The soul was a matter of importance to people in the 14th-16th centuries. There were questions about the nature of this illusive being, and, of course, the perennial concern over its ultimate fate. Images of the soul appeared in frescoes, manuscripts and paintings, but the soul is incorporeal and in some fundamental way, unknowable. It simultaneously IS us, and distinct from us.
This panel seeks papers that address the problem of picturing that which is always out of sight and yet present, and investigate the methods used by artists and writers in the 14th-16th centuries to visualize the invisible.
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