Le congrès de l’Association des historiens de l’art du Royaume-Uni (Association of Art Historians) célébrera en 2017 le large spectre des histoires, théories, et pratiques qui caractérisent aujourd’hui la recherche en histoire de l’art. Au plan international, le domaine de l’histoire de l’art est éclectique et traverse les divisions géopolitiques, culturelles et disciplinaires pour étendre la compréhension de la culture visuelle et matérielle à de nombreuses périodes en divers lieux. L’Université de Loughborough se dédie à l’histoire de l’art, à la pratique contemporaine et à la culture visuelle, en mettant en rapport la recherche sur les arts avec les progrès de la technologie, des médias et de la communication, et en s’intéressant au développement des communautés mondiales plus durables et équitables.
Veuillez envoyer vos propositions de communication directement aux organisateurs de la session. Vous devez fournir un titre et le résumé d’une communication d’une durée de 25 minutes (max 250 mots). Indiquez vos nom, affiliation et e-mail. Votre titre doit être concis et refléter fidèlement votre intervention (les titres apparaissent immédiatement en ligne, dans les médias, puis dans le programme imprimé).
La date limite d’envoi des propositions a été fixée au 7 novembre 2017. La participation est sujette à des fees : voir les informations dispensées sur le site de l’AAH).
Voici la liste des sessions proposées pour le congrès 2017 :
1. 50 Years On: Art history in the UK since the 1960s
Geoff Quilley, Meaghan Clarke and Francesco Ventrella (University of Sussex)
2. A Centenary of On Growth and Form: Celebrating connections between art and science
Catherine Jolivette (Missouri State University)
3. Art History as Créolité/Creolising Art History
Alpesh Kantilal Patel (Florida International University, Miami)
4. Beyond Therapy: Situating art and design in healthcare contexts
Tamar Tembeck and Mary Hunter (McGill University)
5. Beyond Vision: Experiencing art through the other senses, c 500–1600
Serenella Sessini and Laura Cristina Stefanescu (University of Sheffield)
6. Body, Motion, Image: Legacies of chronophotography
Ruth Burgon (University of Edinburgh)
7. Catastrophism and the Ecology of Art in pre- and early modern Europe
Joanne W. Anderson (The Warburg Institute) and Jill Harrison (The Open University)
8. Changing Regimes of Art Education. An international look at art history, pedagogy, and power knowledge
Elke Krasny and Barbara Mahlknecht (Academy of Fine Arts)
9. Cruising the 1970s: Unearthing and archiving pre-AIDS sexual cultures in Europe in the visual arts
Fiona Anderson (Newcastle University) and Glyn Davis (University of Edinburgh)
10. Damaged Art and the Question of Value
Kathryn Brown (Loughborough University)
11. Drawing in the Age of the Artist as Networker
Deborah Harty (Loughborough University) and Jill Journeaux (Coventry University)
12. Fashion, Performance and Performativity
Andrea Kollnitz (Stockholm University) and Marco Pecorari (Parsons The New School, Paris)
13. Feminist Art Histories in the Middle East and North Africa
Ceren Ozpinar (University of Sussex)
14. Flawed Illumination: Broken glass in modern and contemporary art
Taisuke Edamura (Independent Scholar)
15. Gendering Patronage: Women artists and the contemporary art market
Véronique Chagnon-Burke (Christie’s Education New York)
16. Holding Patterns
Moran Sheleg (University College London) and Aline Guillermet (University of Cambridge)
17. Home, Exile and the Politics of Belonging
Maria Photiou (University of Derby)
18. Modern and Contemporary Art History through the Lens of Animation
Jorgelina Orfila (Texas Tech University)
19. Modern Lives – Modern Legends: Artist anecdotes since the 18th century
Hans Christian Hones (The Warburg Institute (Bilderfahrzeuge Project)) and Anna Frasca-Rath (University of Vienna)
20. Bodies of Art: Transgressing Race, Gender and Sexuality
Zehra Jumabhoy (The Courtauld Institute of Art) Elizabeth Robles (University of Bristol) and Marlene Smith
21. Outsider Bodies: Disrupting the canon of corporeal norms
Rachael Grew (Loughborough University) and Lucy Weir (University of Edinburgh)
22. Photography’s History: Does the past matter?
Helen Ennis (Australian National University)
23. Pioneering Women: The first 100 years of women artists at the Slade School of Art (1871–1975)
Anna Liesching (National Museums Northern Ireland) and Alice Strickland (Imperial College Healthcare Charity)
24. Present Tense: South Africa’s Uneasy Past in Contemporary Photographic Practice
Jean Brundrit, Michael Godby and Svea Josephy (University of Cape Town)
25. Prints in Books: The materiality, art history and collection of illustrations
Elizabeth Savage (Cambridge University)
26. Radical Art in Transition: Counter-culture, protest, resistance and contemporary art in the Balkans since 1968
Jonathan Blackwood (Gray’s School of Art, Robert Gordon University) and Jasmina Tumbas (SUNY: University at Buffalo)
27. Re-imagining Scenography in relation to Art History: Contact zones and crossroads
Astrid von Rosen and Viveka Kjellmer (University of Gothenburg)
28. Revisiting Susan Groag Bell: New directions for ‘medieval women book owners’
This session is sponsored by ICMA
Elizabeth L’Estrange (University of Birmingham) and Sherry Lindquist (Western Illinois University)
29. Ritual and Sensory Experience in Medieval Sculpture
Elisa A Foster (Henry Moore Institute) and Jessica Barker (The Courtauld Institute of Art)
30. Sculpture in Motion
Martina Droth (Yale Center for British Art) and Sarah Victoria Turner (Paul Mellon Centre for Studies in British Art)
31. Speculative Libraries
Nick Thurston (University of Leeds)
32. Standing Stones and the Origins of Architectural Modernity
Ralph Ghoche (Barnard College, Columbia University) and Christina Contandriopoulos (UQAM University)
33. Subject as Aporia in Visual Culture during the long 19th Century
Janet Tyson and Dennis Wardleworth (Independent Art Historians)
34. Subverting the ‘Stare’ at the Disabled Female Body
Claire Azzopardi Lane (University of Malta) and Lawrence Buttigieg (Artist/freelance researcher)
35. Textile, Art & Design: Reciprocity and development
Alice Kettle and Uthra Rajgopal (Manchester Metropolitan University)
36. The Object of Urban Visual Culture
Robert Harland (Loughborough University)
37. The Power of Plasticity
Rowan Bailey (University of Huddersfield) and Sheila Gaffney, (Leeds College of Art)
38. Visualising the Post-human, Cyborgs and Cybersexuality in Contemporary Art
Ming Turner (National Cheng Kung University)
39. Women Artists and 20th-Century Authoritarian Regimes in Europe
Márcia Oliveira and Maria Luísa Coelho
CONTACT : admin@aah.org.uk
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