Posté par Centre Dominique-Vivant Denon, le 15 mai 2025;
Table Ronde le mercredi 21 mai à 18h au Centre Dominique-Vivant Denon
En prélude au Festival de l’histoire de l’art sur le thème « Le vrai, le faux », table ronde sur les enjeux liés aux recherches de provenance et d’authenticité dans les musées avec Catherine Chevillot, chargée de la préfiguration de la mission Provenance au service des musées de France, le colonel Hubert Percie du Sert, chef de l’Office central de lutte contre le trafic des biens culturels, Violaine Jeammet, conservateur au Département des Antiquités grecques, étrusques et romaines et Françoise Barbe, conservateur en chef au département des Objets d’art, musée du Louvre.
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Posté par Olivier Bonfait, le 15 janvier 2025;
- Date limite : 28 février 2025
 Albert Ottenbacher Fellowship for Provenance Research 2025
The Albert Ottenbacher Fellowship, sponsored by the Association of Friends of the Zentralinstitut für Kunstgeschichte e.V. CONIVNCTA FLORESCIT, supports research projects on provenance research in the broadest sense. The fellowship is named in memory of Albert Ottenbacher (1950–2022) and honors his commitment to provenance research at the ZI.
The fellowship enables a research stay of up to three months at the Central Institute for Art History. Fellows are expected to partake in the activities of the ZI and to present the fellowship project. The amount of the scholarship is € 2,000 per month (doctoral students) or € 2,300 (postdocs). The fellowship can be scheduled individually by arrangement but should start within one year . . . → En lire plus
Posté par Olivier Bonfait, le 15 janvier 2025;
- Date limite : 28 février 2025
Bonn, Arbeitskreis for Provenienzforschung e.V. (Research Association for Provenance Research), Sep 8–10, 2025 Deadline: Feb 28, 2025
Provenance Research and Restitution – Transdisciplinary Approaches, Annual Conference of the International Professional Association for Provenance Research (Arbeitskreis Provenienzforschung e.V.) 2025.
The International Professional Association for Provenance Research (Arbeitskreis Provenienzforschung e.V.) brings together almost 600 international researchers and experts dedicated to researching the provenance of cultural objects. Our members work in collecting institutions (such as museums, libraries and archives), in the art trade, the legal system, in academia or as freelancers.
The host for this year’s annual conference is the University of Bonn. The University of Bonn is one of the largest and most renowned teaching and research institutions in Germany. In summer 2019 it was named one of eleven German Excellence . . . → En lire plus
Posté par Olivier Bonfait, le 2 juillet 2024;
- Date limite : 21 juillet 2024
Technische Universität Berlin, TUB, Hauptgebäude
Call for proposals for exposé grants to prepare a dissertation project.
The Department of Art History as Cultural History (Kunstgeschichte als Kulturgeschichte = KuK) led by Prof Bénédicte Savoy at the Technische Universität Berlin is offering up to three exposé grants for the preparation of a dissertation project. During the six months of funding provided by the grant, an exposé is to be developed for a subsequent application for an external doctoral scholarship. This offer includes the supervision of the project at the department, in accordance with the doctorate regulations of the TU Berlin.
The topic . . . → En lire plus
Posté par Olivier Bonfait, le 13 juin 2023;
- Date limite : 30 juin 2023, 30 juin 2023
3 Pos. Researchers and Data Scientist (m/w/x), project BRAIN 2.0, Brussels
Brussels, Royal Museums of Fine Arts of Belgium, Sep 1, 2023–Aug 31, 2027 Application deadline: Jun 30, 2023
[1] Researcher, PhD Student (m/w/x), project BRAIN 2.0: ProvEnhance. WP3: Provenance research [2] Researcher, PhD Student (m/w/x), project BRAIN 2.0: ProvEnhance. WP4: Art market history [3] Data scientist / Data manager / Database programmer (part-time) (m/w/x), project BRAIN 2.0: ProvEnhance
[1] Researcher, PhD Student (m/w/x), project BRAIN 2.0: ProvEnhance. WP3: Provenance research, 2023-2027
The PhD project is part of the larger research project ProvEnhance: Enhancing the provenance data of the collections of the Royal Museums of Fine Arts of Belgium (RMFAB) since 1933. Scientific . . . → En lire plus
Posté par Olivier Bonfait, le 14 février 2023;
- Date limite : 10 mars 2023, 10 mars 2023, 10 mars 2023
Provenance Research in Action: People, Tools & Practices (London, 12-16 Jun 23) Deadline: Mar 10, 2023
Join a week-long, hands-on, workshop on provenance research and due diligence in the earth of the London art world. Run by the Society for the History of Collecting in partnership with some of the most relevant London-based museums, libraries and academic institutions, this workshop aims to introduce students and young professionals to the tools, good practices, and best methodologies involved in researching provenance for paintings, decorative arts, books, archives, etc. Small group workshops, run by professionals in the sector, have been designed to provide an effective method of teaching of the theoretical and practical aspects of provenance research today. Applicants should send a letter of motivation (no longer than . . . → En lire plus
Posté par Olivier Bonfait, le 14 février 2023;
- Date limite : 19 mars 2023, 19 mars 2023, 19 mars 2023
Nazi-era art provenance research training (Denver/online, 18-23 Jun 23) University of Denver, Colorado, Jun 18–23, 2023 Deadline: Mar 19, 2023
The Center for Art Collection Ethics (ACE) at the University of Denver (DU) is pleased to announce a hybrid training program on the fundamentals of Nazi-era art provenance research, June 18–23, 2023. In partnership with DU’s Center for Professional Development, our program is geared toward graduate students in any field and emerging museum professionals, with selected streamed sessions available to the broader public. We will offer an on-campus postgraduate certificate of completion to twenty students through an application process, with generous support from the Samuel H. Kress Foundation. In addition, non-certificate students and other attendees may register to attend selected sessions . . . → En lire plus
Posté par MAEL TAUZIEDE-ESPARIAT, le 1 février 2021;
- date : 4-5 février, en ligne
INTERNATIONAL CONFERENCE WHAT PROSPECTS FOR “ORPHAN WORKS”? Reflections on cultural goods without provenance University of Geneva, 4th and 5th February 2021
Pour vous inscrire au colloque, merci de suivre ce lien.
THURSDAY 4TH FEBRUARY 2021 / JEUDI 4 FÉVRIER 2021
8h30–9h00 : Reception of the participants / Accueil des participants
9h00–9h25 : Opening speech / Discours d’ouverture
Yves FLÜCKIGER (Recteur de l’Université de Genève) Sami KANAAN (Maire de Genève, en charge du Département de la culture et de la transition numérique) Jean Claude GANDUR (Président de la Fondation Gandur pour l’Art)
9h25–9h40 : Marina SCHNEIDER, Marc-André RENOLD, Isabelle TASSIGNON « Qu’est-ce qu’une “œuvre orpheline”? . . . → En lire plus
Posté par Sebastien Chauffour, le 9 mai 2016;
- Date et lieu de la journée d'étude : 2-3 juin 2016, Paris
La recherche de provenance, discipline à part entière de l’histoire de l’art, suscite depuis une quinzaine d’années une attention accrue, tant auprès des spécialistes que . . . → En lire plus
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Équipe Rédacteur en chef : Olivier Bonfait.
Rédacteurs : Elliot Adam (Moyen Age) ; Nicolas Ballet (XX-XXIe siècles) ; Matthieu Fantoni (musées) ; Antonella Fenech Kroke (bourses) ; Vladimir Nestorov (Lettre mensuelle)
Administrateur web : Matthieu Lett.
ancien éditeur : Pascale Dubus
anciens rédacteurs : Gautier Anceau, Sébastien Bontemps, Damien Bril ; Sébastien Chauffour ; Ludovic Jouvet ; Aude Prigot
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