Posté par Olivier Bonfait, le 14 juin 2025;
Participation grants for the 67th Course on Palladian Architecture: PALLADIO ON THE BUILDING SITE.
In recent decades, the study of the forms, contexts and patrons of historical buildings has increasingly been accompanied by an in-depth analysis of their material reality. How are they built? With which materials and techniques? These are questions that reveal crucial aspects of Palladio’s architectural personality. Brought up on building sites, he was always able to adapt traditional materials and construction techniques to his own expressive needs, inventing a « low-cost » architecture that could simulate the richness of the ancient style while making limited use of stone and precious marble.
The 2025 Course maintains the traditional programme of visits to the main Palladian works, which are real seminars inside the buildings. In order . . . → En lire plus
Posté par Le Centre allemand d'histoire de l'art de Paris, le 12 juin 2025;
- Date : 17.06.2025 18:30 – 20.30 h
Table ronde dans le cadre de « Facing Nazi Crimes: European Perspectives after 1945 », une série de six manifestations européennes à l’initiative du Musée historique allemand (Deutsches Historisches Museum, DHM).
Le 10 juin 1945, un mois seulement après l’armistice, s’ouvrait au Grand Palais l’exposition itinérante Crimes hitlériens. Cette exposition à la scénographie élaborée fut l’une des premières tentatives de raconter les souffrances subies sous l’occupation allemande d’un point de vue européen. Nous discuterons la genèse et les effets des récits présentés dans Crimes hitlériens, ainsi que les stratégies muséales.
Online & DFK Paris 45 rue des Petits Champs 75001 Paris
Programme :
Mots de . . . → En lire plus
Posté par Le Centre allemand d'histoire de l'art de Paris, le 11 juin 2025;
- Date : 26.06.2025 15:30 h – 27.06.2025 17:30 h
 International conference organized by Léa Kuhn (ZI München) and Beate Söntgen(Leuphana Universität Lüneburg), with interventions by Jérémie Cerman, Mirjam Deckers, Robin Holt, Vendula Hnídková, Petra Lange-Berndt, Klára Němečková, Sophia Prinz, Jordan Troeller, Anaëlle Vaissié, Melanie Vietmeier, and Vera Wolff. Chairs by Lena Bader, Timon Beyes, Léa Kuhn, and Beate Söntgen.
Please find the program under this link. Venue: Centre allemand d’histoire de l’art Paris 45, rue des Petits Champs, F-75001 Paris
How do artists and craftspeople work together? How do these collaborations affect their respective statuses and the value of their products? How are decisions made during the processes of design . . . → En lire plus
Posté par Olivier Bonfait, le 3 juin 2025;
- Date et lieu de la rencontre : 11 juin 2025, INHA, salle Vasari
 Le Département d’histoire de l’art de l’Académie de France à Rome – Villa Médicis a le plaisir de vous convier à la présentation de l’ensemble des dispositifs de résidence proposés aux chercheuses et aux chercheurs en histoire de l’art, théorie des arts et conservation-restauration. Cette rencontre vise aussi bien à détailler la spécificité de chaque résidence (Concours des pensionnaires, Résidence Médicis André Chastel, Résidence Médicis Daniel Arasse, Résidence Médicis recherche, arts et création avec le CNRS et Résidence Médicis), que les conditions de candidature et de sélection.
Elle a également pour objectif de faire connaître et de valoriser les collections de l’Académie de France à Rome, les archives anciennes et les fonds patrimoniaux de la bibliothèque.
La présentation sera suivie . . . → En lire plus
Posté par Olivier Bonfait, le 3 juin 2025;
 Galerie Gmurzynska is currently looking to fill a full-time position for an Art Historian based in Zürich.
Job Description. For 60 years Galerie Gmurzynska has been a leading international art gallery, specializing in masterpieces of both classic modern and post war contemporary art; it is the leading gallery for the Avant-garde and early 20th century abstraction. During the past six decades Galerie Gmurzynska has published over 300 important books, which are renowned in the field of art history and form part of major art libraries worldwide.
Responsibilities include (but are not limited to): – In-depth research of Modern Art works – Writing for both publications and . . . → En lire plus
Posté par Elliot ADAM, le 21 mai 2025;
- Date de la remise des propositions : 1er septembre 2025
 Prix : Prize for Research on South Netherlandish Art 1400–1800
The Burlington Magazine and the University of Cambridge are happy to announce the launch of a new annual prize.
Established to inspire the development and publication of innovative object-based scholarship, the winning entrant will receive a prize of £1,000, with publication in The Burlington Magazine’s annual issue dedicated to Northern European Art, plus a one year print and digital subscription.
We seek previously unpublished essays of 1000–1500 words from early career scholars worldwide.
This is defined as within 15 years of their most recent post-graduate degree. Submissions should be in English and should include candidate’s CV, all as a single PDF.
Preference will be given . . . → En lire plus
Posté par Olivier Bonfait, le 13 mai 2025;
- Date limite : 8 juin 2025
The Institut für Kunst- und Bildgeschichte, Humboldt-Universität zu Berlin, the Bibliotheca Hertziana – Max Planck Institute for Art History, and the Warburg Institute, School of Advanced Study, University of London, are pleased to announce a fellowship in Berlin, Rome, and London, offered at either the predoctoral or postdoctoral level. These fellowships grow out of the longstanding collaboration between the Humboldt, the Hertziana, and the Warburg in the research project Census of Antique Works of Art and Architecture Known in the Renaissance (https://www.census.de).
The fellowships extend the traditional chronological boundaries . . . → En lire plus
Posté par Olivier Bonfait, le 3 mai 2025;
Postdoc Position, Cognitive Research in ArtHistory (CReA), University of Vienna
The Department of Art History at the University of Vienna is one of the oldest and largest. Since 2009, it has been home to the Laboratory for Cognitive Research in Art History (CReA, https://crea.univie.ac.at/), a world-leading center for interdisciplinary studies combining art history with cognitive science and computer science. In addition to databases and visual analysis, the focus is on recording eye movements while viewers look at artworks in laboratory and museum experiments.
The Department of Art History is part of the Faculty of Historical and Cultural Studies (https://hist-kult.univie.ac.at/en/). The CReA lab is also associated with the Vienna Cognitive Science Hub (https://cognitivescience.univie.ac.at/) and the Doctoral School Cognition, Behaviour and Neuroscience (CoBeNe, https://vds-cobene.univie.ac.at/).
Your future . . . → En lire plus
Posté par Olivier Bonfait, le 3 mai 2025;
Poste D’Assistant:e, Histoire de l’art médiéval, Genève
Le Department D’Histoire de l’art et de musicologie de L’Université de Genève
met au concours : 1 poste d’assistant-e en histoire de l’art médiéval
Conditions : Être en possession d’une maîtrise en histoire de l’art ou d’un titre jugé équivalent. Avoir un projet de recherche et s’engager à inscrire une thèse dans le domaine de l’histoire de l’art médiéval au sein du département d’histoire de l’art et de musicologie sous la direction de prof. Frédéric Elsig. Posséder une excellente maîtrise du français.
Cahier des charges : Il s’agit d’un poste à 70% qui passera à 100% dès la troisième année. Le/la titulaire consacrera la moitié de son temps de travail à la réalisation de sa thèse de doctorat. Il/elle sera chargé-e . . . → En lire plus
Posté par Olivier Bonfait, le 2 mai 2025;
- Date limite : 11 mai 2035
 Postdoctoral Scientific Assistant Positions, Bibliotheca Hertziana
The Bibliotheca Hertziana – Max Planck Institute for Art History, Rome, invites early-career postdocs to apply for maximum two-year positions of Scientific Assistant with the Department of Tristan Weddigen starting October 1st, 2025.
Working closely with the Director, Assistants are responsible for overseeing the programming and scholarly activities in one or two of the five research focuses of the Department, the details of which can be found on the institute’s website. Salaries and benefits depend on German and Italian tax and social security law. The department follows the principles of diversity, equity, and inclusion, and therefore encourages applications from underrepresented groups. Candidates . . . → En lire plus
Posté par Olivier Bonfait, le 2 mai 2025;
- Date limite : 19 mai 2025
 Associate Editor, Journal of the History of Collections
Oxford University Press (OUP) invites applications for the position of Associate Editor for the Journal of the History of Collections. We are particularly seeking candidates with expertise in Eastern European, Asian, 18th-21st century Western art histories and Classical art more broadly. We are not looking to expand our expertise in early modern or Renaissance art at this time. Ideally, the candidate will take up the position in mid-2025.
The journal is dedicated to the investigation and exploration of all aspects of collecting activity, with no limits on time period or subject matter. . . . → En lire plus
Posté par Olivier Bonfait, le 2 mai 2025;
- Date limite : 15 juin 2025
 The Medici Archive Project is offering twelve short-term fellowships for graduate, pre-doctoral students, and postdoctoral candidates, working on fields related to early modern Italy (preferably with a specific emphasis on Tuscany or Medici history).
EVA SCHLER FELLOWSHIPS (4) Thanks to the generous gift from Joan A. McClure and Michael L. Schler, in honor of Michael’s late mother Eva, the Medici Archive Project is offering four short-term fellowships for graduate and/or pre-doctoral students of any nationality working on any field related to early modern Italy (preferably with a specific emphasis on Tuscany or Medici history). This scholarly residence will be of considerable benefit in helping students to gain the . . . → En lire plus
Posté par Olivier Bonfait, le 14 avril 2025;
 Ursula-Nilgen-Stipendien, Bibliotheca Hertziana, Roma
Con il sostegno della Fondazione “Ursula Nilgen – Hertziana”, il dipartimento della Prof.ssa Tanja Michalsky presso la Bibliotheca Hertziana – Istituto Max Planck per la storia dell’arte bandisce Borse di ricerca dottorali “Ursula Nilgen” (Predoc) per progetti di ricerca riguardanti l’arte italiana medievale (fino al 1250 circa). La durata del contratto presso la Bibliotheca Hertziana – Istituto Max Planck per la storia dell’arte è di 6 mesi. Per persone provenienti dalla Germania la borsa di studio ammonta a 1.365,00 € al mese previa possibilità, se sussistono i requisiti, di un rimborso aggiuntivo.
I candidati devono essere iscritti come dottorandi presso un’università. La . . . → En lire plus
Posté par Olivier Bonfait, le 30 mars 2025;
- Date limite : 30 sept. 2025
 Call for Papers Fellowship Tablinum.
Two institutions with different cultural backgrounds but shared fundamental principles and objectives – the Centro internazionale di studi di architettura Andrea Palladio, Vicenza and the Stiftung Bibliothek Werner Oechslin, Einsiedeln – have joined forces to launch the TABLINUM initiative. The aim is to promote greater interest in rigorous research, in particular conducted on historical sources (i.e. the key tool in humanistic research), by offering fellowships. The distinctive feature of the TABLINUM fellowships is that they provide the opportunity to get to know and benefit from both institutions, each with its own specific orientation and strengths. The fellowship is therefore for the purpose of developing a research project in the humanities involving the two institutions, possibly . . . → En lire plus
Posté par Olivier Bonfait, le 30 mars 2025;
- Date limite : 27 avril 2025
 Call for Applications for 2 PhD Students for 4 years. 100%, Start date September 1, 2025.
In the fields of History, Art History, Ancient History, Egyptology, English, German Literature, Latin Studies, Media Studies, Musicology, Philosophy.
Application Due Date: April 27, 2025. The eikones Graduate School at the Center for the Theory and History of the Image at the University of Basel invites applications for two positions for doctoral study on the theory and history of the image for four years beginning September 1, 2025.
Since 2005, eikones has served as a center for research on images from systematic and historical perspectives. The international and interdisciplinary center investigates the meanings, functions and effects of images in cultures since Antiquity . . . → En lire plus
Posté par Olivier Bonfait, le 30 mars 2025;
- Date limite : 31 mai 2025
The Bibliotheca Hertziana – Max Planck Institute for Art History in Rome offers Curatorial Research Fellowships with a duration of three months to museum curators for projects on Italian art history from Late Antiquity to the present day in the context of their respective museum activities (e.g. curatorial research for the preparation of an exhibition or the editing of an inventory catalogue). A correlation to the current research priorities of the Bibliotheca Hertziana is welcome.
Curatorial Research Fellows receive a monthly reimbursement for accommodation expenses of up to € 2,000 and a one-off reimbursement of their travel expenses of up to € 400 within the EU . . . → En lire plus
Posté par Centre Dominique-Vivant Denon, le 19 mars 2025;
 
Conférence le vendredi 28 mars à 18h au Centre Dominique-Vivant Denon
En 1794, l’armée révolutionnaire s’empare d’une quarantaine de colonnes de marbre antiques de la chapelle palatine de Charlemagne d’Aix-la-Chapelle. Dix furent installées dans la nouvelle Galerie des Antiques du Louvre, où elles se trouvent encore aujourd’hui.
Brigitte Buettner, Professeur émérite au Smith College de Northampton, Massachusetts, présentera leur place dans l’imaginaire architectural impérial et muséal autour . . . → En lire plus
Posté par Centre Dominique-Vivant Denon, le 17 mars 2025;
Conférence le mercredi 26 mars à 18h15 au Centre Dominique-Vivant Denon – En partenariat avec le Salon du Dessin 2025
Une conversation avec Simonetta Prosperi Valenti Rodinò, historienne de l’art, Professeure à l’université de Roma Tor Vergata, Stéphane Loire, conservateur général, adjoint au directeur du Département des Peintures et Victor Hundsbuckler, conservateur du patrimoine au Département des Arts graphiques, musée du Louvre.
. . . → En lire plus
Posté par Olivier Bonfait, le 16 mars 2025;
- Date limite : 30 avril 2025
 The research stays named after the distinguished art historian Martin Warnke (1937-2019), a scholar of the work of authors as present in the Prado collections as Rubens, Velázquez and Goya, have been instituted by the Museo Nacional del Prado in collaboration with the Goethe-Institut Madrid to facilitate short study stays for academics and researchers with habitual residence in a country of the European Union.
Characteristics: – The program provides for the stay of one researcher for four consecutive weeks. – The period of stay is from September 1 to 30. Exceptionally, a different time frame may be considered, within the autumn quarter . . . → En lire plus
Posté par Olivier Bonfait, le 9 mars 2025;
- Date limite : 1er mai 2025
 Deux postes de chercheur·euse FNS senior (post-doc) en histoire de l’art moderne (XVIe-XVIIe siècles) Institution d’enseignement et de recherche de premier plan au niveau international, l’UNIL compte près de 5’000 collaboratrices et collaborateurs et 17’000 étudiant·e·s, réparti·e·s entre le campus de Dorigny, et les sites du CHUV et d’Épalinges. En tant qu’employeur, elle encourage l’excellence, la reconnaissance des personnes et la responsabilité.
Présentation
La Section d’histoire de l’art (filière moderne) de la Faculté des lettres de l’Université de Lausanne met au concours deux postes de Chercheur·euse FNS senior (post-doc) . . . → En lire plus
|
Équipe Rédacteur en chef : Olivier Bonfait.
Rédacteurs : Elliot Adam (Moyen Age) ; Nicolas Ballet (XX-XXIe siècles) ; Matthieu Fantoni (musées) ; Antonella Fenech Kroke (bourses) ; Vladimir Nestorov (Lettre mensuelle)
Administrateur web : Matthieu Lett.
ancien éditeur : Pascale Dubus
anciens rédacteurs : Gautier Anceau, Sébastien Bontemps, Damien Bril ; Sébastien Chauffour ; Ludovic Jouvet ; Aude Prigot
|
