Posté par Matthieu Lett, le 26 juillet 2013;
- Date limite : 15 octobre 2013
- Date et lieu du colloque : Mars 2014, Dresde et Rome
 After attaining the Polish Crown, the Wettin Elector pursued the expansion of Dresden in order to transform it into a prestigious residence. Dresden evolved in the 18th Century as a cultural centre of the Reich with outstanding art collections and a particular concentration of artists, architects, composers and singers.
The Saxon Prime Minister Heinrich Count von Brühl (1700-1763) was a key figure in this development: he has been responsible for the art collections, including the purchase of works of art, as well as the Court Theatre, the Court Opera and of the Meissen porcelain factory. He was also a close advisor of the Elector and . . . → En lire plus
Posté par Thomas Bohl, le 24 juillet 2013;
- Date limite : 1er septembre 2013
- Date et lieu de la journée d'étude : 5-6 Décembre 2013, Masaryk University, Brno (République Tchèque)
 International PhD student conference, 5–6 December 2013 Masaryk University in Brno, in cooperation of the University of Padova and the Centre of Early Medieval Studies, Department of Art History of Masaryk University in Brno, Czech Republic.
CALL FOR PAPERS
«MEMORY AND OBLIVION, ALL HAIL! MEMORY I SAY IN THE CASE OF GOOD THINGS, AND OBLIVION IN THE CASE OF EVIL» (Greek Anthology, X, 67)
Above mentioned words by Macedonios Consul, from the first half of the sixth century, are an ideal start to understand the anxiety about things remembered and forgotten that pervaded medieval society: the idea of Memory was deeply ingrained in philosophy of that time, as . . . → En lire plus
Posté par Pascale Dubus, le 16 juillet 2013;
- Date limite : 15 octobre 2013
- Date et lieu du colloque : 23-25 avril 2014, Autriche, Université de Vienne.
 Paper and panel proposals are invited for Scientiae 2014, the third annual conference on the emergent knowledge practices of the early modern period (ca. 1450-1750). The conference will take place on the 23-25 April 2014 at the University of Vienna in Austria, building upon the success of Scientiae 2012 (Simon Fraser University) and Scientiae 2013 (Warwick), each of which brought together more than 100 scholars from around the world.
The premise of this conference is that knowledge during the period of the Scientific Revolution was inherently interdisciplinary, involving complex mixtures of practices and objects which had yet . . . → En lire plus
Posté par Damien Bril, le 16 juillet 2013;
- Date limite : 11 novembre 2013
- Date et lieu du colloque : 11 avril 2014, Londres
AAH, London, April 11, 2014 Deadline-CFP: 11 nov. 2013
40th Association of Art Historians Annual Conference, Royal College of Art, London
Session: Curating Latinamericanismo: Recent Engagements with Latin American Art
Session Convenors: Dr. Nathan Timpano and Dr. Heather Diack
 This session seeks to consider recent histories of curating Latin American art within museums, private collections, and biennials, in order to address the complexities of curating in collecting, contextualizing and representing Latin American Art in the 21st century. Modern and contemporary art from Latin America has gained an enormous amount of international attention in the past two decades. With this growing visibility the interpretive and critical frameworks used for dissemination, engagement and . . . → En lire plus
Posté par Damien Bril, le 16 juillet 2013;
- Date limite : 1er septembre 2013
- Date et lieu du colloque : 28 juillet - 1er août 2014, Kiel
Kiel, July 28 – Aug 1, 2014 Deadline: Sep 1, 2013
Workshop for Young Researchers : “Emblematic Strategies”
 Within the frame of the Tenth International Conference of the „Society for Emblem Studies” a workshop with two sections for young researchers will be held, taking place in Kiel, Germany, at the Christian-Albrechts-Universität zu Kiel from 28 July to 1 August, 2014.
This call is addressed to advanced Magister- and Master-students, doctoral candidates as well as scientists who have recently received their PhD of the Humanities, in particular in the History of Art, History, Philology, and Cultural Studies. The session offers the opportunity to present and discuss own projects and researches dealing with emblematic strategies among an interdisciplinary group of young researchers.
. . . → En lire plus
Posté par Damien Bril, le 16 juillet 2013;
- Date limite : 11 novembre 2013
- Date et lieu du colloque : 10-12 avril 2014, Londres
AAH2014 – Royal College of Art, London, April 10 – 12, 2014 Deadline-CFP: 11 nov. 2013
40th Association of Art Historians Annual Conference, Royal College of Art, London
Session: Making Do – Materiality in the Conceptual Age
 The emergence of conceptual art in the United States and post-war Europe marked the most radical change of paradigm since Marcel Duchamp’s ready-made. Advocating the ‘dematerialization’ of the art object and a redefinition of art as a (self-) questioning language, conceptualism challenged received ideas about the production and circulation of artworks. Over recent years, a large body of research has examined the development of conceptual practices in so-called ‘peripheral’ regions, such as Eastern Europe and Latin America, and the ways in which . . . → En lire plus
Posté par Sébastien Bontemps, le 15 juillet 2013;
- Date limite : 13 octobre 2013
- Date et lieu : 12-15 mars 2014, Wiels, Contemporary Art Centre, Bruxelles
 Wiels, Contemporary Art Centre, Brussels, March 12 – 15, 2014 Deadline: Oct 13, 2013
Photofilmic Images in Contemporary Art and Visual Culture
International conference organized by: Université catholique de Louvain (UCL), KU Leuven, and Lieven Gevaert Research Centre for Photography (LGC)
Over the past two decades, research on the interaction between photographic and filmic images has become increasingly popular. This new orientation is partially based on the insight that the ontological differences between film and photography, claimed by scholars in photography theory and film studies up until the 1990s, can no longer hold in the digital era. With the advent of digital technology, boundaries between the photographic and the filmic have become increasingly blurred – both technically, in drawing . . . → En lire plus
Posté par Pascale Dubus, le 15 juillet 2013;
- Date limite : 15 octobre 2013
- Date et lieu du colloque : 4-6 juin 2014, Tunisie, Sfax.
 Ce colloque n’a pas pour but de se consacrer aux topoï amoureux ou sentimentaux qui constituent la grande majorité des topoï recensés sur SATORBASE et n’est pas à comprendre au sens originaire de l’histoire du roman, telle qu’elle se constitue avec le logos erotikos grec. Il ne s’agit pas non plus de se concentrer uniquement sur les scénarios narratifs récurrents qui entourent, préparent et accompagnent les scénarios érotiques proprement dit mais qui peuvent tout autant relever de la préparation et de l’accompagnement de scénarios amoureux et sentimentaux comme c’est par exemple le cas dans de nombreux topoï de . . . → En lire plus
Posté par Pascale Dubus, le 13 juillet 2013;
- Date et lieu du colloque : 28-30 november 2013, Münster, Academy of Fine Arts
- Date limite : 15 septembre 2013
 Both Gilles Deleuze and Michel Foucault were intensely engaged with aspects of the body. In particular, their critical drafts of aesthetics as much as their political thinking are based on conceptions of the body and corporeality. Deleuze’s body is flexible, fleshy and abstract at the same time. Following Spinoza, in asking what the body can do, he unfolds his theory of becoming, becoming animal, becoming other. The potentiality of the body is revealed here as being in a state of nomadism and constant transformation. Together with Guattari he develops the concept of the “Body without Organs”, as an event through which . . . → En lire plus
Posté par Anne Perrin-Khelissa, le 13 juillet 2013;
- Date du colloque : Vendredi 13 et samedi 14 juin 2014
- Lieu : Paris, Institut national d'histoire de l'art et Centre allemand d'histoire de l'art
- Date limite : lundi 30 septembre 2013
 Entre la réunion des États généraux et la fin du Premier Empire, vingt-cinq ans s’écoulent pendant lesquels bouleversements politiques, économiques, sociaux et culturels créent un contexte d’instabilité pour le secteur du luxe et du demi-luxe français. Les ateliers et les manufactures sont confrontés à des conditions matérielles et organisationnelles difficiles. Le manque de matières premières, la détérioration des finances et la diminution du personnel en raison du départ des jeunes hommes aux armées ont un impact négatif sur la production artisanale. L’incertitude générale que représente cette période d’instabilité politique et de conflits armés n’empêchent pourtant pas l’émergence de modes. De nouveaux marchés s’ouvrent . . . → En lire plus
Posté par Pascale Dubus, le 12 juillet 2013;
- Date limite : 15 octobre 2013
- Date et lieu du colloque : 20- 22 mars 2014, Wittenberg.
 On the occasion of the 500th anniversary of Lucas Cranach the Younger’s (1515 – 1586) birth, numerous events will take place in 2015 to honour him. In the run-up to that year, the proposed symposium wishes to focus on the life and work of the artist. Since his father, Lucas Cranach the Elder, has been the main centre of interest of recent research and exhibitions, the aim of this conference is for the first time to delineate more precisely, and to devote proper critical attention to, the biography and oeuvre of his younger son. On this basis we hope to acquire new insights . . . → En lire plus
Posté par Sébastien Bontemps, le 12 juillet 2013;
- Date limite : 15 août 2013
- Date et lieu : 3-5 juillet 2014, York, University of York
 University of York, York, July 3 – 05, 2014 Deadline: Aug 15, 2013
CALL FOR PAPERS
Cathedral Libraries and Archives of Britain and Ireland
Organised by Brian Cummings, Linne Mooney, Bill Sherman and Hanna Vorholt.
Hosted by the Centre for Medieval Studies and the Centre for Renaissance and Early Modern Studies at the University of York, in association with the York Manuscripts Conference and the Cathedral Libraries and Archives Network.
The York Manuscripts Conference has been held biennially or triennially since 1986 and, with about 50 papers, is amongst the largest conferences in Europe dedicated to manuscript studies. The Thirteenth York Manuscripts Conference, to be held from 3-5 July 2014 will have as its topic the Cathedral Libraries and . . . → En lire plus
Posté par Pascale Dubus, le 12 juillet 2013;
- Date limite : 15 septembre 2013
- Date de la journée d'étude : Novembre 2013, Mai 2014 et Novembre 2014.
 Le Programme de formation-recherche propose l’évaluation du rôle historique, sociologique et esthétique des galeries d’art dans le contexte de l’émigration, entre Paris et Berlin, de 1900 à 1950. Il s’adresse aux étudiants de Master I et II, aux doctorants en histoire, sociologie et médiation culturelle. Il se déroulera en trois sessions entre novembre 2013, mai 2014 et novembre 2014. Chaque session s’organise en trois journées consécutives: une journée d’études, une journée de visites sous la direction des responsables des galeries et de leurs archives. La synthèse écrite de chaque session adviendra durant la dernière journée consacrée à un atelier de recherche et d’écriture.
L’observation de la galerie comme champ interdisciplinaire, . . . → En lire plus
Posté par Sébastien Bontemps, le 12 juillet 2013;
- Date limite : 31 octobre 2013
- Date et lieu : Düsseldorf, 2-4 avril 2014
 “You were not expected to do this” On the Dynamics of Production (Distraction/Interference – Resistance/Accident)
International Conference Conveners: Dr. Daniel Blanga-Gubbay / Dr. Elisabeth Ruchaud.@Graduiertenkolleg Materialität und Produktion, Heinrich Heine Universität, Düsseldorf (Germany)
In ordinary terms, the word production refers to an act of creation and its result, or to a process at the end of which there is a materialisation of some kind, or to the act of making something present. By productively interfering with this common idea of production we would like to work towards establishing different ways of thinking about this concept.
Distraction and Interference as well as Resistance and Accident are exemplary categories of the unexpected moments that may or may not take place in . . . → En lire plus
Posté par Damien Bril, le 12 juillet 2013;
- Date limite : 9 août 2013
Wolverhampton Art Gallery, September 27, 2013 Deadline-CFP: 9 août 2013
Women and Pop Art
Friday 27 September 2013 10.30AM – 4.30PM
 Exploring themes around women and Pop Art, this interdisciplinary symposium aims to establish and reassess their role and contribution to the movement. Held in conjunction with ‘Pauline Boty: Pop Artist and Woman’, the keynote lecture will be given by the exhibition’s co-curator Dr Sue Tate. Other invited speakers include Althea Greenan from the Women’s Art Library, art historian Kalliopi Minioudaki, PhD, and artist Caroline Coon.
We invite proposals for 20 minute papers that explore the theme of women and Pop art. Please send abstracts (no longer than 300 . . . → En lire plus
Posté par Damien Bril, le 12 juillet 2013;
- Date limite : 9 septembre 2013
- Date et lieu du colloque : 14-15 novembre 2013, Nottingham
Nottingham Contemporary/ University of Nottingham, November 14 – 15, 2013 Deadline-CFP: 9 sept. 2013
“Shimmering, Shining, Vomiting, Glitter”: the politics and poetics of disgust
Convenors: Lucy Bradnock (University of Nottingham), Isobel Whitelegg (Nottingham Contemporary)
 Taking place in parallel with a new exhibition of the work of artist collective Asco – whose name in Spanish refers to disgust, nausea, revulsion – this two day symposium seeks to explore the meaning of disgust across a range of practices, including art, literature, film and popular culture, activism, spatial practice and performance, from the twentieth century to the present day. Keynotes include: Chon Noriega (UCLA); Dominic Johnson (QMUL); Katie Jones (Nottingham) and Imogen Tyler (Lancaster).
. . . → En lire plus
Posté par Pascale Dubus, le 11 juillet 2013;
- Date limite : 30 septembre 2013
- Date et lieu du colloque : 10–12 juillet 2014, Allemagne, Frankfurt am Main.
 In his Ricordi published in 1554, Fra Sabba da Castiglione describes a scene in which art and nature are in opposition to and – to the same degree – close reciprocal relationship to one another. Suffering from the crippling heat of a July day, the humanist seeks refuge in the shade of a tree in his overgrown garden in Faenza, and there experiences a special instance of art enjoyment : in natural surroundings, he immerses himself in the contemplation of his recently acquired Dürer engraving and admires its figures, animals, landscapes and vistas.
Sabba da Castiglione’s account sparks fundamental questions about the relationship . . . → En lire plus
Posté par Pascale Dubus, le 10 juillet 2013;
- Date limite : 31 août 2013
- Date et lieu du colloque : 2-4 avril 2014, Allemagne, Wolfenbüttel.
 In the late medieval and early modern period the price of a work of art was the result of a complex and multi-layered process of negotiation between those in involved in its production, those who acted as agents and brokers and the customer. On the one hand the price was determined by object’s material value, by its size, by the work, number of employees and the time involved in its production as well as by attributions of value and significance that were dependent on questions of genre. On the other hand the idea of a specific « artistic . . . → En lire plus
Posté par Sébastien Bontemps, le 9 juillet 2013;
- Date limite : 11 novembre 2013
- Date et lieu du colloque : 10-12 avril 2014, Londres
 London, Royal College of Art, April 10 – 12, 2014 Deadline: Nov 11, 2013
CFP for the annual Association of Art Historians conference, 2014 at the Royal College of Art, London
New Approaches to Collecting (1400-1600) Session Convenor: Leah Clark
This panel seeks submissions that address new approaches to collecting in the early modern world. Scholars have long been attentive to the emergence of the studiolo in the Italian Renaissance and its relationship to humanism and the revival of classical culture, pursuing connections between art, antiquity, politics, knowledge, and power. Traditional approaches to collecting have tended to concentrate on collectors’ tastes within larger patronage studies, analysing inventories as lists of static objects, or by examining the iconographic programmes of . . . → En lire plus
Posté par Damien Bril, le 8 juillet 2013;
- Date limite : 11 novembre 2013
- Date et lieu du colloque : 10-12 avril 2014, Londres
AAH Annual Conference, London, April 10 – 12, 2014 Deadline-CFP: 11 nov. 2013
Call for Papers: Parsing the Pixelated: The Histories of Digital Art
Session at the Association of Art Historians 2014 Annual Conference, London
 Although digital art precedes the creation of the world wide web in the early 1990s, it is only more recently, facilitated by affordable and widely distributed connected technology, that digital art has become firmly established as an artistic category. Yet the term remains nebulous, including many disparate forms and types of art: from manipulated photographs to interactive installations to works existing on or made by a computer. Furthermore, the History of Art has yet to substantively account for digital art, frequently deferring to the . . . → En lire plus
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Équipe Rédacteur en chef : Olivier Bonfait.
Rédacteurs : Elliot Adam (Moyen Age) ; Nicolas Ballet (XX-XXIe siècles) ; Matthieu Fantoni (musées) ; Antonella Fenech Kroke (bourses) ; Vladimir Nestorov (Lettre mensuelle)
Administrateur web : Matthieu Lett.
ancien éditeur : Pascale Dubus
anciens rédacteurs : Gautier Anceau, Sébastien Bontemps, Damien Bril ; Sébastien Chauffour ; Ludovic Jouvet ; Aude Prigot
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After attaining the Polish Crown, the Wettin Elector pursued the expansion of Dresden in order to transform it into a prestigious residence. Dresden evolved in the 18th Century as a cultural centre of the Reich with outstanding art collections and a particular concentration of artists, architects, composers and singers.
