Posté par Olivier Bonfait, le 3 janvier 2024;
- Date limite : 31 janv. 2024
 THE ART OF MOURNING. Emotion and Restraint in the Visual Arts, 1750–1850. First Wellhöfer Colloquium, Thursday 6–Friday 7 December 2024 Würzburg, Martin von Wagner Museum der Universität Würzburg and Toscanasaal der Residenz
Organized by: Martin von Wagner Museum der Universität Würzburg (Damian Dombrowski) und Deutsche Gesellschaft für die Erforschung des 19. Jahrhunderts (Michael Thimann)
Deadline: Jan 31, 2024
In an acclaimed essay of 1986, Yve-Alain Bois identified “The Task of Mourning” as a characteristic feature of painting in the later twentieth century. However, this emo-tionally charged purpose had already been ubiquitously present in many forms of artistic expression in the decades around 1800, before . . . → En lire plus
Posté par Olivier Bonfait, le 3 janvier 2024;
- Dates du congrès : 15-19 janvier (par visio)
The Art Museum in the Digital Age (online/Vienna, 15-19 Jan 24)
Online (via Zoom) / Belvedere 21 (Wien), Jan 15–19, 2024
The Belvedere Research Centre is delighted to present the sixth edition of its conference series on the digital transformation of art museums. The international conference builds upon the previous event focusing on topics such as Metaverse, Web 3, and Artificial Intelligence. Unsurprisingly, however, the debate about the responsible use of AI in the museum sector is omnipresent in the contributions submitted this year in particular. Four online sessions, an on-site workshop and a hybrid panel discussion are dedicated to the critical examination of machine learning versus human curation, the digital networking and aggregated analysis of cultural heritage data, and immersive experiences in the interplay of virtuality . . . → En lire plus
Posté par Olivier Bonfait, le 3 janvier 2024;
- Date limite : 31 janvier 2024
Why Have There Been No Great Women Architects? Feminist Perspectives on Gendered Spaces in Modern Architecture and Art History.
Technische Universität Wien, Jun 14–15, 2024 Deadline: Jan 31, 2024
Our proposed conference will explore the intricate linkages between society, gender and space from a decidedly feminist perspective. In so doing, it seeks to emphasize both the productivity of women across all architectural and planning dimensions, as well as art historical discourses regarding the gendered perception and use of space. Doing justice to the diversity and omnipresence of both Western and non-Western positions, the conference aims to address the entire spectrum of architectural and spatial design in the 19th and 20th centuries.
Notwithstanding decades of feminist research, monographs and exhibitions on women architects, and reference to gender issues . . . → En lire plus
Posté par Olivier Bonfait, le 3 janvier 2024;
- Date limite : 1er février 2024
 Christina in Context: A Celebration of Queen Christina of Sweden at 400
Deadline: Feb 1, 2024 Call for contributions – A volume in celebration of Christina of Sweden’s 400th birthday.
Volume Editors: Theresa Kutasz Christensen, Camilla Kandare, Ylva Haidenthaller
Project Summary: In celebration of Christina of Sweden’s 400th birthday celebrations in 2026, we plan to organize a volume that highlights and expands scholarship on Queen Christina and her lasting influence. This book will present interdisciplinary work on the queen with a transnational focus on her social, religious, political, artistic, intellectual, and academic engagement and reception in the 17th century. The essays will consider the vast material . . . → En lire plus
Posté par Olivier Bonfait, le 3 janvier 2024;
- Date limite : 22 janvier 2024
 Foucault: Art, Histories & Visuality in the 21st Century (Toronto, 29-30 May 24)
OCAD (Ontario College of Art and Design) University, Toronto/Tkaronto, Canada, May 29–30, 2024 Deadline: Jan 22, 2024
Scholarly Conference – Call for Proposals: « Foucault: Art, Histories, and Visuality in the 21st Century ».
The French philosopher Michel Foucault’s (1926–84) work has had a major effect on scholars of art and visuality since Les Mots et les choses (1966) appeared in English in 1970 as The Order of Things. His radical ideas galvanized artists and art writers into many different directions: to insert ruptures and incoherence into history; to reimagine the . . . → En lire plus
Posté par Olivier Bonfait, le 3 janvier 2024;
- Date limite : 15 janvier 2024
Computer Vision and Art History Today (Philadelphia, 14-15 Jun 24)
Philadelphia, PA, USA, Jun 14–15, 2024 Deadline: Jan 15, 2024
The Department of Art History and the College of Information Sciences and Technology at The Pennsylvania State University are pleased to announce an upcoming convening on the use of computer vision (CV) for art historical research. Structured as a symposium with a public keynote, this event will take place June 14 & 15 at the Barnes Foundation in Philadelphia. The keynote lecture, to which all are invited, will be delivered by Leo Impett (University of Cambridge) on Friday, June 14 at 6 pm. Scholars wishing to attend the symposium scheduled for Friday and Saturday morning are invited to indicate their interest as explained . . . → En lire plus
Posté par Olivier Bonfait, le 3 janvier 2024;
Le 36ème congrès du CIHA s’annonce comme un événement majeur pour toute la communauté de l’histoire de l’art. Le grand succès remporté par les appels à session et à communication témoigne de l’intérêt du thème qui a été retenu : Matière matérialité. Les propositions de communications émanent du monde entier et les communications seront présentées par des intervenants venant de 50 pays différents. Le Congrès de Lyon sera véritablement mondial et constituera une occasion unique de rencontrer des chercheuses et des chercheurs issus de différentes traditions et institutions. De nombreux ateliers, rencontres, débats et tables rondes s’ajoutent au programme des sessions pour favoriser la connaissance de l’actualité des pratiques de l’histoire de l’art, au plan national comme au plan international. Participer à ce congrès sera une expérience exceptionnelle par toutes . . . → En lire plus
Posté par Olivier Bonfait, le 3 janvier 2024;
- Date et lieu du congrès : Lyon, 23-28 juin 2024
 Découvrez les 93 sessions du 36e congrès d’histoire de l’art qui se tiendra à Lyon du 23 au 28 juin 2024 sur le thème matière/matérialité
https://cfha-web.fr/36e-congres-du-comite-international-dhistoire-de-lart-lyon-23-28-juin-2024-programme-des-sessions/
Pour vous inscrire au congrès et avoir les dernières nouvelles sur le congrès
visitez le site du congrès : https://www.cihalyon2024.fr/fr/
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Équipe Rédacteur en chef : Olivier Bonfait.
Rédacteurs : Elliot Adam (Moyen Age) ; Nicolas Ballet (XX-XXIe siècles) ; Matthieu Fantoni (musées) ; Antonella Fenech Kroke (bourses) ; Vladimir Nestorov (Lettre mensuelle)
Administrateur web : Matthieu Lett.
ancien éditeur : Pascale Dubus
anciens rédacteurs : Gautier Anceau, Sébastien Bontemps, Damien Bril ; Sébastien Chauffour ; Ludovic Jouvet ; Aude Prigot
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THE ART OF MOURNING. Emotion and Restraint in the Visual Arts, 1750–1850. First Wellhöfer Colloquium, Thursday 6–Friday 7 December 2024 Würzburg, Martin von Wagner Museum der Universität Würzburg and Toscanasaal der Residenz
