Posté par Olivier Bonfait, le 13 mai 2025;
 Aux limites du paysage au XVIIIe siècle / The Landscape at its Margins in the Eighteenth Century Sous la direction de Florence Fesneau, Barbara Jouves-Hann et Maël Tauziède-Espariat
Actes du colloque international Aux limites du paysage au XVIIIe siècle / The Landscape at its Margins in the Eighteenth Century Publication & Diffusion : à partir de janvier 2025, dans les bibliothèques spécialisées en Histoire de l’art et membres du GRHAM Éditeur : Paris, Éditions du GRHAM – ISBN: 978-2-9559546-5-2
Si vous souhaitez obtenir cet ouvrage vous pouvez devenir membre premium du GRHAM et le recevoir gratuitement (adhérez en cliquant sur ce lien)
Le présent ouvrage . . . → En lire plus
Posté par Olivier Bonfait, le 13 mai 2025;
- Date limite : 8 juin 2025
The Institut für Kunst- und Bildgeschichte, Humboldt-Universität zu Berlin, the Bibliotheca Hertziana – Max Planck Institute for Art History, and the Warburg Institute, School of Advanced Study, University of London, are pleased to announce a fellowship in Berlin, Rome, and London, offered at either the predoctoral or postdoctoral level. These fellowships grow out of the longstanding collaboration between the Humboldt, the Hertziana, and the Warburg in the research project Census of Antique Works of Art and Architecture Known in the Renaissance (https://www.census.de).
The fellowships extend the traditional chronological boundaries . . . → En lire plus
Posté par Olivier Bonfait, le 13 mai 2025;
- Date limite : 15 juin 2025
The Words of Vitruvius: Between Archaeological Findings and Vulgarizations.
Fano, Centro Studi Vitruviani, Oct 16–17, 2025 Deadline: Jun 15, 2025
Besides representing a testimony of extraordinary relevance for the knowledge of construction techniques and theoretical principles of the art of building according to the Romans and Greeks, Vitruvius’ De Architectura contains a lexical repertoire of notable extent and complexity, fundamental for the reconstruction of the ancient architectural vocabulary and for the investigating the link between language, building practices and the transmission of knowledge. But how did these relations evolve over time? And how has the degree of understanding of Vitruvian terms changed, affecting their transcription, translation and interpretation?
The conference moves from the purpose of exploring these questions from an interdisciplinary perspective, sifting the Vitruvian lexicon in its multiple . . . → En lire plus
Posté par Olivier Bonfait, le 13 mai 2025;
- Date limite : 30 juin 2025
EXHIBITING THE HOLOCAUST 1945–2025: GENEALOGIES AND LEGACIES
Freie Universität Berlin, Berlin, Nov 13–14, 2025 Deadline: Jun 30, 2025
The first exhibitions on the Holocaust were organized in the immediate aftermath of the Second World War. These were mostly created by survivors, either individually or through newly established institutions such as historical commissions, which were active in many DP camps and across Europe. These early exhibitions presented materials gathered to document the persecution and genocide of Jews in Europe. This unprecedented effort laid the groundwork for the establishment of memorials and museums in later decades and shaped the display strategies of future exhibitions. This conference seeks to look back and historicize the practice of Holocaust exhibitions from 1945 to the present, reflecting on different strategies, genealogies, and legacies. . . . → En lire plus
Posté par Olivier Bonfait, le 13 mai 2025;
- Date limite : 15 juin 2025
Women in Photography 1839-1939 Practitioners, Labourers, Entrepreneurs in a Global Perspective.
Brera Academy of Fine Arts, Milan, Nov 20–21, 2025 Deadline: Jun 15, 2025
Final conference of PRIN 2022 PNRR NextGenerationE U funded project Fotografiste: Women in Photography from Italian Archives, 1839-1939, conduced by IMT School for Advanced Studies Lucca (PI) and Brera Academy of Fine Arts Milan.
Why are there so few women in the history of photography? Scholarly contributions have highlighted the obstacles that hindered women’s success in photography, as well as the ideological foundations of photographic history that have kept them invisible within dominant narratives. Despite this, the role of women in photography remains under-researched, particularly on those practitioners active between the invention of the medium around 1839 and the outbreak of World War II . . . → En lire plus
Posté par Olivier Bonfait, le 13 mai 2025;
- Date limite : 6 juin 2025
Journée d’étude – Cultural Crossroads: Artistic Encounters between the Low Countries and Spain, 15th-17th Centuries. III. Echoes of Flemish Sculpture in Spain from Gothic to Baroque.
Since 2020, the Moll Institute (Madrid) and the Fondation Périer-D’Ieteren (Brussels) have been conducting a research program aimed at identifying and studying the art that developed in the Low Countries between the 15th and 17th centuries and that is preserved in Spanish collections. As part of this collaboration, a series of study days has been organized since 2023 to stimulate and disseminate research conducted in this field. The . . . → En lire plus
Posté par Olivier Bonfait, le 12 mai 2025;
 La bourse Focillon est une bourse d’étude créée au lendemain de la Seconde Guerre mondiale, pour instituer des liens entre la France et les États-Unis. Elle porte le nom du grand historien de l’art Henri Focillon (Dijon, 1881-New Haven (Yale) 1943), directeur du musée des Beaux-Arts de Lyon, professeur à la Sorbonne, et dans différentes universités américaines à partir de 1932. Financée à son origine par le ministère des Affaires étrangères, elle est portée depuis 2010 par le ministère de la Culture, précisément par la délégation à l’inspection, la recherche et l’innovation (DIRI), au sein de la Direction générale des patrimoines et de l’architecture. Elle est placée sous l’égide du . . . → En lire plus
Posté par Olivier Bonfait, le 3 mai 2025;
- Date limite : 30 mai 2025
Colloque international 22-23-24 octobre 2025 Marseille – Centre de la vieille Charité, salle du miroir
Dans le cadre du groupe de travail Collections et collectionneurs d’objets extra-occidentaux en Méditerranée Projet lauréat 2025 du programme de l’INHA Carte blanche : histoire de l’art en région
Ports et territoires méditerranéens : circulation des biens culturels, constitution des collections extra-européennes (XVIIe-XXIe siècles)
Ce colloque propose d’analyser la constitution des collections publiques et privées des biens culturels extra-européens autour du bassin méditerranéen. Depuis l’Antiquité, et jusqu’au monde contemporain, la Méditerranée demeure un carrefour stratégique de la circulation des biens, des personnes et des idées, un « espace-mouvement » comme l’a défini Fernand Braudel. Les villes ports (Marseille, Toulon, Gênes, Barcelone…) constituent les plaques tournantes pour l’arrivée des objets et leur diffusion auprès des marchands, . . . → En lire plus
Posté par Olivier Bonfait, le 3 mai 2025;
Postdoc Position, Cognitive Research in ArtHistory (CReA), University of Vienna
The Department of Art History at the University of Vienna is one of the oldest and largest. Since 2009, it has been home to the Laboratory for Cognitive Research in Art History (CReA, https://crea.univie.ac.at/), a world-leading center for interdisciplinary studies combining art history with cognitive science and computer science. In addition to databases and visual analysis, the focus is on recording eye movements while viewers look at artworks in laboratory and museum experiments.
The Department of Art History is part of the Faculty of Historical and Cultural Studies (https://hist-kult.univie.ac.at/en/). The CReA lab is also associated with the Vienna Cognitive Science Hub (https://cognitivescience.univie.ac.at/) and the Doctoral School Cognition, Behaviour and Neuroscience (CoBeNe, https://vds-cobene.univie.ac.at/).
Your future . . . → En lire plus
Posté par Olivier Bonfait, le 3 mai 2025;
Poste D’Assistant:e, Histoire de l’art médiéval, Genève
Le Department D’Histoire de l’art et de musicologie de L’Université de Genève
met au concours : 1 poste d’assistant-e en histoire de l’art médiéval
Conditions : Être en possession d’une maîtrise en histoire de l’art ou d’un titre jugé équivalent. Avoir un projet de recherche et s’engager à inscrire une thèse dans le domaine de l’histoire de l’art médiéval au sein du département d’histoire de l’art et de musicologie sous la direction de prof. Frédéric Elsig. Posséder une excellente maîtrise du français.
Cahier des charges : Il s’agit d’un poste à 70% qui passera à 100% dès la troisième année. Le/la titulaire consacrera la moitié de son temps de travail à la réalisation de sa thèse de doctorat. Il/elle sera chargé-e . . . → En lire plus
Posté par Olivier Bonfait, le 3 mai 2025;
Artists and Collections: Histories, Practices and Interactions, International Scientific Conference
The establishment of preferential relationships between artists and the possession of objects and works of art can be a complex matter. These relationships may be distant in terms of formal characteristics, or, conversely, they may be the primary reference models for the artists’ production. Conversely, artists have frequently engaged in various activities with collectors, contributing to the formation and understanding of collections.
The objective of the conference, scheduled for 2-3 December 2025 at Università IULM in Milan, is to investigate the intricacies of the relationships between artists and collections of objects and works of art from the Middle Ages to the contemporary era. The investigation will adopt an interdisciplinary approach, integrating traditional research into the history of art . . . → En lire plus
Posté par Olivier Bonfait, le 3 mai 2025;
Southern Netherlandish Art Summer School (Antwerp/Cambridge 1-10 Jul 25)
This is a call for applications to a Summer School in Antwerp/Brussels and Cambridge/London from Tuesday, 1st July to Thursday, 10th July. The focus will be Southern Netherlandish Art, 1500-1700. The summer school is organised by the History of Art Department and Trinity Hall, the University of Cambridge, and the Rubenshuis, Antwerp. The programme is kindly funded by the Government of Flanders.
We offer a unique, object-oriented opportunity for four promising researchers to participate in the summer school, alongside eight early-career researchers from the Rubenshuis and the University of Cambridge.
Open to: MA students, PhD candidates, and early career post-doctoral researchers or museum professionals
When and where: Antwerp and Brussels (1-5 July), Cambridge and London (6-10 July 2025)
About . . . → En lire plus
Posté par Olivier Bonfait, le 3 mai 2025;
- Date limite : 5 juin 2025
Cultural Entanglements: European and Ibero-American Baroque Architecture (Mexico, 15-19 avril 2026)
Society of Architectural Historians 2026 Annual International Conference. Session: Cultural Entanglements: European and Ibero-American Baroque Architecture. Berthold Hub.
Ibero-American historiography tends to explain Spanish Baroque architecture as the outcome of purely internal Iberian developments. The rich surface decoration, which covers façades and retablos in particular, but sometimes also entire rooms, are explained by the Islamic and Morisco or Mudejar ornamentation and its continuation in the so-called Plateresque style of the sixteenth century, in short: by “invariantes castizos,” according to Fernando Chueca Goitia.
Numerous motifs, however, appear to originate from the so-called “column books” of northern Alpine carpenter architects such as Wendel Dietterlin and Vredeman de Vries. Although John Moffitt rightly attributed the Spanish form of the Estípide . . . → En lire plus
Posté par Olivier Bonfait, le 3 mai 2025;
- Date limite : 31 mai 2025
International Working Group on Medical Wax Models
Medical wax model collections have been the subject of renewed scientific interest since the turn of the millennium. As part of the material turn, scholars in history and cultural studies increasingly study historical objects in museums and university collections. Wax moulages in particular, with their specific characteristics, have attracted attention from medical professionals and historians alike. A German-speaking Moulages Working Group was formed in Berlin in 2013, following a major international conference in Dresden 2009. Ten years later, at a meeting in Zurich in 2023, the circle of participants was expanded to represent collections from all over the world. As an international working group, we now take the next step and join the newly founded International Association of . . . → En lire plus
Posté par Olivier Bonfait, le 3 mai 2025;
Assistant Curator, Prints Drawings & Photographs, Baltimore Museum of Art
The Baltimore Museum of Art seeks a full-time, Assistant Curator of Prints, Drawings & Photographs to play an important role in helping to research, care for, and present over 68,000 works on paper housed within the Nancy Dorman and Stanley Mazaroff Center for the Study of Prints, Drawings and Photographs at the Baltimore Museum of Art.
About the BMA The Baltimore Museum of Art is a world class, internationally recognized museum, recently ranked by the Washington Post as one of the top 20 museums in the United States. The BMA embodies a commitment to artistic excellence and social equity in every decision from art presentation, interpretation, and collecting, to the composition of the Board of . . . → En lire plus
Posté par Olivier Bonfait, le 2 mai 2025;
- Date limite : 11 mai 2035
 Postdoctoral Scientific Assistant Positions, Bibliotheca Hertziana
The Bibliotheca Hertziana – Max Planck Institute for Art History, Rome, invites early-career postdocs to apply for maximum two-year positions of Scientific Assistant with the Department of Tristan Weddigen starting October 1st, 2025.
Working closely with the Director, Assistants are responsible for overseeing the programming and scholarly activities in one or two of the five research focuses of the Department, the details of which can be found on the institute’s website. Salaries and benefits depend on German and Italian tax and social security law. The department follows the principles of diversity, equity, and inclusion, and therefore encourages applications from underrepresented groups. Candidates . . . → En lire plus
Posté par Olivier Bonfait, le 2 mai 2025;
- Date limite : 19 mai 2025
 Associate Editor, Journal of the History of Collections
Oxford University Press (OUP) invites applications for the position of Associate Editor for the Journal of the History of Collections. We are particularly seeking candidates with expertise in Eastern European, Asian, 18th-21st century Western art histories and Classical art more broadly. We are not looking to expand our expertise in early modern or Renaissance art at this time. Ideally, the candidate will take up the position in mid-2025.
The journal is dedicated to the investigation and exploration of all aspects of collecting activity, with no limits on time period or subject matter. . . . → En lire plus
Posté par Olivier Bonfait, le 2 mai 2025;
- Date limite : 15 juin 2025
 The Medici Archive Project is offering twelve short-term fellowships for graduate, pre-doctoral students, and postdoctoral candidates, working on fields related to early modern Italy (preferably with a specific emphasis on Tuscany or Medici history).
EVA SCHLER FELLOWSHIPS (4) Thanks to the generous gift from Joan A. McClure and Michael L. Schler, in honor of Michael’s late mother Eva, the Medici Archive Project is offering four short-term fellowships for graduate and/or pre-doctoral students of any nationality working on any field related to early modern Italy (preferably with a specific emphasis on Tuscany or Medici history). This scholarly residence will be of considerable benefit in helping students to gain the . . . → En lire plus
Posté par Olivier Bonfait, le 14 avril 2025;
- Date et lieu du colloque : 17-18 avril, Lyon, Univesité Lyon 2, Musée des beaux arts
L’AVENIR DE L’HISTOIRE DE L’ART :
RELEVER LES DÉFIS DE LA RECHERCHE ET DE LA PRATIQUE ARTISTIQUE POUR SAISIR LES OPPORTUNITÉS DE DEMAIN
jeudi 17 avril, à partir de 8h30
Université Lumière Lyon 2, amphithéâtre Laprade
4 bis, rue de l’Université 69007 Lyon
vendredi 18 avril, à partir de 10h30
musée des Beaux-Arts de Lyon, auditorium Henri-Focillon
20, place des Terreaux 69001 Lyon
Consultez le programme du colloque
Ce colloque réunira des chercheuses et chercheurs de tous horizons universitaires, de jeunes artistes ainsi que des membres professionnels du secteur culturel pour discuter des enjeux actuels de l’histoire de l’art, autour de thématiques majeures telles que la digitalisation, la décolonisation, l’interdisciplinarité et les questions sociales et écologiques dans le domaine de la recherche et . . . → En lire plus
Posté par Olivier Bonfait, le 14 avril 2025;
- Date limite : 15 mai 2025
 The 32nd International Colloquium of the Corpus Vitrearum will take place in Krakow from 6 to 9 July 2026, overlapping with the 13th International Forum for the Conservation and Technology of Historic Stained Glass of the Corpus Vitrearum from 8 to 10 July 2026 in Krakow.
1) 32nd International Colloquium of the Corpus Vitrearum RESEARCH ON STAINED GLASS: HISTORY AND METHODS
The Corpus Vitrearum Medii Aevi was founded in 1952. In the year before the 75th anniversary of the inauguration of this international undertaking – whose aims currently encompass the study of stained-glass heritage . . . → En lire plus
|
Équipe Rédacteur en chef : Olivier Bonfait.
Rédacteurs : Elliot Adam (Moyen Age) ; Nicolas Ballet (XX-XXIe siècles) ; Matthieu Fantoni (musées) ; Antonella Fenech Kroke (bourses) ; Vladimir Nestorov (Lettre mensuelle)
Administrateur web : Matthieu Lett.
ancien éditeur : Pascale Dubus
anciens rédacteurs : Gautier Anceau, Sébastien Bontemps, Damien Bril ; Sébastien Chauffour ; Ludovic Jouvet ; Aude Prigot
|
Aux limites du paysage au XVIIIe siècle / The Landscape at its Margins in the Eighteenth Century Sous la direction de Florence Fesneau, Barbara Jouves-Hann et Maël Tauziède-Espariat
