Paragone Studies (Quebec, 18-20 Sep 14) Quebec City, Canada, September 18 – 20, 2014 Deadline: Apr 1, 2014 Paragone Studies Conference Papers are invited for The 3rd Annual International Conference in Paragone Studies, to be held at the Musée des beaux-arts du Québec (Museum of fine arts of Québec: http://www.mnbaq.org/en),just outside of the old quarter of the City of Québec in Canada. The conference’s purpose is to support the scholarly investigation of the paragone, or rivalry inthe arts, as it has been manifested in allmedia across history. The conference will alsoinclude a round-table session featuring artists who choose to discuss how competition in the arts, past or present, has impacted their work or their professional lives. To apply: Submit . . . → En lire plus
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University of Barcelona, October 22 – 25, 2014 Deadline: Apr 20, 2014 We are pleased to invite you to attend the International Seminar IDENTITY, POWER AND REPRESENTATION: NATIONALISMS IN ART, organized bythe research group ACAF/ART-GEAM Grup d’Estudis d’Art Modern, that will be held from 22 to 25 October 2014 at the University of Barcelona and the Pompeu Fabra University, also located in Barcelona. The seminar will deal both with power relations in the representations of identity and with the role of proto-nationalisms in the artistic creations of the 15th-18th centuries, without neglecting their situation in the contemporary world. The art of all times can be understood as a creative tool involving social and . . . → En lire plus  Les commentaires sont clos  Conférences, séminaires, Événements  Cultural Studies, Iconologie, Transferts culturels, XV-XVIIIe
En souvenir de Marianne Roland Michel, éminente historienne de l’art, sa famille a fondé un prix qui a été décerné chaque année pour aider à la publication de manuscrits qui s’inscrivent dans la suite de ses travaux. En raison de l’évolution des coûts d’édition et de reproduction, la fondation revoit à la hausse la somme versée et le prix devient biennal. Le prix est décerné à un ouvrage qui apportera une réflexion originale et ne se contente pas de regrouper une documentation, fût-elle en partie neuve (catalogue, sources d’archives…). Les manuscrits présentés doivent l’être sous une forme publiable. Tout type de manuscrit peut être reçu ; en ce qui concerne les thèses, elles doivent avoir . . . → En lire plus
Les commentaires sont clos Colloques, journées d'études, Conférences, séminaires, Événements Arts graphiques, Rapports texte/image, Transpériode
Journée d’étude : « Pontormo & Rosso Fiorentino: Court Artists in Turmoil » (Florence, 4 avril 2014)
Paris, École normale supérieure, 45, rue d’Ulm, February 14 – May 16, 2014 Le séminaire de « Polysémie » est séminaire de littérature de doctorants et jeunes docteurs travaillant sur la Renaissance. Il se tient à l’ENS depuis une quinzaine d’années. Le thème de cette année est l’Image à la Renaissance et au premier XVIIème siècle. Notre séminaire se veut résolument pluridisciplinaire et notre thèmeannuel nous pousse encore plus à multiplier les échanges avec l’histoire de l’art. Programme VENDREDI 14 FEVRIER. 17h-19h30, salle Beckett L’iconologie Bertrand Madeline (EHESS) : Pour une iconographie amoureuse : mise en perspective des Essais Erwin Panofsky (1939) et de Le sujet dans le tableau : Essais . . . → En lire plus Un commentaire - (Les commentaires sont clos) Conférences, séminaires, Événements Iconologie, Rapports texte/image, Renaissance, XV-XVIIIe
Rome, September 08, 2014 Deadline: Apr 15, 2014 « Family Patronage in Early Modern Genoa, Rome, and Venice (1500–1750) » Study Day, Rome, Bibliotheca Hertziana—Max-Planck-Institut für Kunstgeschichte 8 September, 2014 Deadline: 15 April, 2014 Among the increasingly monarchic arena of Early Modern Europe, the powerful Italian cities of Genoa, Rome, and Venice are exceptional. Genoa and Venice, the largest remaining republics in Italy, predominated the financial, mercantile, and military spheres of the Mediterranean. Rome’s religious authority and historical cachet, along with its sizable territory, were the foundations of its leading position. All three of these cities stand out for their oligarchic power structures; while Genoa and Venice . . . → En lire plus Les commentaires sont clos Appels à communication, Événements Histoire sociale, Iconographie, Italie, XV-XVIIIe
Henry Moore Institute, Leeds, June 7, 2014 Deadline: Feb 17, 2014 The Sculpture of the Écorché Écorché represent the underlying musculature of the human figure, modelled in wax, carved in wood or cast in plaster or bronze for the purpose of anatomical instruction. This one-day conference takes the écorché as its subject, reconsidering the many ways in which it has been understood in relation to sculpture from the sixteenth century to the present day. We are interested in how the écorché has been variously seen and employed:as a teaching tool and as a model for the education of sculptorsas a scientific, three-dimensional demonstration modelin relation to the idealised forms of . . . → En lire plus
Wallace Collection, London, September 12 – 13, 2014 Deadline: Feb 17, 2014 Houses as Museums/Museums as Houses The relationship between museums and domestic spaces is a long and complex one. Museums were born in the houses of collectors, while the reconstruction of the house or domestic room – of ‘home’, effectively – continues to be an influential if controversial model for museum display. On the other hand, museums have at times invested heavily in the idea of their spaces as public, scientific and definitively non-domestic. The line between house and museum is therefore also one between public and private, scientific and domestic; and house-museums/museum-houses have acted both to confirm, to . . . → En lire plus Les commentaires sont clos Appels à communication, Événements Musées/expositions, muséologie, XX-XXIe Appel à communication : « Religion and modernist architecture Post-WWII » (Toronto, 24-26 Juin 2014)
Toronto (Canada), June 24 – 27, 2014 Deadline: Feb 26, 2014 Call for Papers for a panel at the 2014 ISIH-conference in Toronto. We are looking for two papers to complete a panel on: ‘Apocryphal and Apostolic Modernism. Forgotten connections between religion and architecture, 1945-1970’. Panel description: This panel seeks to discuss the connection between religious and philosophical concepts and the theoretical discourse on architectural modernism from the period 1945-1970. The panel is structured around two different questions that, to a certain extent, mirror each other. The first one is: in what way has religious thinking, of Catholic origin, influenced the theoretical discourse on architectural modernism? Here, the panel seeks . . . → En lire plus
À l’occasion de la semaine du Dessin contemporain 2014, l’École nationale des chartes, en partenariat avec le Drawing Now Paris et le Labex CAP (Création, Arts et Patrimoines), organise une journée d’étude sur le dessin d’architecture, sous la direction d’Agnès Callu et de Jean-Michel Leniaud. Cette journée se déroulera le vendredi 28 mars 2014, à 14 heures en grande salle de l’École nationale des chartes, au 19, rue de la Sorbonne, Paris Ve. Présentation Cet après-midi pluridisciplinaire se propose de réfléchir, en longue durée, à la valeur esthétique et à la fonction sociale d’un « geste graphique » à la confluence de l’Ars et de la . . . → En lire plus 2 comments - (Les commentaires sont clos) Colloques, journées d'études, Événements Architecture, Arts graphiques, Transpériode
Zurich, October 9 – 11, 2014 Deadline: Feb 25, 2014 International Conference. Zurich, October 9-11 2014 Organizers: Prof. Dr. David Ganz (University of Zurich) Prof. Dr. Barbara Schellewald (University of Basel) In a traditional perspective, book religions are seen as agents of logocentrism, establishing a sharp dichotomy between scripture and aesthetics, religion and art. This judgment was based primarily on dogmatic assumptions and posterior idealizations, however. In the light of their material, performative and artistic practice, religions of the book show a surprisingly strong tendency to evolve their own »aesthetics of inlibration«. Especially in pretypographic cultures, »clothing« sacred texts with precious materials and ornate forms was a powerful instrument for creating a . . . → En lire plus Les commentaires sont clos Appels à communication, Événements art religieux, Arts graphiques, Enluminure, Iconologie, Peinture, Rapports texte/image, Transpériode
University of Puerto Rico, San Juan (Puerto Rico), October 16 – 18, 2014 Deadline: Mar 15, 2014 The theme of this 40th colloquium is the art of getting away, an exploration of exotic or dreamlike escapes that were evoked, depicted, or acted out in the visual arts of nineteenth-century France. What methods, projects, theories, expressions, or modes of representation and visual thought encouraged escapism and flight to new philosophies, to dreams of a new life, or to new social imaginaries? And what were artists fleeing? Political regimes? Constraining artistic conventions from the academic tradition? An oppressive bourgeois morality in the rise of the industrial revolution? Participants are invited . . . → En lire plus
Zurich, 23. – 24.10.2014 Deadline: Feb 28, 2014 Institute of History of Art, University of Zurich (October 23 – 24, 2014) Call for Papers / International Conference and Edited Volume A Dialogue of the Arts: The Relationship of Exterior and Interior: Descriptions of Architecture and Interiors in Literature of Early Modern Times to the Present“ Organization: Institute of History of Art, University of Zurich Co-ordination: Barbara von Orelli-Messerli, PD Dr. phil. (UZH) Brigitte Kurmann, Prof. Dr. (UZH) Submission Deadline: 28th February 2014 Notification of Acceptance: 31th March 2014 Working Languages: English / German / French / Italian Venue : University of Zurich Keynote Speaker: Prof. Dr. Cornelia Jöchner . . . → En lire plus Les commentaires sont clos Appels à communication, Événements Architecture, art et littérature, XV-XVIIIe
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