Posté par Damien Bril, le 16 septembre 2013;
- Date limite : 15 octobre 2013
- Date et lieu du colloque : 6-9 septembre 2014, Lisbonne
Session at EAUH Conference 2014 (Lisbon, 6-9 Sep 2014)
Lisbon, Portugal, September 3 – 06, 2014 Deadline-CFP: 15 oct. 2013
 PAPER CITIES: URBAN PORTRAITS in PHOTOGRAPHIC BOOKS
Specialist Session at the 12th International Conference on Urban History
Cities have always been incredibly photogenic places. Panoramic cityscapes configure an early and important photographic domain, while the so called ‘street photography’ persisted as one of the most popular genres within the documentary style. From the very initial years of the photographic medium, to the later democratic turn of photographic practices, or to the recent age of digital and immaterial pictures, cities have remained attractive subjects for the photographer’s eye.
While photography reaffirms its central role in visually conveying and proposing urban . . . → En lire plus
Posté par Damien Bril, le 15 septembre 2013;
- Date limite : 23 octobre 2013
« Contemporary Art and History » panel at SASS/AABS 2014 Conference at Yale
 We are seeking papers for a panel at the joint Society for the Advancement of Scandinavian Studies and Association for the Advancement of Baltic Studies conference at Yale University, March 13-15, 2014.
This panel will explore the relationships between contemporary art in the Nordic and Baltic regions produced since 1989 and different modes of temporality. Papers may deal with these or related questions: How do contemporary artists visualize, critique, or reimagine the past, particularly the recent past? How are artists exploring the legacies of communism or modernism? How do they imagine the future and its relationship . . . → En lire plus
Posté par Olivier Bonfait, le 15 septembre 2013;
- Date et lieu du colloque : Amsterdam, EYE : 19 juin 2014/ La Haye, RKD : 20 juin
- Date limite : 13 décembre 2013, 13 décembre 2013
The ‘Mediatization’ of the Artist
EYE Film Institute, Amsterdam/Netherlands Institute for Art History (RKD), The Hague, 19-20 June 2014 Deadline: Dec 13, 2013
 Call for papers: The international conference The Mediatization of the Artist aims to examine the various aspects of the visual-media presence of the artist from the nineteenth century to today. With the rise of notions of artistic autonomy and the simultaneous demise of old systems of patronage, artists increasingly found themselves confronted with the necessity of developing a public image. At the same time, new audiences for art discovered their fascination for the life and work of the artist. The rise of new media . . . → En lire plus
Posté par Olivier Bonfait, le 12 septembre 2013;
- Date limite : 1er décembre 2013, 1er décembre 2013
The Mobile Spectator: viewing on the move
Conference dates: Friday 4- Saturday 5 July 2014, University of Nottingham, UK
 In theories of looking at art, spectators are usually assumed to be static, having arrived at a correct viewing position before a given work of art. Yet in our experiences of art, vision and movement are inseparable. Travel is often a prerequisite to putting oneself in a position to be able to see something, or to see it properly; physical effort is required to address the object or image appropriately. Works of art usually inhabit spaces which necessitate adjustment of the viewer’s position. Institutions of art require active engagements such . . . → En lire plus
Posté par Damien Bril, le 10 septembre 2013;
- Date limite : 1 novembre 2013
- Date et lieu du colloque : 7-11 mai 2014, Telč
Telč, May 7 – 11, 2014 Deadline-CFP: 1 nov. 2013
 Circulation as a factor of cultural aggregation: relics, ideas and cities in the Middle Ages
The conference will be held on May 7 – 11, 2014 in Telč, Southern Bohemia, in international cooperation of the Department of Medieval Art of the Institute of Art History at the Academy of Sciences of the Czech Republic, the Centre of Early Medieval Studies, Department of Art History of Masaryk University in Brno, Czech Republic, and the Department of Art History at University of Lausanne, Switzerland.
CALL FOR PAPERS The central topic of the international and interdisciplinary conference is the study . . . → En lire plus
Posté par Damien Bril, le 10 septembre 2013;
- Date limite : 11 novembre 2013
- Date et lieu du colloque : AAH, 10-12 avril 2014, Londres
London, April 10 – 12, 2014 Deadline-CFP: 11 nov. 2013
Call for Papers for Session at the 40th Association of Art Historians Annual Conference, Royal College of Art, London
[1] Sense as a Ratio: Early Modern Proportional Analogies in Visual Art
Please send your proposal before November 11, 2013.
—
 [1] From: Matthew Landrus <matthew.landrus@history.ox.ac.uk> Date: Sep 3, 2013 Subject: CFP: Early Modern Proportional Analogies in Visual Art
Sense as a Ratio: Early Modern Proportional Analogies in Visual Art
This session addresses early modern uses of proportional analogies, theories and systems for representations of sensory information or ideas. With the rise in art treatises, along with technical . . . → En lire plus
Posté par Damien Bril, le 10 septembre 2013;
- Date limite : 15 octobre 2013
- Date et lieu du colloque : 7-9 mars 2014, Riverside (Californie)
PCCBS, Riverside, California, March 7 – 09, 2014 Deadline-CFP: 15 oct. 2013
Monopolies of the Built Environment and Architectural Production in Ireland and the Empire, 1700-1900
Session at PCCBS – The Pacific Coast Conference on British Studies, Riverside, California, 7-9 March 2014
Proposals due by 15 October 2013
 This session seeks to bring together scholars whose work relates to monopolies – whether material, political, religious, spatial, or temporal – and how they affected the built environment and the methods by which urban spaces developed. Economic historians have long seen the centrality of monopolies to Georgian and Victorian society, especially in colonial scenarios, but those dealing with aspects of architectural production have . . . → En lire plus
Posté par Damien Bril, le 10 septembre 2013;
- Date limite : 11 novembre 2013
- Date et lieu du colloque : 10-12 avril 2014, Londres
AAH 2014 – Royal College of Art, London, April 10 – 12, 2014 Deadline-CFP: 11 nov. 2013
40th Association of Art Historians Annual Conference, Royal College of Art, London
 Session: Within a frame. Boundary, interaction and transition between art and its surroundings
Session Convenors: Daniela Roberts, Stuart Ager
The relationship between an artwork and its frame continues to be a matter for on-going academic discussion. With the introduction of detachable frames, which opened up the possibility of replacing original frames, often for the reason of taste or to suit a collection display, the continuity between painting and frames has been increasingly overlooked. Seeing art and its surroundings . . . → En lire plus
Posté par Damien Bril, le 9 septembre 2013;
- Date limite : 30 septembre 2013
- Date et lieu du colloque : 19-21 juin 2014, Turin
Turin, June 19 – 21, 2014 Deadline-CFP: 30 sept. 2013
 Call for Papers for Sessions at the Third International Meeting of the European Architectural History Network
[1] Missing Histories: Artistic Dislocations of Architecture in Socialist Regimes [2] The Published Building In Word And Image
Please send your proposal before September 30, 2013, by using the special forms at www.eahn.org.
—
[1] From: Carmen Popescu <crmv@noos.fr> Date: 2 sept. 2013 Subject: CFP: Artistic Dislocations of Architecture in Socialist Regimes
Missing Histories: Artistic Dislocations of Architecture in Socialist Regimes
Session at EAHN 2014 (European Architectural History Network Third International Meeting), Turin, Italy, June 19-21, 2014.
In both heavy and less rigid socialist regimes, architectural discourses were often the object . . . → En lire plus
Posté par Damien Bril, le 9 septembre 2013;
- Date limite : 21 octobre 2013
- Date et lieu du colloque : 8-10 avril 2014, Braunschweig
TU Braunschweig, 08. – 10.04.2014 Deadline-CFP: 21 oct. 2013
Jewish Architecture – New Sources and Approaches Internationale Tagung / International conference
 Jewish sacred and profane buildings have been part of the architecture and cityscapes since antiquity; the earliest findings of Jewish settlements and buildings in northern Europe date back to medieval times. During the course of the centuries, a broad range of structures that are essential for Jewish congregational life were constructed: synagogues, mikva’ot, cemeteries, Taharah houses, kosher slaughterhouses, bakeries, etc. The turn from the 19th to the 20th centuries marks the biggest growth of Jewish life in Europe that underwent a fundamental break during the Nazi era. The current generation, like . . . → En lire plus
Posté par Damien Bril, le 9 septembre 2013;
- Date limite : 1 novembre 2013
- Date et lieu du colloque : 19-21 mars 2014, Copenhague
The Royal Danish Academy of Fine Arts, Copenhagen, March 19 – 21, 2014 Deadline-CFP: 1 nov. 2013
What Images Do Symposium
Confirmed keynotes: Georges Didi-Huberman – Jonathan Hay – Jacques Rancière
 The aim of this symposium is to contribute to our understanding of what the image does (its pragma). The awkward entanglement of being and non-being (Plato) calls for an examination of the image as an act or event. Through its event, the image-act instigates an image-related reflection upon the issues of being and non-being, physis and semiosis, actuality and potentiality. The concept of iconic difference as coined by art historian and philosopher Gottfried Boehm is vital to our concern. Iconic . . . → En lire plus
Posté par Damien Bril, le 8 septembre 2013;
- Date limite : 31 octobre 2013
- Date et lieu du colloque : 14 février 2014, Londres
Culture clash? Contemporary arts in historic contexts
A conference at Royal Museums Greenwich on 14 February 2014
 To coincide with the latest in a series of contemporary interventions, Yinka Shonibare MBE at Greenwich, Royal Museums Greenwich is organising a conference on 14 February 2014 to explore the role of contemporary art outside the white cube.
In recent years it has become increasingly popular for museums and historic buildings to invite living artists to respond to their buildings or collections by curating, creating or performing on site. What has been the impact of this popular collaborative trend for artists, museums and their audiences?
Themes addressed by the conference may include (but are . . . → En lire plus
Posté par Damien Bril, le 6 septembre 2013;
- Date limite : 30 septembre 2013
- Date et lieu du colloque : 13-15 mars 2014, Amsterdam
Collecting Geographies – Global Programming and Museums of Modern Art
Call for Papers
 Organized by Stedelijk Museum, Amsterdam; ASCA/ACGS University of Amsterdam, Amsterdam; Moderna Museet, Stockholm; Folkwang Museum, Essen;Tropen Museum, Amsterdam
Location: Stedelijk Museum, Amsterdam Dates: 13-15 March 2014 Deadline for papers: September 30, 2013 Admittance fee: €100,-
Key-note speakers / panel participants James Clifford, Sarat Maharaj, Annie Coombes, Kader Attia, Wendelien van Oldenborgh, Daniel Birnbaum and Tobia Bezzola.
For the latest information on key-note speakers and panel participants please keep an eye on our website: www.stedelijk.nl/en
Introduction Against the backdrop of globalization today, museums for modern and contemporary art in the West are inclined to pay serious attention . . . → En lire plus
Posté par Damien Bril, le 6 septembre 2013;
- Date limite : 30 octobre 2013
- Date et lieu du colloque : 7 février 2014, Edimbourg
Future Bourgeois: A Symposium and Workshop for New Work on Louise Bourgeois
Edinburgh, February 07, 2014
Organised by the ARTIST ROOMS RESEARCH PARTNERSHIP, The Fruitmarket Gallery and National Galleries of Scotland
 CALL FOR PAPERS
This autumn The Scottish National Gallery of Modern Art and The Fruitmarket Gallery, both in Edinburgh, Scotland, will host complementary exhibitions of the work of artist Louise Bourgeois. ‘ARTIST ROOMS: Louise Bourgeois, A Woman without Secrets’ at the Scottish National Gallery of Modern Art (26 October 2013 to 18 May 2014) will be the first showing of an outstanding collection of works by Bourgeois now on loan to the national ARTIST ROOMS collection and touring programme. Highlighting the artist’s late work, the show will include . . . → En lire plus
Posté par Damien Bril, le 3 septembre 2013;
- Date limite : 15 octobre 2013
- Date et lieu du colloque : 13-14 février 2014, Rome
Baldassarre Peruzzi and the Figurative Arts Rome, Bibliotheca Hertziana, Max-Planck-Institut für Kunstgeschichte February 13-14, 2014
 The multi-talented Sienese artist Baldassarre Peruzzi (1481-1536) worked productively in Renaissance Rome as architect, stage-designer, mechanical engineer, and painter. Scholarship on his accomplishments and legacy, however, is currently in a state of fragmentation, where case studies of single works in discreet media lead the research. While much new information has emerged over the last two decades concerning Peruzzi’s buildings, the pictorial activity that was the other center of his career has received far less attention in recent years. As a result, Peruzzi’s place among the artistic and cultural circles of his generation is still known . . . → En lire plus
Posté par Damien Bril, le 3 septembre 2013;
- Date limite : 15 septembre 2013
- Date et lieu du colloque : 14-16 février 2014, Florence
Florence, Kunsthistorisches Institut in Florenz – Max-Planck-Institut, 14. – 16.02.2014 Deadline-CFP: 15 sept. 2013 Vasari als Paradigma. Rezeption, Kritik, Perspektiven The Paradigm of Vasari. Reception, Criticism, Perspectives
Conference organized by Alessandro Nova and Fabian Jonietz
 For the past decade and a half, numerous research projects have rededicated themselves to the key sources of art history and to editing and commenting on early art historiographical writings (Vasari, Bellori, Sandrart, Malvasia). One main difference between earlier attempts which dealt with these authors is a current approach which no longer concentrates on factual and documentary evidence alone, but which aims to reveal the narrative models and literary strategies of such texts as well. This fact . . . → En lire plus
Posté par Leonard Pouy, le 31 août 2013;
- Date et lieu du colloque : Du 11 au 13 avril 2014, Irsee Schwaben Academy, Allemagne
- Date limite : 1er septembre 2013
Call for papers:  . Turning Crisis and Turmoil into Text and Image between the Reformation and the French Revolution
The life and work world of early modern artists were characterised by profound crises and upheavals which have been treated only in an elementary fashion by social historians. The planned conference does not wish to pinpoint an individually experienced crisis (for example, death of the wife, artist’s illness) but extreme events leading to turning points in history with an effect on the artist as an individual. We have in mind especially the Reformation, the Thirty Years’ War, the division of the Netherlands, the French Revolution, persecution . . . → En lire plus
Posté par Steffen Haug, le 31 août 2013;
- Date limite : 15 septembre 2013
Call for Papers:
 Artist-Images and the Contemporary Studio: Place of Production and/or Enigmatic Sanctuary? Excursion to Berlin for French Ph.D. Students and Post-Docs
Berlin, November 7–10, 2013 Application Deadline: September 15, 2013
Excursion organized in cooperation with the Centre Allemand d’Histoire de l’Art, Paris and supported by the Université Franco-Allemande, Saarbrücken. 1. Deutsche Fassung 2. Version française 3. English version
1. Ausschreibung
Künstler-Bilder und das Atelier der Gegenwart – Produktionsstätte und/oder geheimnisvoller Kultraum? Exkursion nach Berlin für Doktoranden und Post-Doktoranden aus Frankreich
In Berlin haben in den letzten 15 Jahren zahlreiche internationale Künstler ihre Ateliers eingerichtet. Sie besitzen – entsprechend der Vielfalt der . . . → En lire plus
Posté par Thomas Bohl, le 1 août 2013;
- Date limite : 25 août 2013
- Date et lieu du colloque : juillet 2014 ; Leeds (Royaume-Uni)
 Le thème du prochain congrès international de médiévistique de Leeds, en 2014, a pour thème « Empire ». Le projet Art-Hist aimerait à cette occasion explorer le thème de l’art impérial à travers le titre suivant : “Images et formes impériales: approches historiques et historiographiques » afin de tenter de répondre à quelques questions : a-t-il existé un « art impérial » aux époques carolingiennes et ottoniennes ? Commet peut-il être défini ? Dans l’art médiéval, comment est suggérée ou évoquée l’idée d’empire ? Comment fonctionne dans l’oeuvre d’art ce principe d’évocation ? Comment les empereurs ont-ils utilisé ces formes et ces images pour la construction de leur . . . → En lire plus
Posté par Thomas Bohl, le 1 août 2013;
- Date limite : 10 septembre 2013
- Date et lieu du colloque : 8-11 mai 2014 ; Kalamazoo (États-Unis)
 In Spring 2014, Art-Hist will organize two sessions at Kalamazoo International Congress on Medieval Studies (8-11 May). Art-Hist sessions this year will deal with « White, Empty, Silent in Medieval Artistic Creation ». The committee offered us two sessions: « I. Paleographical Aspects »; « II. From Sonorous White to Visual White: Silence and Its Representation ». We are expecting proposals dealing with representation of silence in Medieval art and graphic practices. The deadline for the paper proposal is September 15th.
Annonce
Argument
White, Empty, Silent in Medieval Artistic Creation.
Session I: “Paleographical Aspects”.
Session II: “From Sonorous White to Visual White: . . . → En lire plus
|
Équipe Rédacteur en chef : Olivier Bonfait.
Rédacteurs : Elliot Adam (Moyen Age) ; Nicolas Ballet (XX-XXIe siècles) ; Matthieu Fantoni (musées) ; Antonella Fenech Kroke (bourses) ; Vladimir Nestorov (Lettre mensuelle)
Administrateur web : Matthieu Lett.
ancien éditeur : Pascale Dubus
anciens rédacteurs : Gautier Anceau, Sébastien Bontemps, Damien Bril ; Sébastien Chauffour ; Ludovic Jouvet ; Aude Prigot
|
