Admiratio and Varietas
   Material and Colour Contrasts during the Late Middle Ages
   An Incunabula of c. 1400
   Slate Inlay as a “Technology of Enchantment”
   Late Gothic Art: A Hyper-Technical Cultural Regime
6. Conclusion

Bibliography

Colour Plates