Posté par Olivier Bonfait, le 14 mai 2026;
- Date limite : 8 juin 2026
 International Study Course – Drawings in Theory and Practice. Connoisseurship – Collecting – Curatorial Practice.
Organized by the Albertina and the Institute of Art History at the University of Vienna with generous support from the Wolfgang Ratjen Foundation.
We are pleased to announce our 8th annual study course on drawings. The course is designed for doctoral students and early post-doc-researchers which are working in the field of drawings and prints, and are interested in exploring curatorial practices. The course offers the opportunity to discuss current research on the graphic arts and, at the same time, to gain insight into one of the most renowned collections of prints . . . → En lire plus
Posté par Olivier Bonfait, le 14 mai 2026;
- Date limite : 31 aout 2026
 Premio internazionale di saggistica “Sir Denis Mahon” 2026
Torna il Premio internazionale di saggistica “Sir Denis Mahon, istituito nel 2010 dagli amici e colleghi del famoso critico d’arte e collezionista britannico, in suo onore e in occasione della celebrazione del suo centenario. Promosso fino al 2023 dalla The Sir Mahon Foundation di Londra, dal 2025 è gestito e organizzato dal Centro Studi Internazionale « Il Guercino » – Comune di Cento, che ne ha raccolto l’eredità morale, con il contributo della Fondazione Cassa di Risparmio di Cento.
Il Premio prevede l’assegnazione di una borsa di studio di 2.000,00 Euro per l’autore/autrice del saggio di maggior pregio, in . . . → En lire plus
Posté par Olivier Bonfait, le 14 mai 2026;
- Date limite : 31 mai 2026
 The KHI is seeking a Head of Research Coordination and Public Relations for a three-year position starting September 1st 2026.
Kunsthistorisches Institut in Florenz – Max-Planck-Institut (Florence, Italy), Sep 1, 2026–Sep 1, 2029 Application deadline: May 31, 2026 www.khi.fi.it
We are looking for someone collegial, enthusiastic and flexible, with a scholarly background in the History of Art or Architecture, who has a structured and solution-oriented working style and is ready to take over a position that is both challenging and rewarding, and that carries a high level of responsibility. The Head of Research Coordination and Public Relations will be working with a small . . . → En lire plus
Posté par Olivier Bonfait, le 14 mai 2026;
- Date limite : 30 juin 2026
 2 Postdoc Fellowships, Art & Religion, National Gallery London
Howard and Roberta Ahmanson Fellows in Art and Religion at the National Gallery, London.
The National Gallery is seeking two outstanding early-career scholars to each take up an exciting 22-month full-time postdoctoral fellowship based in our newly established Research Department. These fellowships will offer a rare opportunity to work at the heart of one of the world’s leading galleries while developing a distinctive portfolio of research, teaching, curating, and public engagement.
SCOPE OF JOB
The Fellow will play an active role across the full breadth of Gallery life, with particular focus on – producing innovative . . . → En lire plus
Posté par Olivier Bonfait, le 3 mai 2026;
- Date limite : 30 juin 2026
68th Course on Palladian Architecture : Palladio and Comfort in the Well-Designed House.
Aug 27–Sep 2, 2026 Application deadline: Jun 30, 2026 www.palladiomuseum.org/courses/palladio
Palladio and Comfort in the Well-Designed House.
What was life like in a Palladian villa or palace? How were heating and cooling managed, and how did the bathrooms and kitchens work? To what extent did the choice of materials depend on sourcing and reusing them, and how were materials and construction techniques designed to enhance insulation and cooling?
One primary source of information on these topics is the Four Books, in which Palladio unfortunately only discusses building systems and orientation rather sparingly. Inventories also often provide interesting insights by describing the furnishings and objects found within the dwellings. Then, of course, there are the . . . → En lire plus
Posté par Olivier Bonfait, le 3 mai 2026;
- Date limite : 15 juin 2026
Research Grant, Yves Klein Fondation, Lugano
Application deadline: Jun 15, 2026 yvesklein.com/en/fondation/
The Yves Klein Foundation works to promote and foster the public understanding of Yves Klein’s work through exhibitions, research projects, publications, the preservation of his body of work and the development of the catalogue raisonné.
Based in Lugano (Switzerland), the Foundation carries forward the fundamental mission initiated by its founding members, Rotraut Klein-Moquay, Yves Klein’s widow, and Daniel Moquay: to preserve, study, share with a large audience and highlight the artist’s major contribution to the history of art in the second half of the 20th century.
A key figure of the avant‑garde, Yves Klein played a decisive role in redefining art, calling for the “overcoming” of its “problematic.” He radically and poetically transformed what art . . . → En lire plus
Posté par Olivier Bonfait, le 16 avril 2026;
- Date limite : 20 avril 2026
 Applications are now open for ten scholars under the age of 36 to apply for a scholarship to participate in the seminar Architectural Drawings in the Renaissance: Anonymous Artists, Copyists, Architects, organized by Guido Beltramini and Bianca de Divitiis, in collaboration with the GDSU.
This event inaugurates an annual seminar series on architectural drawing named after Howard Burns (1939–2025), a leading scholar in the field. The initiative stems from a collaboration between the Kunsthistorisches Institut in Florenz – Max-Planck-Institut (KHI) and the Centro Internazionale di Studi di Architettura Andrea Palladio (CISAAP) and will be held annually around June 10, the date of Burns’ birth.
Each year, . . . → En lire plus
Posté par Olivier Bonfait, le 16 avril 2026;
- Date limite : 20 mai 2026
The SNSF project Modern Painting and the Lesbian Gaze: Queer Women Artists in Europe, 1900–1950, hosted at the University of Basel’s Institute of Art History and led by Prof. Dr. Charlotte Matter, offers a full-time doctoral position for the duration of 3.5 years.
In analyses of artworks from the first half of the twentieth century, feminist art history has largely overlooked non-heterosexual sexuality and desire, while queer art history has primarily focused on the works of gay men. Against this background, the project proposes the notion of the ‘lesbian gaze’ as a methodological provocation to decentre the male and heterosexual gaze as dominant frameworks for interpreting modern painting. The project brings together feminist and queer approaches to reposition the practices of women painters within queer art history. It adopts an . . . → En lire plus
Posté par Olivier Bonfait, le 16 avril 2026;
 Doctoral Studentship, V&A Museum / Courtauld Institute of Art, London
Oct 01, 2026 Application deadline: Apr 24, 2026
The Victoria and Albert Museum and the Courtauld Institute are pleased to announce the availability of a fully funded collaborative doctoral studentship from 1 October 2026 under the AHRC’s Collaborative Doctoral Partnerships (CDP) scheme. The dissertation project is expected to focus on a selection of Paduan Renaissance bronzes from the V&A’s collection, about which the successful candidate will write extended research-based catalogue entries and a critical essay that contextualises and interprets them as products of the specific artistic culture of the city of Padua.
This project . . . → En lire plus
Posté par Olivier Bonfait, le 7 avril 2026;
- Date limite : avant le 13 avril 2026
 LE DEPARTEMENT D’HISTOIRE DE L’ART ET DE MUSICOLOGIE
met au concours :
1 poste d’assistant-e en histoire de l’art contemporain
Conditions :
Être en possession d’un Master en Histoire de l’art contemporain ou d’un titre jugé équivalent. Avoir un projet de recherche doctorale et s’engager à inscrire une thèse dans le domaine de l’histoire de l’art contemporain au sein de l’unité d’histoire de l’art sous la direction de la professeure Giovanna Zapperi. Posséder une excellente maîtrise du français et de l’anglais.
Cahier des charges :
Il s’agit d’un poste à 70% qui passera à 100% dès la troisième année.
Le/la titulaire consacrera . . . → En lire plus
Posté par Olivier Bonfait, le 31 mars 2026;
 Call for Applications for 3 PhD students for 4 years. 100%, Start date September 1, 2026.
On the theory and history of the image in the fields of History, Art History, Ancient History, Egyptology, Digital Humanities, Media Studies, English, German and French Literature, Gender Studies, Latin Studies, Musicology, Philosophy.
The eikones Graduate School at the Center for the Theory and History of the Image at the University of Basel invites applications for three positions for doctoral study on the theory and history of the image for four years beginning September 1, 2026.
Since 2005, eikones has served as a center for research on images from systematic and historical . . . → En lire plus
Posté par Olivier Bonfait, le 14 mars 2026;
- Date limite : 27 avril 2026
 Henry Moore Institute is a world-recognised centre for the study of sculpture. We host a year-round programme of exhibitions, conferences and lectures, as well as developing research and publications, to expand the understanding and scholarship of sculpture. Each year we offer a number of fellowships to enable artists and researchers to develop their work.
The Institute’s Sculpture Research Library holds over 30,000 publications, including books, journals and ephemera and the Archive of Sculptors’ Papers documents the working lives of hundreds of British sculptors. Staff at the Institute have a depth and breadth of knowledge of sculpture and its histories and we enjoy engaging with . . . → En lire plus
Posté par Olivier Bonfait, le 14 mars 2026;
- Date limite : 31 octobre 2026
 Elisa Debenedetti (1933-2024), professor of art history at Sapienza Università di Roma, promoted the study and research of 18th-century arts for decades. Author of important contributions, essays and monographs, she founded and edited the journals “Studi sul Neoclassico” (1973-80) and “Studi sul Settecento Romano” (since 1985), essential points of reference and discussion for researchers and scholars.
The Debenedetti family, in agreement with the Department of History, Anthropology, Religions, Art and Entertainment at Sapienza Università di Roma, the Centro di Studi sulla Cultura e l’Immagine di Roma and the Fondazione Ernesta Besso, have established a biennial prize for an . . . → En lire plus
Posté par Centre Dominique-Vivant Denon, le 27 février 2026;
- Date limite : 15 avril 2026
 Professor Martin Warnke Program, Museo Nacional del Prado, Madrid
Application deadline: Apr 15, 2026
The research stays named after the distinguished art historian Martin Warnke (1937-2019), a scholar of the work of authors as present in the Prado collections as Rubens, Velázquez and Goya, have been instituted by the Museo Nacional del Prado in collaboration with the Goethe-Institut Madrid to facilitate short study stays for academics and researchers with habitual residence in a country of the European Union.
The program provides for a four-week consecutive residency for one researcher.
The residency period is set from September 1 – September 30, 2026. Exceptionally, . . . → En lire plus
Posté par Olivier Bonfait, le 14 février 2026;
- Date limite : 15 avril 2026
Tenure Track Pos., Max Planck Institutes, Lise Meitner Research Group
“Free science is as natural as free breathing.” – Lise Meitner.
 The Max Planck Society (Max-Planck-Gesellschaft zur Förderung der Wissenschaften e.V.) is a world-leading, independent, non-profit research organization with the goal to promote cutting edge basic research. Over 26,000 employees across 85 Max Planck Institutes and research facilities conduct basic research in the life and natural sciences as well as the humanities, social sciences and law and have a strong interest in innovative and interdisciplinary research.
Lise Meitner Research Group (Tenure track positions at Max Planck Institutes) The Max Planck Society invites outstanding applicants to apply . . . → En lire plus
Posté par Olivier Bonfait, le 14 février 2026;
- Date limite : 30 avril 2026
The Madrid Institute for Advanced Study (MIAS) and the Centre d’études Picasso, the research centre of the Musée national Picasso-Paris, are launching a new call for applications for a three-month research residency.
This program aims to support research related to the critical and cultural receptions of Pablo Picasso’s work in Latin America, while fostering academic mobility and scholarly exchange between Madrid and Paris. It is open to researchers and artists holding a PhD and pursuing a career of excellence in the fields of the arts, humanities, social sciences, and law.
The Madrid Institute for Advanced Study (#MIAS) is an international research institute based in Madrid, created and jointly directed by the Casa de Velázquez and the Universidad Autónoma de Madrid, dedicated to academic excellence and interdisciplinary dialogue in the arts, . . . → En lire plus
Posté par direction études et recherche INHA, le 14 février 2026;
- Date limite des candidatures : 15 mars 2026
Appel à candidatures : Bourse Paris–Rome en histoire de l’art numérique 2026-2027
English version HERE
Date limite de candidature : dimanche 15 mars 2026
L’Institut national d’histoire de l’art (INHA) et la Bibliotheca Hertziana – Institut Max Planck pour l’histoire de l’art (BHMPI) proposent une nouvelle bourse de recherche entre Paris et Rome, destinée à des candidates et candidats de niveau doctorat ou postdoctorat.
Description
D’une durée de trois à six mois, cette bourse transnationale vise à soutenir des projets de recherche interdisciplinaires, innovants et expérimentaux dans le domaine des humanités numériques. Elle invite les candidates et candidats à utiliser et mettre en lien les ressources numériques . . . → En lire plus
Posté par direction études et recherche INHA, le 14 février 2026;
- date limite des candidatures : 4 mai 2026
 Appel à candidatures : Carte blanche de l’INHA pour l’histoire de l’art en région
Date limite de candidature : lundi 04 mai 2026
Le dispositif de la Carte Blanche a pour objectif de soutenir une recherche en histoire de l’art menée en consortium par différents acteurs et institutions, au sein d’une région, entre plusieurs régions, ou entre Paris et une région, sur la durée de l’année civile concernée. Il vise à favoriser la collaboration entre les institutions (musées, universités, laboratoires de recherche, écoles supérieures de la création, centres d’art, etc.) ainsi qu’un croisement fécond des méthodes et . . . → En lire plus
Posté par Olivier Bonfait, le 12 février 2026;
- Date limite : 1er mars 2026
The UCL History of Art Department is seeking to appoint a full-time Lecturer in the History of Art, Materials and Technology, to begin on 1 September 2026.
The successful candidate will have a background in art history, conservation, heritage or material science, or associated fields. We encourage applicants whose expertise will complement existing departmental strengths. The successful candidate would be capable of teaching in and overseeing the running of the Material Studies Laboratory. They would join a thriving department with close links to London’s museums and gallery networks and a university with its own important collections. They would contribute to teaching, take on administrative responsibilities, demonstrate ongoing research excellence and generate research income by actively pursuing and applying for appropriate grants. The successful appointee will have a relevant . . . → En lire plus
Posté par Olivier Bonfait, le 12 février 2026;
- Date limite : 30 avril 2026
Two fully funded postdoctoral positions are available to begin in the 2026-27 academic year, working primarily with Professor Cammy Brothers. It is a one year, renewable position.
Candidates must have a Ph.D. or be in their final year of their doctoral program with the expectation of a degree by October 1, 2026. The field is defined broadly as the art and architecture of the early modern Mediterranean world, 1100-1700, but the specific focus is open.
Deadline: Applications should send the following in a single pdf by March 2, 2026: a letter of interest (1 page) indicating the candidate’s background and reason for pursuing a postdoctoral position; a description of the proposed research and writing project to be pursued during the fellowship year (2-4 pages, it can be distinct from the . . . → En lire plus
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Équipe Rédacteur en chef : Olivier Bonfait.
Rédacteurs : Elliot Adam (Moyen Age) ; Nicolas Ballet (XX-XXIe siècles) ; Matthieu Fantoni (musées) ; Antonella Fenech Kroke (bourses) ; Vladimir Nestorov (Lettre mensuelle)
Administrateur web : Matthieu Lett.
ancien éditeur : Pascale Dubus
anciens rédacteurs : Gautier Anceau, Sébastien Bontemps, Damien Bril ; Sébastien Chauffour ; Ludovic Jouvet ; Aude Prigot
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International Study Course – Drawings in Theory and Practice. Connoisseurship – Collecting – Curatorial Practice.
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