Présentation de HistoireS de l’art en France. 1964-2024. Lieux, questions, défis (Lyon, CIHA, 26 juin 2024)

Rappel : tous les événements du 36e Congrès du CIHA, Lyon, 23-28 juin sur openagenda ici.

et venez nombreux assister à la présentation du premier volume publié par le CFHA

HistoireS de l’art en France. 1964-2024. Lieux, questions, défis

 

 

 

 

 

 

À l’occasion du 36e Congrès international d’histoire de l’art, le Comité français d’histoire de l’art publie HistoireS de l’art en France, 1964-2024. Lieux, questions, défis. L’ouvrage retrace les étapes importantes qui ont marqué l’histoire de l’art en France durant les soixante dernières années, qui ont vu s’opérer tant de bouleversements, et insiste sur la diversité de la discipline, . . . → En lire plus

Appel à communication. Making and Remaking Saints in the Iberian Peninsula and Beyond during the Middle Ages and the Early Modern Period c. 600 – 1600 (Salmanca, 24-26 mars 2025)

IBERSAINTS: Making and Remaking Saints in the Iberian Peninsula and Beyond during the Middle Ages and the Early Modern Period c. 600 – 1600 // IBERSANTOS: Crear y Recrear los Santos en la Península Ibérica y Atrás durante la Edad Media y El Periodo Moderno Temprano c. 600 – 1600.

CALL FOR PAPERS AND POSTERS 24 – 26 March 2025 Sala de Grados – Faculty of Geography and History, University of Salamanca Museum of Salamanca

We kindly invite paper and poster proposals for an in-person international conference hosted by the University of Salamanca in collaboration with the Museum of Salamanca, Salamanca, Spain.

This international conference seeks to explore the means of constructing and reconstructing saints in and beyond the Iberian Peninsula with particular emphasis on: – the import . . . → En lire plus

Appel à communication. Hard Bodies (Frankfurt a.M., 9-11 Jan 25)

Hard Bodies: Aesthetic, Materiality, and Mediality of Masculinity in American and European Art and Visual Culture, c. 1900 – today

Goethe-Universität Frankfurt a.M., Jan 9–11, 2025 Deadline: Jul 15, 2024

Description: The hard body is omnipresent in contemporary culture. It evokes purity, whiteness, and resistance to cracking or contamination. It is the result of disciplined self-optimization (physical training, a strict diet, dietary supplements, and/or surgery) and part of the iconography of white supremacy. Contemporary artists only refer to the hard male body to destroy it – like Candice Lin in her installation A Hard White Body (2017).

So, why should we revisit the hard male body, with its undeniable hegemonic bias? Why not dismiss it, and look at the fragmented, performative, vulnerable, and transformative male body instead?

This . . . → En lire plus

Appel à communications. (P)Ostkolonialismus (Berlin, 24-25 Oct 24)

(P)Ostkolonialismus (Berlin, 24-25 Oct 24)

Berlin, Oct 24–25, 2024 Deadline: Jul 14, 2024

In the 19th century, Poland, the so called “Wild East”, already formed part of Germany’s colonial aspirations (Kopp 2012). Both Prussia and the German Empire, as well as the Nazi state, repeatedly attempted to fulfill their colonial settlement ambitions in Eastern Europe. This materialized in Bismarck’s Germanization policy, the occupied territory “Ober Ost” during the First World War, and Nazi Germany’s “Generalplan Ost”. The German mass crimes in the region during the Second World War were based on these continuities of anti-Slavic policies and convictions. Colonial and racist patterns of thought and behavior towards Eastern Europe continue to have an impact in many respects in the present day.

As early as the late 1990s, . . . → En lire plus

Appel à sessions. Association for Art History Conference (York, 9-11 Apr 25)

Association for Art History Conference 25: Call for Sessions (York, 9-11 Apr 25)

University of York, Apr 9–11, 2025 Deadline: Jul 5, 2024

The Association for Art History’s Annual Conference brings together international research and critical debate about art history and visual culture. A key annual event, the conference is an opportunity to keep up to date with new research, hear leading keynotes, broaden networks and exchange ideas.

The Annual Conference attracts around 400 attendees each year and is popular with academics, curators, practitioners, PhD students, early career researchers and anyone engaged with art history research. Members of the Association get reduced conference rates, but non-members are welcome to attend and propose sessions and papers. Convenors are limited to convening one session.

We actively encourage applications from . . . → En lire plus

Les actualités du 36e congrès d’histoire de l’art (Lyon 23-28 juin 2024)

Suivez l’actualité du 36e congrès d’histoire de l’art (Lyon 23-28 juin 2024) sur sa page linkedin

 

 

 

 

 

 

 

 

 

 

 

 

 

https://www.linkedin.com/company/36th-ciha-congress-lyon-2024/

Poste de directrice ou directeur du département d’histoire de l’art à l’Académie de France à Rome

Poste de directrice ou directeur du département d’histoire de l’art à l’Académie de France à Rome Description du poste Sous l’autorité du Directeur de l’Académie de France à Rome – Villa Médicis et en coordination étroite avec le Secrétaire général, le directeur ou la directrice du département d’histoire de l’art élabore et met en œuvre la politique scientifique de l’Académie. Membre de l’équipe de direction, le ou la titulaire du poste participe à ce titre à l’élaboration et à la mise en œuvre des orientations stratégiques de l’établissement et est partie prenante des chantiers transversaux de l’établissement.Il ou elle est en outre plus particulièrement en charge des missions suivantes : 1) Diriger les projets scientifiques conduits par le département histoire . . . → En lire plus

Bourse Focillon 2024 (séjour en 2025) : jeune recherche dans le monde universitaire en France

La bourse Focillon est une bourse d’étude créée au lendemain de la Seconde Guerre mondiale, pour instituer des liens entre la France et les États-Unis. Elle porte le nom du grand historien de l’art Henri Focillon (Dijon, 1881-New Haven (Yale) 1943), directeur du musée des Beaux-Arts de Lyon, professeur à la Sorbonne, et dans différentes universités américaines à partir de 1932. Financée à son origine par le ministère des Affaires étrangères, elle est portée depuis 2010 par le ministère de la Culture, précisément par la délégation à l’inspection, la recherche et l’innovation (DIRI), au sein de la Direction générale des patrimoines et de l’architecture. Elle est placée sous l’égide du Comité français d’histoire de l’art.

La bourse Focillon est destinée . . . → En lire plus

Appel à communication : Mannerism and Crisis (Boston, 20-22 Mar 25)

When Mannerism emerged as a field of art historical study during the first part of the twentieth century, it was construed as a moment of crisis. To proponents of Geistesgeschichte such as Max Dvořák, Walter Friedlaender, and Erwin Panofsky or Marxists like Friedrich Antal and Arnold Hauser, Mannerism became a token of crises, either of a philosophical and existential nature or an outcome of tensions in the socio-economic base. Much criticism of these scholarly approaches has since emerged from different ideological and methodological perspectives, including that of John Shearman who during the 1960s argued for a “stylish style,” indifferent to societal change. The aim of this session is not to rehearse the historiography but to . . . → En lire plus

Appel à communication : Baroque Times: The table’s scenography (Vila Nova de Foz Côa, 14-16 Nov 24)

International Congress: « Baroque Times: The table’s scenography ».

Call for Papers: When discussing the table or the act of being at the table, our immediate thoughts go to the act of eating, the company present, and the food to be shared. However, the table transcends its practical function to become a richly layered symbol, both materially and conceptually, embodying sociability in myriad ways throughout history.

During the modern era (17th-18th centuries), the table’s significance unfolded across diverse contexts and environments, from the opulent settings of palaces to the humble abodes of common citizens. Regardless of setting, the table served as a focal point, drawing together a spectrum of personalities and activities, thus assuming a . . . → En lire plus

Appel à communication : Vanity, Morality, and Race in Seventeenth-Century Britain (New Haven, 27-28 sept. 2024)

Puritan Picture: Vanity, Morality, and Race in Seventeenth-Century Britain.

Yale Center of British Art, New Haven, CT, USA, Sep 27–28, 2024

The middle decades of the seventeenth century in Britain were characterized by radical political, religious, and social change. In this period, an unknown artist created a remarkable painting that spoke to fears and anxieties crystallizing around a perceived increase in moral laxity, gender transgression, and the insidious influence of foreigners. The painting depicts two women side by side, each wearing a conspicuous array of beauty patches. The woman on the left reprimands her companion with the words “I black with white bespott: . . . → En lire plus

Appel à publication : Early women curators and the making of institutional collections (1890s-1970s)

“The museum is me!” Early women curators and the making of institutional collections (1890s-1970s). Edited volume.

Between the 1890s-1970s, women began accessing decision-making roles in museums worldwide. This edited volume proposes a transnational exploration of both the contributions and the challenges of pioneering female curators regarding museum practice, collection-making, and display design. As scholarship (Diaz-Andreu, 2005; Hill, 2016) starts unearthing the distinctiveness of women’s curatorial practices, we aim to define and explore the extent of this potential gendered approach to collecting and curating. What did pioneering women curators achieve, and what can a gender perspective on museum history contribute to uncover?

Beyond describing obstacles to women’s agency in curatorial work (such as “marriage bars”, salary gaps, and prejudices against female . . . → En lire plus

Appel à communication : The Art of Embroidery: History, Tradition, & New Horizons (Lorca, 27-30 Nov 24)

International Conference: « The Art of Embroidery: History, Tradition, and New Horizons. »

Organized by the Lorca City Council and the Research Group “Sumptuary Arts” of the History of Art Department, University of Murcia.

This congress aims to create a space to present and discuss the results of the most recent studies on the history of embroidery in its broadest dimension, without prioritizing specific cultural, artistic, or chronological areas, but encompassing all aspects that such an ancient art as embroidery entails.

Languages for communications: Spanish, Portuguese, Italian, English, French.

Research Lines: Those interested in participating in the congress by presenting a communication must . . . → En lire plus

Appel à intervention : Enseigner, transmettre, renouveler (Paris, 25 Sep 24-19 Mar 25)

Argumentaire – Enseigner, transmettre, renouveler. Après treize années, les Jeudis de l’art font peau neuve et changent de nom. Se tenant désormais le mercredi soir, les Jours de l’art demeurent le même cycle de conférences en histoire de l’art ouvert à tous à l’Institut Catholique de Paris. Il s’étend sur les deux semestres de l’année universitaire 2024-2025 (entre septembre et avril). Dans le cadre des cursus de licence et de master de la Faculté des Lettres, il propose des rencontres régulières qui apportent un complément aux enseignements généraux en abordant des sujets plus spécifiques, et créent un lieu d’échanges interdisciplinaires entre étudiants, enseignants et public extérieur. Cette mue prend justement prétexte du 150e anniversaire de la fondation de la Faculté de Lettres de l’ICP pour engager une réflexion . . . → En lire plus

2 Research Assistants/PhD, The M/Other Project, Lüneburg

Research Assistant (m/f/d) – School of Culture and Society – Leuphana Universität Lüneburg.

 

As a humanistic, sustainable and action-oriented university, Leuphana University of Lüneburg stands for innovation in education and science. Methodological diversity, interdisciplinary cooperation, transdisciplinary cooperation with practice and an overall dynamic development characterise its research profile in the core topics of education, culture, management/technology, sustainability and state. Its international study model with the Leuphana College, the Leuphana Graduate School and the Leuphana Professional School is unique in Germany and has won many awards. We are currently looking for two PhD-candidates to join the project “The M/Other Project: Creativity, Procreation, and Contemporary Art” which has been funded by the VolkswagenFoundation and is led by Prof. Jordan Troeller, Junior Professor of Art History and Aesthetic Practice. The PhDs will . . . → En lire plus

Appel à communication : Geological Imagination in the Art of the Long Nineteenth Century (Huntington Library, 2025)

The Geological Imagination in the Art of the Long Nineteenth Century (Huntington Library, 2025).

Organizers: Nina Amstutz (University of Oregon) Stephanie O’Rourke (University of St Andrews)

Call for Papers: In the last decade, there has been a surge of interest in geology and its attendant fields – such as stratigraphy, paleontology, and geomorphology – in the arts and humanities, catalyzed by the notion that we have entered a new geological epoch. Yet this “geological turn” in the academy did not originate with the recent public awareness of anthropogenic climate change. During the long nineteenth century–a period widely accepted as the ‘crucible of western modernity’ and the emergence . . . → En lire plus

CIHA Lyon 2024 programme des visites et réceptions en ligne, inscriptions obligatoires

CIHA Lyon 2024 Visits and receptions registration is open! Discover the detailed description of the Visits in Lyon and the Events and receptions proposed as part of the 36th CIHA Congress from June 24 to 28, 2024! ➜ Visits

Register now for the many visits organised in Lyon, in museums, art centres, historic sites and partner venues!*

Guided tours, meetings with curators, professionnals, and artists, conferences,… A rich and varied cultural programme awaits you from 24 to 28 June 2024!

➜ Events and Receptions

Book your place now for the Events and Receptions organized and . . . → En lire plus

Appel à communication : Quand l’objet archéologique est sujet historique (Lyon, 14-15 nov. 2024)

Appel à communications Quand l’objet archéologique est sujet historique. Perception, fonction et réception des artefacts

Le laboratoire junior ArchéOrigines, fondé avec le soutien de la Maison de l’Orient et de la Méditerranée de Lyon il y a bientôt deux ans, a consacré toutes ses activités à l’histoire de l’archéologie. En 2023, une table ronde sur « Les mots de l’archéologie »[1], puis une journée d’étude sur la naissance des musées d’archéologie ont été organisées[2]. La diversité des « Histoires d’archéologies » a été présentée à Dijon[3] et, plus récemment, un séminaire sur les liens unissant archéologie et nationalisme a été proposé à Lyon[4]. L’apport des études de genre à l’histoire de l’archéologie a été mis en perspective lors de la journée . . . → En lire plus

Aide à la publication, bourse de séjour, Institut Giacometti, Paris : Ecole des Modernités

The Institut Giacometti in Paris runs a research programme on the history of modern art: the École des Modernités. The aim of this programme is to support original projects in the study of the art of the modern period (1905-1960).

As part of this programme, the Institut Giacometti supports original research on the modern period through access to its research centre, research residencies and publishing support in the form of a collection of essays. One of the main themes of the programme is cosmopolitan modernity in Paris.

The École des Modernités’ collection of monographs, jointly published with Fage Éditions, offers unpublished texts which are the results of recent . . . → En lire plus

Appel à communication : A Geography of (Art) Historians (Madrid, 14-15 Nov 24)

Call for Papers: International Conference « A Geography of (Art) Historians: The CIHA and the CISH during the Cold War », Complutense University of Madrid, November 14th-15th, 2024.

Organisers: José M. Faraldo (UCM), Patricia García-Montón (UCM/UCLM)

The Comité International d’Histoire de l’Art (CIHA) and the Comité International des Sciences Historiques (CISH) played a crucial role in the advancement of scholarship in the fields of Art History and History during the Cold War. Both NGOs of scholars contributed to building a professional community beyond political borders. Some of the most renowned (art) historians of the time belonged to their Boards or were members representing their country. Furthermore, international congresses and colloquia under the aegis of the CIHA and the CISH served as a forum for intellectual dialogue between specialists from different . . . → En lire plus